New Album Roundup - Winter 2026Well, here we are, with the first 3 months of 2026 already behind us, winter is gone and springtime ahead. Although I haven't been posting to the blog over that time, I have been busy and listening to all the new music coming out. So, it's time once again to highlight some of the best new albums that have been released over the past 3 months (January-March 2026). I've listened to some 30+ new albums in these early months of 2026, and there have been many quite good ones, and a few that really stand out as something really special. Anyway, these are the albums that I think are notable and have liked the most thus far.
Big Big Train - Woodcut
Have to lead-off with this, as Big Big Train is one of my favorite current bands, and they have done it again with this fantastic new release. Of course, BBT is a UK Prog band known for their beautiful pastoral melodies, soaring instrumental passages, evocative narratives, and sweeping majestic symphonic Prog, maintaining effective use of strings and horns, as well occasional bursts of heavier prog instrumental sections. BBT has now fully emerged from tragedy and turmoil earlier this decade with a new lineup that has evolved into perhaps their strongest ensemble thus far. And here, the band presents their first fully immersive concept album, 16 interrelated tracks (66 min. of music) that tell the story of a woodcarving artist, exploring the themes of creative obsession, struggle for recognition and the emotional highs and lows of the creative process. But, as always, it's the music that is most important here, and the songs play out in a wonderful sequence of beauty, style, and emotion from beginning to end, covering a variety of musical styles from beautiful melodic sections to thunderous, energetic rock. Vocals are superb throughout, led by Alberto Bravin, but each of the various vocalists in the band get their chance to shine on different songs. Overall, a wonderful cohesive album that is sure to remain among the very best albums of the year. Best Tracks: The Artist, Chimaera, Cut and Run, The Sharpest Blade, Counting Stars. Rating: 4.5 stars.
Neal Morse Band - L.I.F.T.
The latest from prolific U.S. Progger Neal Morse is a return of the Neal Morse Band, and it is fantastic. Neal releases a lot of albums (35+ since 2000) in many forms and various collaborators, and with various degrees of success (ranging from ho-hum to the greatest Prog classics), but for me at least, his output with the Neal Morse Band has always been among his best albums, as this ensemble, with Eric Gillette (guitars), Bill Hubauer (keyboards), Randy George (bass), and Mike Portnoy (drums) joining Neal, brings out the best in them all. But after Mike Portnoy left to rejoin Dream Theater in 2024, the future of NMB was in doubt, yet here we have a new NMB album, their first since Innocence and Danger (2021) and 5th overall, and it is a joy from start to finish. It is a fully fleshed out concept album, with each song delivering a powerful punch, perfectly blending classic rock with great prog. The songs all work here and all fit together to make a most satisfying album experience, filled with great melodies and instrumental virtuosity. 13 songs (70 min. runtime), and although no epic-length tracks, there's still plenty of opportunities for proggy instrumental sections and for each band member to shine. Love this album, sure to be one of the best of the year, and best from Neal in many many years. If you've liked Neal's work in the past but haven't been impressed with his more recent albums, be sure to check this one out, as it is ranks up there with his best.
Best Tracks: Reaching, Carry You Again, Gravity's Grip, Fully Alive Part 2, Love All Along.
Rating 4.5 starsSpirergy - Whenever ForeverThird album from this UK Progressive rock outfit, which is a project of multi-instrumentalist Dave Allen, and it's a wonderful journey through 70's-style classic melodic symphonic prog. Nice blending of vocal and instrumental sections, and mix of guitars and keyboards as lead instruments. Best tracks tend to be the longer ones, where Dave gets a chance to really stretch out in extended instrumental sections. I particularly love the prevalent incorporation of acoustic instruments (piano, acoustic and 12-string guitars) amidst the electronics (electric guitars, synthesizers). Songs and styles are very reminiscent of the usual classic bands (Genesis, Yes, ELP, Rush, etc), and most reminds me of Starcastle, but also still forge their own way. Songs include a mix of shorter and longer tracks, including the epic-length (16 min) title track, and The vocals fall somewhere between Jon Anderson and Geddy Lee (for better or worst). Overall, a wonderful and very entertaining album that fans of classic Prog should definitely check out.
Best Tracks: Carry Me Home, In the Small Hours, See it in Your Eyes, Whenever Forever.
Rating: 4 stars
Rope and Ladder - This Is Wild
2nd album from this Indie rock duo (Jay Clark and Ryan Dolen) from Boston, with a unique sound that I would call Power Folk or heavy folk-rock, in that their songs have somewhat of a Folk aesthetic, but are presented with a powerful, theatrical rock approach. Their songs are somewhat melancholic and uplifting at the same time. Often start off with mellow acoustic guitars before building to powerful anthemic and sometimes symphonic arrangements, and with beautiful vocals and harmonies throughout. But they also feature a variety of different styles, from the stark acoustic gloom of I Watched You Watch Him Die to the power blues of Holy Ghost, to the channeling of The Kinks in the delightful power pop title track, to the angelic Lemon Twigs-style harmonies of Still, and at other times resembling the symphonic Folk of Cloud Cult. Every song is a winner on this surprising and delightful album.
Best Tracks: This is Wild, Grandfather, Fight or Flight, No Hard Feelings, Wasted on Me.
Rating: 4 stars.
The Dear Hunter - Sunya
This genre-defying U.S. alternative progressive pop band's much anticipated follow-up to their fantastic 2022 album, Antimai, is finally here. This concept album continues to flesh out the world presented in Antimai, featuring a similar sound palette, mixing in jazz, funk, soul textures to their unique sound. Whereas Antimai explored the physical and social structure of the city-state, Sunya ventures out beyond the city to the people and places of the outlying regions. Although not quite as sonically bold and dynamic as its predecessor, Sunya features rich and sumptuous soundscapes - there's a lot going on here - with complex, layered, and intricately detailed arrangements and instrumentation, creating lush and encompassing sonic landscapes. Once again, Casey Crescenzo's vocals, as well as the backing harmonies, are superb, with Casey's voice seeming to fit right in with whatever style of song they present. Wonderful songs throughout, from the opening Wastelands, Marauders, the most rockin' track, the 3-part heart of the album, The Glass Desert, with Glass Desert III showing a Tears for Fears-style lush pop, and concluding with the dreamy title track. A Great album, with the only complaint being that it is too short, just as the full ambiance seems to be in full swing, it's over, and we want more. Can't wait for the next phase and where they will take us next.
Best tracks: Marauders, The Glass Desert I, II, III, Sunya.
Rating 4.5 stars
Hallas - Panorama
This 4th album from Swedish prog band Hallas takes us back to the 70's. The first half of the album is a brilliant epic-length (21 min) early 70's style symphonic prog masterpiece, Above the Continuum, that is just sensational. It features everything you could want in a prog rock epic, from the gentle melodic sections to thunderous rocking, grand majestic themes, and instrumental acrobatics, with no lulls or lapses throughout its extended runtime. Takes you back to early 70's symphonic prog, and certainly with glimpses of the prog greats (Genesis, Yes, ELP, Moody Blues, etc.) abound, yet the overall style and sound is squarely their own on this masterpiece. Absolutely fantastic and sure to be among the very best epics of the year. However, for the second half of the album, they switch to 4 shorter songs and a more straight-forward 70's melodic hard rock style, driving rock with heavy riffs and catchy melodies. Still very well-done, but just not that special or interesting, at least for me. If whole album was as good as the first half, it would be one of the best of the year, but overall, still a very good album.
Best Track: Above the Continuum.
Rating: 3.5 starsLegs on Wheels - Gobble2nd album from this unique eclectic alternative progressive/art rock band from the U.K. that features a fun, energetic, all-over-the-place style, incorporating aspects of many different genres. As for what they sound like, imagine a mixture of early Split Enz (especially the vocals), XTC (quirky off-kilterness), Gentle Giant (for the progginess and complexity), and maybe some 10 cc and They Might Be Giants (for the silliness), something like that. Lyrics seem to be mostly nonsense, and the music features many odd time signatures, rhythms, and abrupt changes between sections, but still remains melodic. There's some musical magic here, and it mostly works. The album closer, Masteroid, is longer (11 min) and gives the band a chance to stretch out a bit more instrumentally, and also has some sections that resemble a more proggy Steely Dan, among other highlights. An album with lots of fun quirks and oddities. Best Tracks: Masteroid, Waiting for his Drowning, Centipede, Winner Winner. Rating: 3.5 stars
Motorpsycho - Gaia II Space Corps
Versatile and prolific prog band Motorpsycho is back and goes full-on Psych-Rock/Space rock with this latest release, with only occasional glimpses of their Prog influences (such as on The Oracle). They deliver a solid rockin' album of psychedelic hard rock propelled by repeating heavy guitar riffs, solid melodies, and soaring solos. They add some of their usual flair to the proceedings, but overall, they stick to the script of bringing back the sound of 70's psych rock with fun, jammy style for this album.
Best Tracks: The Oracle, Gaia II Space Corp, TSMcR, The Great Stash Robbery.
Rating 3.5 starsMajor Parkinson - Valesa Chapter II: Viva the Apocalypse!
Norwegian Prog pop/rock. I really wanted to love this quirky genre-defying band and their mix of jazz, pop, rock, funk, prog, and metal, as their no-holds-barred approach is similar to bands I love such as The Dear Hunter and Moron Police, but sadly, I just could not. Musically this is some really cool stuff with funky complex beats, rhythms, and intricate and inventive arrangements. There's a lot going on here. But the shouty, growly, talk-singing lead vocals and annoying lyrics are terrible, and greatly detract from every song. That plus the unevenness of the album (First half or so is great, second half plummets bad, especially the extended annoying metal nonsense of Karma Supernova and Maybelline) really weaken what could have been a great album. The album then bizarrely closes with a straightforward sweet pop song (Kiss Me Now) for a weak finish. If you can get past the poor vocals and couple weak tracks, there is a lot to like about this band and album, but given the weaknesses I can't score it as anything above a good rating. Best Tracks: Superdad, Father Superior, Showbiz, Viva the Apocalypse. Rating: 3 stars
Tigran Hamasyan - Manifeste
Exceptionally talented Armenian jazz pianist and composer goes all out on this release with an ambitious, sprawling 14 track, 72 min, album that is stylistically all over the place, featuring interpretations of Armenian folk tunes and hymns, smooth jazz, jazz-rock fusion, freeform jazz, Prog and Prog-metal, and polyrhythm math-rock, and everything in between. Mostly instrumental, but lyric vocals on a couple tracks, and non-word vocalizations on several more. Best known for his staccato rhythms and intricately pulsing melody lines creating dynamic technically complex compositions. At times reminiscent of the melodic jazz of Pat Metheny Group, at others more freeform or avant jazz forms. However, due to the vastly different style and tone of the varying tracks, the sprawling album becomes a somewhat uncomfortable listen, as one listener is not likely to fully appreciate all the different styles here (for example, I didn't care much for some of the slower hymn-like tunes). This is one of those albums where best to pull out your favorites in a playlist rather than listen straight through, but there is no denying the talent here.
Best Tracks: Manifeste, Ultradance, Dardahan, War-time Poem, Prelude for All Seekers.
Rating 3.5 starsPerfect Beasts - Perfect Beasts
New
hard rock band fronted by everywhere vocalist-guitarist John Mitchell
(Karmakanic, Frost, It Bites, Kino, Arena, Lonely Robot, Asia) that
features melodic hard rock and classic rock, with just a touch of Prog.
The sound is dominated by heavy guitar riffs and catchy melodies and
choruses, with Mitchell's soaring vocals the best part of it. There's
some pretty good songs here (but also some duds), but i seems like they
are trying a bit too hard to put a heavy hard rock edge to most of the
songs that doesn't always blend well with the melodies. Some nice
instrumental touches, overall, quite well done, but just not a style
that resonates much with me. But if you're looking for some more tuneful
hard rock, this might be for you. Best Tracks: Genie's Out the Bottle, Non-Stop to the Moon, On a Curve, Undertow. Rating: 3 stars
Hamasaari - Pictures
2nd
album from this French Prog band features moody, atmospheric,
melancholic modern Prog. Especially adept at juxtaposing lighter
acoustic melodic sections with heavier, powerful, grungey, prog-metal
passages, while maintaining a somber, haunting feel. Best Tracks: Frames, Home, Our Head Spinning, Under the Trees. Rating: 3.5 stars
Plantoid - Flare
2nd album from this eclectic UK Prog band follows-up their acclaimed debut, Terrapath, with their own distinctive brand of modern Prog. Although they have lots of interesting moods and sounds, for some reason it just doesn't work for me. The songs don't really go anywhere or amount to much. In this case, the lack of melody or cohesive structure undermines its effectiveness, and I just can't quite get into it. Rating: 2.5 stars
Quick Hits
Soft Machine - Thirteen
Legendary UK psychedelic Canterbury scene band that evolved into a premier Avant jazz-rock fusion band returns with more quality instrumental experimental improvisational jazz-rock. Rating: 3 stars
Gong - Bright Spirit
Another legendary UK psychedelic Canterbury scene band returns with their own trippy, spacey, middle-eastern influenced jazzy psychedelia, updated with some modern touches. Rating: 3 stars
Dina Ogon - Manniskobarn
Swedish indie pop-rock. Kind of like a mellow Swedish Fleetwood Mac. Nice, pleasant. Rating: 3 stars
Squeeze - Trixies
Veteran UK new wave pop band are back (after 9-yr gap) with this interesting concept album about the people in and around a local bar. Overall, some quite good songs, some unmemorable songs, in a variety of styles. A nice listen, but just never really soars. Rating: 3 stars
Weedpecker - V
Polish rock band delivers cool, compelling space-rock/psych-rock. Somewhat reminscent of Motorpsycho, but also with their own style and sound. Rating: 3 stars.
Buck Meek - The Mirror
Solo album (his 4th) from Big Thief guitarist-backing vocalist Meek. Nice, basic lo-fi sound, but overall, the songs are a bit lackluster and underdeveloped, and Meek's meager vocals don't help. Just OK. Rating 2.5 stars.
Melissa Etheridge - Rise
Solid album from this veteran American singer-songwriter. Shows she can still really rock and deliver powerful, emotional classic rock and Americana. Rating: 3 stars
Angine de Poitrine - Vol II
Lastly, I feel I need to weigh on this outrageous French-Canadian duo who have become internet sensations with their wild circus costumes and look, and intricate microtonal math rock sounds. First, you have to admire how they have made themselves essential pop culture icons, and I applaud their ability to bring attention and acclaim to what is basically a very esoteric musical form that normally would only be of interest to music theory nerds. However, it still is basically a novelty act, and one that would seem to have a quite short lifespan in the public eye. The act, both visually and musically, wears thin pretty fast. Musically, it is different and unique, at least for a while. It sounds kinda cool at first, but then grows tedious and repetitive. It's just not very sustainable. For me, the novelty didn't even last for the whole album (or even through whole songs, as each songs seems too long by at least half). It was a chore to make it through the entire album (I still haven't made it through an entire video). Despite all the complex microtonal flourishes and rhythms, the songs are basically monotonic drones with repetitive riffs and soloing over the top. Some have claimed this to be the future of music. No. Now, it may spur the next 'bad trend' of music, as people and bands rush out to buy microtonal guitars and experiment with them, with mostly dismal results, but other than that, it will likely remain just a curiosity. Perhaps when artists can incorporate microtonal techniques to create real musical compositions, then maybe that could lead somewhere, but this as it is, is just an interesting curiosity. And as an album, it is just OK. Rating: 2.5 stars
BB’s Rating scale:
1 star – Terrible, torturous to have to listen to
1.5 stars - Poor, not worth your time
2 stars – Fair, maybe a couple half-way decent songs, but
sub-par overall
2.5 stars – Average, OK, meh, not bad but not that good either
3 stars – Good, solid album, several good songs, but not
spectacular. Certainly worthy, but may not be something you come back to very
often
3.5 stars – Very good album. Some stellar tracks, very
enjoyable overall
4 stars – Great album, filled with great songs, one that you
will want to come back to over and over again
4.5 stars – Excellent album, beyond great, superb in every
way, just short of a masterpiece
5 stars – A Masterpiece, among the greatest albums of its
type, and has stood the test of time
OK, so that's what I have for the first quarter of 2026. Some really good stuff in there. What did I miss? What were your favorite new albums so far in 2026? Let me know in the comments.
