Showing posts with label Allan Holdsworth. Show all posts
Showing posts with label Allan Holdsworth. Show all posts

Saturday, July 16, 2022

U.K. - 1978-11-09 - Cleveland, Plus 1979-11-14 - Long Beach

U.K.
November 09, 1978
Agora Ballroom, Cleveland, Ohio, USA 
Pre-FM Master Reel Broadcast Recording, Excellent quality
Plus:November 14, 1979
Long Beach Arena, Long Beach CA
Audience Recording (Mike Millard First-Generation Tapes via JEMS), very good quality 
The Lost and Found Mike the MICrophone Tapes Volume 134 
Available as both Lossless (FLAC) and Mp3 (320 kbps) versions

Here's some live recordings from the great but short-lived progressive rock 'supergroup' U.K. Recently, the current progressive rock band The Tangent included a great cover version of U.K.'s 'In The Dead of the Night' Suite as a bonus track on their new Songs From the Hard Shoulder album, and it reminded how good U.K. was, and that they seem to have been largely forgotten these days. So, U.K. was considered a Prog 'Supergroup' because it was formed around 1977 by bassist-vocalist John Wetton (Family, Uriah Heep, Roxy Music, King Crimson), and drummer Bill Bruford (Yes, King Crimson, Genesis), with keyboard-violinist Eddie Jobson (Curved Air, Roxy Music, Frank Zappa) and guitarist Allan Holdsworth (Soft Machine, Gong, Tempest). Based on this combination of talent, their music was highly anticipated by prog fans, and they did not disappoint. Their first album, U.K. (1978) is considered a classic of the genre (Ranked #30 - Greatest Progressive Rock Albums of All-Time by Rolling Stone magazine), and features a dynamic combination of hard progressive rock with a jazz fusion approach. The newly introduced Yamaha CS-30 synthesizer was extensively used and featured in their music. They toured extensively in 1978 (often as opening act for Jethro Tull). Unfortunately, Bruford and Holdsworth left the band by the end of 1978, citing different musical directions, with Bruford and Holdsworth wanting to explore more jazzy improvisational music, but Wetton wanting more structured prog with commercial appeal. So, Terry Bozzio (Frank Zappa band) was brought in on drums, and when a suitable guitarist was not found, they continued as a trio. Their 2nd album, Danger Money (1979) was also quite good, but featured less jazz and a more AOR-friendly sound and song structure. On the 1979 tour, they played a few additional songs, but that was it for the band, as Jobson wanted to continue exploring longer instrumental-focused songs, while Wetton was interested in pursuing shorter songs and a more commercial style. Wetton went on to do just that with Asia in the early eighties. Jobson went on to play on Jethro Tull's A album and on to a solo career after that. So, here's a selection from both of their tours (1978 and 1979), featuring a great radio broadcast recording (1978) as well as a recently made available recording from the legendary Mike Millard tape series (1979 partial show). Check out U.K.

Tracklist:
Cleveland 1978
01. Introduction
02. Alaska
03. Time To Kill
04. The Only Thing She Needs
05. Carrying No Cross
06. Forever Until Sunday
07. Thirty Years
08. By The Light Of Day
09. Presto Vivace
10. In The Dead Of Night
11. Caesar's Palace Blues
Long Beach 1979
12. Nostalgia
13. Rendezvous 6:02
14. Night After Night
15. The Only Thing She Needs
16. Waiting For You

1978 lineup:
John Wetton: Bass, Vocals
Eddie Jobson: Keyboards, Violin
Allan Holdsworth: Guitar
Bill Bruford: Drums, Percussions
1979 lineup:
John Wetton - bass, vocals
Terry Bozzio - drums
Eddie Jobson - violin, keyboards

mp3 - UK_1978-11-9_Cleveland_Plus1979_mp3.rar

FLAC 1978 - UK_1978-11-9_Cleveland(FM)_FLAC.rar

FLAC 1979 - UK_1979-11-14_Long BeachCA(Millard)_FLAC.rarard

Tuesday, May 15, 2018

(Pierre Moerlen's) Gong - 1976-10-25 - Tomblaine, France

(Pierre Moerlen's) Gong
1976-10-25
Nancy (Tomblaine), France
'Live Express!'

Audience recording, good quality
Available in both Lossless (FLAC and Mp3 (320 kbps) versions

As noted in the previous post, following Daevid Allen's and then Steve Hillage's departure from Gong in 1975-1976, percussionist Pierre Moerlen took control of the band, moved the band more in a direction of percussion-oriented jazz-rock, bringing in brother Benoit Moerlen and Mireille Bauer on vibes and mallet percussion and additional percussionist Mino Cinelli. But also bringing in journeyman progressive rocker guitarist Allan Holdsworth. Because Gong was still under contract to Virgin for 2 more albums, this new lineup continued under the name Gong, but this was a decidedly different band from the Daevid Allen days. Following those next 2 albums (Gazeuse!-1976 and Expresso II-1978), the band's name was officailly changed to Pierre Moerlen's Gong. By 1979, Holdsworth was gone, and Mike Oldfield came in to play guitar on their next album, Downwind (1979), as lineups continued to change each year. By 1980 and the album Time is the Key, the band brought in jazz keyboardist Peter Lemer (as well as Holdsworth on a couple tracks) and featured an even more mallet percussion-based progressive jazz-rock style, to stunning effect. That is actually my very favorite album from any incarnation of Gong, as it is wholly unique in sound and style, and consisting of an almost percussion ensemble instrumentation and a cool progressive jazz-rock vibe, a beautiful album. After a live album (Pierre Moerlen's Gong Live-1980) and another studio album (Leave it Open-1981), the band's output became more sporadic, with albums in 1986 (Breakthrough) and 1988 (Second Wind), before breaking up. However, a Gong band never really goes away, former PMG members Hansford Rowe (bass), Bon Lozaga (guitar), and Benoit Moerlen (percusssion) formed Gongzilla in 1991, and eventually, Pierre started up a new assemblage of musicians under the PMG name, releasing Pentanine in 2004. Moerlen began working on another new album in 2005 with a group of French musicians, but then died suddenly and unexpectedly. The rest of the band eventually finished the album and released it as Tribute in 2010.
Here we have a show from the early stages of Pierre Moerlen's Gong, in 1976, following the release of Gazeuse! (Expresso in North America). Would have liked to post something from the Time is the Key stage of the band, but unfortunately, no available recordings exist. But this is still good, too.

Tracklist:
01. Expresso
02. Wish
03. Mandrake
04. Esnuria
05. Night Illusion
06. Flute & Percussion Duet
07. Percolations
08. Shadows Of
09. Expresso Reprise
10. Gattox

Didier Malherbe - Sax, flutes
Allan Holdsworth - guitar
Francis Moze - bass
Pierre Moerlen - drums, percussion
Benoit Moerlen - vibraphone
Mireille Bauer - vibraphone, marimba
Mino Cinelli - percussion

FLAC - Gong_1976-10-25_France_FLAC.rar


Mp3 - Gong_1976-10-25_France_mp3.rar