Showing posts with label PFM. Show all posts
Showing posts with label PFM. Show all posts

Sunday, May 5, 2019

Steve Goodman - 1979-04-26 - My Father's Place, Roslyn, NY

Steve Goodman
1979-04-26
My Father's Place,
Old Roslyn, NY

Pre-FM Soundboard recording, excellent quality
Available in both lossless (FLAC) and Mp3 (320 kbps) versions
New Upgrade! Now includes full show including encores (mp3-only)

Here's another Steve Goodman show, from his 1979 High and Outside Tour. This tour was unique in that it was his only tour with a full band (instead of just Steve with his guitar, or accompanied by a single back-up musician on guitar or mandolin). Personally, I prefer Steve all alone, where you get the full dose of his charm and musicianship, but hearing Steve with a band brings a different dimension to alot of his songs, and is certainly worth experiencing. Although the setlist here is essentially the same as the Cincinnatti concert from this same tour previously featured here, what is great about this show is that the recording is a pristine Pre-FM Soundboard, with excellent sound throughout, and that makes this just a bit more special. Enjoy anothet great show from the incomparable Steve Goodman.
 
Tracklist:
1. Larry Kleinman intro > Just Lucky I Guess
2. Banana Republic >
3. Luxury's Lap
4. Would You Like To Learn To Dance?
5. The One that Got Away
6. What Have You Done For Me Lately?
7. You're the Girl I Love
8. It's A Sin To Tell A Lie
9. Chicken Cordon Bleus
10. This Hotel Room
11. My Old Man
12. The Dutchman
13. City of New Orleans (band intros)
14. Men Who Love Women Who Love Men
15. I've Got To Hand It To You
Encores: (New addition - not previously included in earlier posting -added 5/23/21)
16. The Twentieth Century is Almost Over
17. Tossin' and Turnin'
18. Common Sense

Steve Goodman   Guitar, vocals
Jimmy Enger    Piano
Amy Madigan    Keyboard, Percussion, Vocals
Jim Rothermel    Reeds
Peter Bunetta     Drums
Rick Chudacoff    Bass
Arno Lucas    Percussion, vocals

FLAC - Steve Goodman_1979-04-26_RoslynNY_FLAC.rar

New Links (Updated 09/29/23)
mp3 - Steve Goodman_1979-04-26_RoslynNY_mp3.rar

Note: Thanks to Stephen P for sending me the missing encore songs from this recording. They are a very nice addition and complete the full experience of the show. 

 

Sunday, October 28, 2018

Mike Oldfield (& Friends) - 1973-06-25 - London - Tubular Bells Live Premiere Concert

Mike Oldfield (& Friends)
1973-06-25
Queen Elizabeth Hall, London, UK
Tubular Bells Live Premiere Concert

 Pre-FM Broadcast recording, excellent quality
Available in both Lossless (FLAC) and Mp3 (320 kbps) versions

And now, we come to perhaps the most surprising and unlikely pioneer, architect, and icon of  Progressive Rock, the shy, reclusive master guitarist-composer-multi-instrumentalist, Mike Oldfield. Born in Reading, UK in 1953, Mike taught himself to play guitar while still a child, and by 13 was writing extended compositions and playing at folk clubs as well as part of a beat group. He formed a folk duo with his sister Sally (The Sallyangie), got a record deal and released a folk album at 15. Following that, he was in a rock band, Barefoot, with his older brother Terry. In 1970, he joined Kevin Ayer's backing band, The Whole World, which also featured keyboardist David Bedford, as well as playing guitar in the musical Hair and also playing with Alex Harvey around this time. By 1971 (and still a teenager), he had also made a series of solo home demo tapes featuring extended instrumental compositions and multiple overdubbed parts (the beginnings of 'Tubular Bells') that he tried to shop around to any record label that would take on the project, but he was rejected by them all. That is, until September 1971, when playing as a session musician at a recording session at Manor Studios, he played some of his tapes for engineers Tom Newman and Simon Heyworth, who liked them and brought them to young entrepreneur Richard Branson, who owned the studio (and was also interested in starting his own record company). Branson was impressed enough with the tapes to give Oldfield one week's worth of recording time at the studio to record his work.
          At the end of that week, Oldfield had completed what he then called 'Opus One' (which later became 'Part One' of  'Tubular Bells'), a 25+ minute instrumental composition in which Oldfield played all the parts himself (over twenty different instruments) in numerous overdubs, and that defied all categorization, as it combined elements of folk, rock, classical, etc., into a seamless meandering tone poem that introduced main themes and variations before moving on to other themes and variations, and presented with new and different sounds and styles throughout. However, the second part ('Part Two') took much longer to complete because now Mike had to record in the studio off-hours and when it wasn't booked by others. By early 1973, the complete work was finished (Mike still only 19), and by this time it was decided that Tubular Bells would be the first release of Branson's new record company, Virgin Records. It was released on May 25, 1973, and was a truly groundbreaking release, re-defining what 'progressive rock' could be, and unlike any album previous released within the pop-rock world. Although it received near-unanimous praise, it still did not quite fit in anywhere, and rock critics in particular were more subdued in their reception because they did not consider it 'rock' at all. Following the album release, Branson planned a live concert event to promote the album, but Oldfield was reluctant to perform, and tried to back out right up until the concert date (It's been told that Branson gave Oldfield his Bentley on the trip down to the concert in London to keep Oldfield from backing out)  That show, a live concert performance of the entire album, with Oldfield and numerous guest musicians and session players, including other 'progressive' artists such as Kevin Ayers, Steve Hillage, Pierre Moerlen, David Bedford, as well as Mick Taylor of The Rolling Stones, was performed at Queen Elizabeth Hall in London on June 25, 1973 and broadcast live on the BBC (and that is the performance that is presented here). By most accounts the performance was a success, but Oldfield himself was not happy with it and only performed live a few times over the next several years.

     The album became quite popular in England, but was too eclectic for the U.S. and did not attract much attention until much later in 1973, when, quite by accident, the opening theme of the album was used in the the most talked about film of the year, William Friedkin's The Exorcist. After the exposure from the film, the album became a huge International hit, (selling over 15 million copies worldwide). This was also a groundbreaking and world-changing album for me personally (and BTW, I heard and bought the album long before The Exorcist film came out), shaping my musical world and the possibilities of where progressive rock could take you. Just magical. Oldfield followed this masterpiece with a couple more albums that, although not receiving the same level of success or popularity, were just as wonderful, accomplished, evocative, and inspiring (and some would say even better than TB, although different in their own ways), in Hergest Ridge (1974) and Ommadawn (1975), and these three albums solidified his early, impressive career. So, here now, is that first live concert premiering Tubular Bells to the World, as it was presented back in 1973.  

Tracklist:
01. Tubular Bells (Part One)
02. Tubular Bells (Part Two)

Musicians for Queen Elizabeth Hall performance:
Mike Oldfield – acoustic and electric guitars, bass, Lowrey organ, mandolin, "prehistoric poem"
Kevin Ayers – bass guitar
David Bedford – grand piano, accordion, organ, choir master, string arrangements
Steve Broughton – drums
Jon Field – flute
Fred Frith – electric guitar, bass guitar
John Greaves – Davoli electric piano, Farfisa organ, tin whistle, Vox organ
Nick Haley – violin
Tim Hodgkinson – Farfisa organ, Fender Rhodes electric piano, Vox organ
Steve Hillage – electric guitar
Simon Ingram Hill – cello, organ
Geoff Leigh (misspelt on the programme as "Jeff Leig") – flute
Ashley Mason – viola
Pierre Moerlen – cymbals, glockenspiel, gongs, tam-tam, tubular bells, timpani
Tom Newman – nasal chorus
Terry Oldfield – flute
Ted Speight – electric guitar
Vivian Stanshall – master of ceremonies
Mick Taylor – electric guitar
Janet Townley – violin
Vulpy – viola
Girlie Chorus: Sarah Greaves, Kathy Williams, Sally Oldfield, Maureen Rossini, Lynette Asquith, Amanda Parsons, Maggie Thomas, Mundy Ellis, Julie Clive, Liz Gluck, Debbie Scott, Hanna Corker.

FLAC - Mike Oldfield_1973-06-25_London_FLAC.rar

mp3 - Mike Oldfield_1973-06-25_London_mp3.rar
(Links Updated 07/27/2021)

Sunday, August 12, 2018

Premiata Forneria Marconi (PFM) - 1975-11-23 - Tokyo, Japan

Premiata Forneria Marconi (PFM)
1975-11-23
Shibuya Kokaido, Tokyo, Japan 

Soundboard recording, very good quality
Available in both Lossless (FLAC) and Mp3 (320 kbps) versions

Here's more from PFM, an Italian prog rock band that made a splash in the '70's, featuring melodic and instrumental richness, sumptuous compositions and arrangements. This show features the band just a little more than a year later than the previous post, and although they play many of the same songs, there is a fundamental difference in the band, as they had now added a new lead vocalist, Bernardo Lanzetti, which brought a more forceful and dynamic presence to their vocals from this point on, and was first featured on their album Chocolate Kings (1975).

Tracklist:
1. Celebration
2. Four Holes In The Ground
3. Paper Charms
4. Dove...Quando...
5. Acoustic Guitar Solo
6. Out of Roundabout
7. Mr. 9 'Till 5
8. Alta Loma 5 'Till 9
9. Violin Solo
10. Bass Solo
11. Drum Solo
12. Impression Di Septembre
13. Celebration (reprise)
Bonus Track: 1975-11-29 - Nakano Sun Plaza, Tokyo (Audience)
14. Chocolate Kings

Flavio Premoli - keyboards, accordian, piccolo
Mauro Pagani - flute, violin
Franco Mussida - guitars
Patrick Djivas - bass
Franz Di Cioccio - drums, vocals
Bernardo Lanzetti - Lead vocals, guitar

FLAC - PFM_1975-11-23_Tokyo_FLAC.rar

Links updated 08/25/21
mp3 - PFM_1975-11-23_Tokyo_mp3.rar

Wednesday, July 25, 2018

Premiata Forneria Marconi (PFM) - 1974-08-27 - Ultrasonic Studios, Hempstead, NY

Premiata Forneria Marconi (PFM)
1974-08-27
Ultrasonic Studios, Hempstead, NY 

FM Broadcast recording, very good quality
Available in both Lossless (FLAC) and Mp3 versions

Progressive rock has often been associated primarily with England and British bands (yes, virtually all of the most famous and successful prog bands are British), but actually there are great progressive rock bands from all over, especially throughout europe. One of the most interesting of the european progressive bands was Premiata Forneria Marconi (PFM) (translation:Award-winning Marconi Bakery), the most successful prog band from Italy. PFM was formed in 1970 in Milan, when members of the previous band I Queli joined up with violinist-flutist Mauro Pagani. They were the first Italian band to feature a synthesizer. Their first album (released only in Italy) was Storia di minuto (1972), which was an immediate success, quickly followed by Per un Amico (1972) which expanded their influence outside Italy and across europe. Around this time, while on tour in Italy, Greg Lake (of Emerson, Lake, and Palmer) heard them, and immediately signed them to their new label, Manticore records. Because of this connection, their next album, Photos of Ghosts (1973) was released worldwide (with mostly re-recorded versions of songs from their previous albums), and for the first time featured lyrics in English (in an attempt to reach a wider audience). Interestingly, instead of just translating their Italian lyrics to English, all new English lyrics were written, by King Crimson-ELP cohort Pete Sinfield. The album charted in countries all around the world, including the US. They followed this success with another Italian album (L'isola di niente) followed by an English version, The World Became the World (1974), and then their first U.S. tour. Concerts recorded from this tour became the basis for a Live album, Cook (1975).  The band also reached their largest US audience when they appeared on the TV show The Midnight Special in early 1975. For their next album, Chocolate Kings (1975), they added a new lead vocalist, Bernardo Lanzetti, and a harder rock sound. Jet Lag (1977) was their last album with English lyrics (as well as last album released in the U.S.) and moved more towards a jazz fusion sound. They continued performing and releasing albums in Italy for many more years, but never achieved International success after that. Because of their association with ELP, some (who never really listened to them) dismissed the band as Italian ELP imitators, but that does not do them or their music any justice. They had their own unique sound and were much more diverse in style and instrumentation. They were both uniquely Italian while developing traditional prog influences, producing a lyrical, romantic and delicate music, with a great melodic and instrumental richness, sumptuous compositions and arrangements. They deserve a place among the  very best of the '70's prog bands. Here is a show from their 1974 U.S. tour, as they established themselves as a progressive force to be reckoned with.

Tracklist:
1. Four Holes In The Ground (7:41)
2. Is My Face On Straight? (7:53)
3. Instrumental jam (8:58)
4. Dove...Quando... (4:39)
5. introduction (1:32)
6. Mr. 9 'Till 5 (4:25)
7. Alta Loma 5 'Till 9 (11:06)
8. JC violin jam (2:30) (cut - some issues)
9. classic violin solo (3:25)
10. William Tell Overture (1:51)
11. Celebration (5:34)

Flavio Premoli - keyboards, vocals
Mauro Pagani - flute, violin, vocals
Franco Mussida - guitars, vocals
Patrick Djivas - bass
Franz Di Cioccio - drums, vocals

FLAC - PFM_1974-08-27_Ultrasonic_NY_FLAC.rar

mp3 - PFM_1974-08-27_Ultrasonic_NY_mp3.rar
Links updated 08/25/21