New Album Roundup - Spring 2024 (April-June), Part 1
Time again to talk about some of the new albums released in 2024. There's been a whole slew of high quality albums released over the past few months. I've listened to over 50 new albums just since my last new album roundup (March 2024), and most of those were at least pretty good, with some being quite spectacular. In fact, there were so many good albums worth checking out that I can't cover them all in one post and need to divide this into two separate posts. It's quite a common refrain to hear people (especially from my generation) say that today's music sucks and how it was so much better back in their day. But that's pretty lame. Sure, there was a lot of great music made back then (whenever 'then' may be), but also a lot of crap as well, but there's also a lot of great music still being made all the time. It just seems that less of the really good stuff gets played on the radio or makes the charts these days. It's out there, you just have to look for it. No matter what kind of music you tend to like, I guarantee that there are great musicians out there making great music that you would like, if you know where to look. And music is so much more available today than ever before, through the internet and places like Youtube, BandCamp, and all the streaming services, virtually anything you could want to listen to is available. So, I'm featuring today some of the albums that I have liked most of those I have listened to this Spring. Once again, many of these are in the realm of Progressive rock (because that is what I listen to most), but there are also several fine offerings in the realms of pop and rock, and quite a variety of different things. There are some stellar offerings in what I would call pop music for grownups, in that they are more mature pop, not on any pop charts, but have a pop sensibility, beautiful catchy melodies and hooks, and a great sound and feel. Overall, a great Spring and another fine year for music thus far. So, here is part 1 of my New Album Roundup for Spring 2024:
Bend Sinister - Mostly Great Things
This Canadian Indie rock/progressive rock band from Vancouver, British Columbia, was first formed in 2001, and this is their 5th full-length album. Although their earlier albums featured a variety of styles with more of a progressive leaning, in their last couple albums they have found their niche with a more vibrant and dynamic rockin' power pop style. And this latest album is their best yet, a really great album of tight, bright, uptempo, catchy power pop and melodic rock songs. They show many influences, from 70's pop-rock and classic rock to modern prog, but they have their own unique style and sound. They have a fresh sound, but also somewhat familiar in a classic rock sense. Such great fun and a real feel-good album. These songs should be all over the radio (and would have been back in the old days), but sadly just don't fit in with the current pop music scene. Twelve tracks of superb good-time music and great summertime fun. Best Tracks: Pay the Price, What It Takes, Gotta Get Ready Now, Renegade, Leave the Lights On, Where You Gonna Run? Rating: 4.5ó
Rick Miller - One of the Many
Canadian composer, multi-instrumentalist, and prog rock artist Rick Miller has been around for many years (has released 13 albums since 2000), but this is the first album of his I have heard, and it is quite wonderful. A moody, somewhat dark, but very melodic and beautiful concept album dealing with issues of emotional struggles, memory issues, nostalgia, and loss. The obvious musical reference here is Pink Floyd, as the mood, style, and sound is undeniably Floydesque, but with various other elements reminiscent of The Moody Blues, Mike Oldfield, Porcupine Tree, and The Alan Parsons Project. This is an excellent album that unfortunately seems to be gettng lost in the shuffle of bigger name releases as no one seems to be talking about this one, but it is quite wonderful from start to finish. Even with the obvious musical references, Miller has constructed a wondrously vivid and creative musical gem here. Best tracks: Atrophy, The Lost Years, One of the Many, Perchance to Dream, Another Time. Rating: 4ó
Vampire Weekend - Only God Was Above Us
Vampire Weekend have been darlings of the indie rock scene for awhile now, but I had never checked them out until this most recent new album. and overall, was not very impressed. There is definitely some talent here, and although the album is somewhat intriguing, it is ultimately quite frustrating and disappointing. Many of the songs have much potential, with the basic structure, melodies, and vocals quite interesting and engaging, until they are inevitably undermined and sometimes completely ruined by the band's self-conscious attempts at being offbeat and edgy, with such unwanted intrusions as a screeching sax, a purposely out-of-tune distorted piano, or an incongruously inserted pseudo-baroque theme. Look, I love quirky bands and songs, but most of the added off-kilter intrusions here are just annoying and detract from rather than enhance the songs. The songs in the second half of the album fare much better, as the band plays it a bit straighter, or at least the quirky additions fit in somewhat better with the songs and are not as distracting. Again, there are the makings of a fine album here, as these songs given better arrangements could work very well, but the listening experience is more frustrating and annoying given the treatment of many of the songs. Still, there are some quite fine moments, and overall, is worth checking out, but this certainly does not deserve the praise it has been receiving. Best Tracks: Pravda, Mary Boone, Prep School Gangsters, Hope. Rating: 3ó
The Lemon Twigs - A Dream Is All We Know
The Lemon Twigs are the indie pop-rock brother duo of Brian and Michael D'Addario from Long Island, NY. This is their 5th album and comes on the heels of last year's acclaimed Everything Harmony (2023). Although their earlier albums (2016-2019) featured more of a quirky and strange mixture of '60's and 70's-influenced power pop, indie rock, art rock, and glam rock, these most recent albums have honed in on more specific periods and styles, with Everything Harmony focusing on 70's pop and soft rock. This new album is focused more on outright imitations or re-creations of sunshine pop from the 60's from bands such as The Byrds, The Beach Boys, The Beatles, Simon and Garfunkel and Todd Rundgren. This is a fun and, for the most part, highly enjoyable album, and the brothers are talented both as songwriters and musiciains, and they have produced some uncanny re-creations of the sounds and styles of these bands. But for me at least, it veers too close to imitation rather than producing original music. It's fine to be influenced by these styles and try to recreate your own versions of these styles, as they did in their earlier works, but this just goes beyond influence to outright imitation on several of these songs. It's still entertaining, and there are some real gems here, but overall, doesn't quite stand up on repeated listens and I can't consider this among the best albums of the year, but it's good summer fun. Best Tracks: Peppermint Roses, My Golden Years, Sweet Vibration, A Dream Is All I Know. Rating: 3.5ó
Mandoki Soulmates - A Memory Of Our Future
This is a music project put together by German-Hungarian musician-producer Leslie Mandoki featuring an All-Star cast of International musicians playing a bold mixture of jazz-rock, progressive rock, and world music, as well as socio-political commentary on world issues. They have produced multiple albums over the past 20 years or so. This latest effort features the talents of such luminaries as Ian Anderson (flute), Al Di Meola (guitar), Mike Stern (guitar), Randy Brecker (trumpet), Bill Evans (sax), John Helliwell (sax, clarinet),and Simon Phillips (drums), among others. Yes, this is a 'message' album, but the music never takes a back seat to the lyrics and social themes. On the contrary, the music is the star here, and what a shining star it is. Vibrant and engaging jazz-rock with catchy melodies and rhythms, masterful instrumental passages and extended solos, and thought-provoking lyrics. In addition to the stellar music and arrangements, this album is a masterpiece of production technology, recorded completely in analog with audiophile excellence and a vibrant live sound. Certainly one of the best sounding albums you will hear all year. The songs are wonderful and feature abundant contributions from the all-star cast. The album opens with Ian Anderson's aggressive and prominent flute in Blood on the Water, continues with Enigma of a Reason with Al Di Meola's classical-style guitar prominently featured. All in all, dynamic, flowing arrangements of some fantastic jazzy songs from a stellar cast of musicians, a wonderful, vibrant sonic experience. Best Tracks: Blood in the Water, Enigma of a Reason, Devil's Encyclopedia, Age of Thought, The Big Quit, We Stay Loud. Rating: 4ó
Crowded House - Gravity Stairs
Crowded House, of course, is the Australian pop-rock band founded by Neil Finn (songwriter, vocalist, guitarist) back in the 80's that had several hits and acclaimed albums from the late 80's through early 90's. Although they disbanded in 1996, original members Neil Finn and Nick Seymour (bass) re-formed the band in 2020, adding Mitchell Froom (keyboards) and Finn's sons Liam and Elroy. This new album (the 2nd from this re-formed lineup) has a very different sound from the 80's-90's version of the band, with more mature songwriting and more elaborate arrangements. The style here is more laid-back, with languid, dreamy pop songs featuring lush production and arranging. More mature and laid-back, but Neil can still write some wonderful pop songs filled with great melodies and harmonies. Several songs here show more influence from bands such as The Moody Blues than The Beatles, that is until later on the album where they breakout a Beatlesque trilogy of songs, from the the psychedelia of Blurry Grass, I Can't Keep Up With You straight out of the Revolver era and Thirsty showing a White album aesthetic. Best Tracks: Magic Piano, Black Water White Circle, I Can't Jeep Up With You, Blurry Grass, Teenage Summer. Rating: 4ó
Kaipa - Sommargryningsljus
Veteran Swedish Prog band Kaipa has a long history (origins of the band go back nearly 50 yrs). The current version of the band is led by the twin virtuosos of Hans Lundin (keyboards) and Per Nilsson (guitars), and rounded out by Jonas Reingold (Flower Kings, Steve Hackett) on bass, Darby Todd (devin Townsend, Martin Barre) on drums, and vocalists Patrik Lundstrom and Aleena Gibson. This is classic symphonic prog with jazz elements, filled with grand themes and melodies, and abundant instrumental flourishes. The album consists primarily of 6 extended length songs (9-15 minutes each, providing ample space for the band to stretch out and explore the varied musical themes and sections of the songs. These are book-ended by shorter opening and closing theme tracks. In addition to the instrumental virtuosity on display, the male and female vocalists (mostly sung in English, but with some Swedish in the title tracks) add another lovely element, both individually and with fine vocal harmonies throughout. This is excellent symphonic prog that raises the bar for Kaipa as I would say it is the best of any of their more recent albums. Best Tracks: Relationview, Seven Birds, Chased By Wolves and Burned by the Sun, Spiderweb train, Sommargrningsljus. Rating: 4
Guster - Ooh La La
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Guster is a great indie rock band from the Boston area that has been around since the early 90's, and probably one of the most criminally underappreciated bands out there. They have an impressive string of albums and a devoted following, but always seem to hover just below breakout success. Their sound has traditionally featured bright vocal harmonies and melodies and an upbeat shimmering acoustic folky style. Although their more recent albums have shifted to more diverse styles, with more keyboards, less acoustic guitar, and more elaborate arrangements, they have always maintained great vocals and songwriting. This new album, their first in over five years, is a culmination of all their years of experience, showing their growth and development as songwriters, musicians, and recording artists, and brings together some of the style of their earlier songs, but with added depth and more sophisticated arrangements and production, and it is absolutely brilliant from beginning to end, probably their best album yet. It is somewhat low-key, so it may not knock you out on first listen, but it is a slow grower that gets better with each listen. Beautiful, well-crafted, uplifting songs with warmth and goodwill, expertly played, with great arrangements and impeccable production. Most of the songs start simply but then build into lush soundscapes of great beauty. Every song is a gem. The only criticism I have is that it is too dang short. 10 songs (most ~3-4 minutes long) and a brief 37 minute runtime, with many of the songs, and the album itself over too quickly. My new favorite album of the year (so far). Best Tracks: All Day, The Elevator, Witness Tree, Keep Going, Black Balloon, Maybe We're Alright, This Heart is Occupied. Rating: 4.5ó
BB’s Rating scale:
That's it for Part 1, but there's a whole lot more to come in Part 2 of my Spring New Album Roundup, with more featured albums as well as numerous Quick Hits of additional quality albums but without a capsule review. stay tuned. I'll try to get the next part out in the next several days. In the meantime, let me know in the comments what you think of the albums I have mentioned, and what other new albums you have found and enjoyed so far this year.
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