New Album Roundup - Spring 2025 (Part 2, Late Spring)

 New Album Roundup - Spring 2025 (Part 2) 

Here we are at the midpoint of the year with another update on recent new album releases I have been checking out. Once again, lots more high quality new albums released during the second half of the Spring quarter of 2025. Of particular note is the large number of veteran and legendary artists making strong returns/comebacks with new albums. However, although there are a lot of very good albums in this batch, there weren't any that I thought really stood out as truly great or among the very best of the year like there was in the first part of this Spring roundup. Anyway, here are the best of the new albums I've been listening to lately, most all of these released over the past 8 weeks or so. 

The Doobie Brothers - Walk This Road

Of course, the Doobie Brothers have been around in various forms since the early 1970's, but their more recent albums haven't had much impact or made much of an impression. But this new album changes that, and what is different about this new album is that it marks the return of Michael McDonald, for the first time in over 40 years, and not only that, but it is the only Doobie Brothers album to feature all three of the key singer-songwriter members together, Tom Johnston, Patrick Simmons, and Michael McDonald. And they make the most of it, delivering their best album in decades. Right from the start, with the opening title track, it is clear that we are in for some classic-sounding Doobies magic, with a sound that is smooth, comfortable, and immensely satisfying. These seasoned professionals know how to craft appealing and effective songs with top-notch musicianship and arrangements. But what makes this album really special is that diversity of styles provided by the contributions of all three writer-performers, as each delivers their own distinctive sound that keeps the album fresh and vibrant throughout. We get the lush blue-eyed soul of McDonald (Walk This Road, Learn to Let Go, Speed of Pain), the more acoustic folk-rock of Patrick Simmons (Angels & Mercy, State of Grace, Lahaina), and the good-time melodic rock of Johnston (Call Me, Here to Stay, New Orleans), as well as a nice dose of New Orleans funk (Kind That Lasts) to round out the album. Sure, there isn't anything very new or different here, and it all may sound a bit too pleasant and familiar, but it just feels so good, like a nice pair of comfy shoes. Just enjoy. Best Tracks: Angels & Mercy, State of Grace, Walk This Road, Call Me, Kind That Lasts, Lahaina. Rating: 3.5ó

Little Feat - Strike Up the Band

Another legendary veteran band that has had its ups and downs and numerous lineup changes over the years, but the current incarnation seems reinvigorated and carrying on with their classic mix of Southern rock, jazz, folk, and funk. Although they've lost the great Lowell George, Paul Barrere, and Richie Hayward from their classic 70's days, they are still retaining a solid core of Bill Payne (keyboards), Kenny Gradney (bass), and Sam Clayton (percussion) from that time, as well as longtime member Multi-instrumentalist Fred Tackett, and now with recent additions Scott Sharrard (guitars-vocals) and Tony Leone (drums), the band flies high again. Whether its with their infectious grooves, dynamic New Orleans funk, or more country-folk fare. Sharrard makes great contributions, as he sings lead on most songs and plays dynamite slide guitar throughout, in a nod toward the departed George, and re-establishes the great style and sound of the band. Like the recent Doobie Brothers album, this band sticks to their strengths and there isn't really anything new here, but it is a wonderful classic sound brought back by this amazing band. Anyone who was a fan of the old band, and particularly the revived 80's and 90's version of the band, will very much enjoy this album. Best Tracks: Midnight Flight, When Hearts Fail, Too High to Cut My Hair, Disappearing Ink, New Orleans Cries When it Sings, Strike Up the Band. Rating: 3.5ó

Neil Young - Talkin to the Trees

That's right, Neil just keeps on going, and if you don't like it or what he has to say, Tough!, which seems to be his attitude on this album. His 48th(!) studio album, where he plays with the latest incarnation of his back-up band, this time dubbed the Chrome Hearts, but is basically the same as the previous band, The Promise of the Real, just without Lukas Nelson and with long-time collaborator organist Spooner Oldham added. This is a very loose, raw, lo-fi album, where Neil basically rants about the stuff he doesn't like and croons about what he does, in a quite slapdash fashion, with songs and lyrics that he seems to be making up as he goes. Neil pretty much does what he wants, and that's basically what this album is, just a glimpse of his current outlook on things like family, his kids, politics, big business, etc. Most of the songs sound like they were thrown together and recorded in a live rehearsal jam session, and mainly recycle previous songs and melodies (there are actually 2 different songs that basically have the same melody, taken directly from This Land is Your Land). If you're a fan of the Neil's more raw sound, this may be for you. But the lyrics seem especially lazy and simplistic on most songs. The mellower, acoustic, more folky songs fare the best (although the melody and feel of the acoustic ballad First Fire of Winter is basically a reworking of Helpless). But as with most Neil Young albums, there also are a couple real gems here, and these are the last 2 songs on the album, both mellow and recorded with more style and care (and not rants), the beautiful acoustic Bottle of Love and the appreciative Thankful.  These seem to be out of place on this album, as they are more in line with Harvest Moon or Prairie Wind, but do provide some uplifting moments at the end of the album. Certainly a lesser NY album, but still worth checking out for the couple gems and to sample where Neil is now. Best Tracks: Bottle of Love, Thankful, First Fire of Winter. Rating 2.5ó

King Gizzard and the Lizard Wizard - Phantom Island

You never know what will be next from this dynamic chameleon band who seem to just look at different genres and say, 'Yeah, we can do that'. This albums finds them building on some song structures similar to last year's Flight b741, with some breezy, upbeat psych rock with mixtures of blues, jazz, and folk-rock, but the twist with this album is that they have added orchestration, so plenty of strings, winds, and horns here to give a fuller, lusher sound, as this is basically their orchestral album. But the songs still have a light, spacey charm, with some infectious grooves and melodies, lifted to additional textures and sounds with the added orchestration. At times sounds a bit like a hipper, brighter, catchier, drug-free Grateful Dead, with orchestration. Overall, a fun album with engaging songs and styles and rich textures. Best Tracks: Deadstick, Eternal Return, Panpsych, Spacesick, Sea of Doubt, Grow Wings and Fly. Rating: 3.5ó
 
Nad Sylvan - Monumentata

Nad Sylvan is best known these days as the vocalist with the Steve Hackett band and his Genesis Revisited shows, and his vocal similarities with Peter Gabriel and Phil Collins, but he has been around for quite some time as part of other bands (Unifaun, Agents of Mercy) as well as a solo career (5 albums). With this album, Nad takes another step forward with this strong album that provides a great mix of Prog and mainstream rock. The songs have a solid rock feel, but are filled with clever arrangements and proggy instrumental breaks that keep them always interesting and vibrant. Nad's diverse and chameleon-like vocal style change to fit the style and mood of each song. Features contributions from many big name guest artists, including Tony Levin, Randy McStine, Jonas Reingold, Joe Deninzon, Lalle Larsson, Marco Minneman, etc. that really fill out the sound and quality of the production. Best Tracks: Monte Carlo Priceless, Secret Lover, Make Somebody Proud, Monumentata. Rating: 3.5ó   

Lux Terminus - Cinder

Dynamic, vibrant, piano-driven eclectic instrumental Prog Trio from the U.S. (Cleveland) delivers a rousing album of heavy melodic prog with jazzy overtones. Beautiful keyboard passages punctuated by bold aggressive attacks and driving rhythms. Although at times their desire to be heavy and super percussive intrudes upon the flow and feel of the songs, weighing them down a bit (such as on Neon Rain and Mosaic Mind), but overall, strong melodies and powerful dynamics make a compelling listen. Vocals on one song only (Catalyst) provided by Ross Jennings and other guests. The Jupiter Suite, with whispery vocalizations (from guest Esper) is reminiscent of the sounds from the great Pat Metheny Group in the 80's and 90's. Best Tracks: Jupiter Suite, Catalyst, Natsukashii, P.L.O.N.K.. Rating: 3.5ó

Stereolab - Instant Holograms on Metal Film

Stereolab, the unique Anglo-French avant-pop band led by guitarist-keyboardist Tim Ganes and vocalist-multi-instrumentalist Laetitia Sandler returns for their 11th album, but first new studio album in 15 years. Their sound combines old and new elements, taking their song style from early 60's French and European pop, with soft-spoken female vocals over jazzy pop (even some bossa nova, etc.), and mixing in modern elements from Krautrock and electronica for a uniquely retro-futurist sound.  Best Tracks: Electrified Teentbop!, Transmuted Matter, Aerial Trouble, Flashes From Everywhere. Rating: 3.5ó
   
 

The Head and the Heart - Aperture

A welcome return to a more folky homespun style and sound for this indie folk-rock band and their 6th album, after a couple albums that delved a bit too much into slicker, poppier material. Thus, they re-capture their authenticness and believability, with a more stripped back and lo-fi style, which helps anchor these more personal and introspective, but still tuneful, catchy, and inspiring songs. Fine vocals and harmonies and pleasingly simple arrangements bring out the beauty in this very enjoyable collection of new songs. Best Tracks: Blue Embers, Finally Free, West Coast, Beg Steal Borrow, After The Setting Sun. Rating: 3.5ó
 

Van Morrison - Remembering Now

Another aging legend returns with his best album in decades. After being mired in political rants and personal crises for the past several years, Van finally emerges with renewed spirit and harkens back to better times as he regains the style and feel of albums such as Hymns to the Silence (1991) and Sense of Wonder (1984) as he looks back at his life and musical journey with touching and introspective lyrics. Nods to previous songs are plentiful here, and the style is loose, warm, and nostalgic, with laid-back Hammond organ, sax, and strings, and backup vocal singers creating a full, rich, and relaxing atmosphere. Most of the songs are slow, languid, but quite beautiful and warm, as Van rediscovers his days of wonder. May be a bit too mellow for some, but just sit back and let Van's music wash over you. Best Tracks: If It Wasn't for Ray, Cutting Corners, Back to Writing Love Songs, Haven't Lost My Sense of Wonder, Down to Joy, Stretching Out. Rating: 3.5ó 

Quick Hits and Short Takes

Mary Chapin Carpenter - Personal History

Americana singer-songwriter Mary Chapin Carpenter returns (for her 17th album) with this deeply personal album of heartfelt, introspective songs, stripped down arrangements, and touching thought-provoking lyrics. Thoughtful, minimal arrangements highlight the beauty of the melodies and lyrical content, as Mary honestly reflects on her life with great emotional depth. Somber and spare, but quite beautiful, moving, and engaging. Rating: 3.5ó

 

Ben Kweller - Cover the Mirrors

This is American singer-songwriter Ben Kweller's 6th solo album, and it's lo-fi charm is a very pleasant respite from all the heavily layered, processed, and programmed music out there. Here it's just Ben and his personal observations and self-reflection in basic stripped down arrangements, with pleasing melodies and lyrics. Sometimes reminiscent of early Neil Young or early Wilco, the album flows between acoustic guitar-only ramblings to easy-going folk-rock up to an occasional punkish outburst. Nothing earth-shattering here, but very enjoyable songs and a charismatic style that serves as a great palette cleanser from harsher, slicker offerings. Rating: 3ó

 

Suzanne Vega - Flying With Angels
American singer-songwriter Suzanne returns with her 10th  album, and first album of new music since 2014, presenting a strong album of songs focused on various aspects of struggle and survival in these modern times. And as the great storyteller that she is, what she is saying is more important than the tunes, but her folk-pop musical style works well throughout the album. Rating: 3ó

Jean Pierre Louveton (JPL) - Post Scriptum

Another wonderful album of jazz-inflected, guitar-driven, atmospheric Prog from one of the masters of French Prog. Rating: 3.5ó

 

Jakko M. Jakszk - Son of Glen

Surprisingly mellow and personal album from this vocalist-guitarist best-known from King Crimson. Some lovely tunes and autobiographical lyrics that create a nice atmosphere, but also occasionally veer a bit too much toward 70's soft rock. Quite pleasant, but doesn't pack much of a punch, or create a lasting impression. Rating: 3ó 

 

Cosmograf - The Orphan Epoch

Good, solid album from this Neo-Prog band from the U.K., their 10th. Quite enjoyable listen, while your listening to it, with good songs, good musicianship, nice instrumental passages, nice vocals. However, I find that as soon as the album is over, I can't remember anything about it, not one song, not one melody or theme. It just is not very memorable for me. So, that's my analysis, after listening to it three times. Good, enjoyable, just not very memorable. Rating: 3ó

Some others of note that I was not impressed with

Sleep Token - Even in Arcadia
OK, I was quite perplexed by this album. I had never heard of this band until last month, when this album by what seemed to be a metal band that incorporated other genres, hit #1 on the Billboard charts. Although not a metal fan, I thought I should check it out. After the first few tracks, I had to check to make sure I had the right album, because what unfolded was not metal, or even a rock album, but basically a slick modern pop album, and even a sappy boy band pop album, albeit with occasional (but quite sparse) bursts of cosplay metal riffs and heaviness added on top, though not very well-incorporated into the songs. It seemed to be more comparable to Imagine Dragons or One Republic than any metal band. Which is OK, if you like that sort of thing, but not at all what I was expecting, or what I would think metal fans would appreciate. Maybe that's why it has done well on the charts, because it is basically a pop album, but it is still confusing because it doesn't seem the metal intrusions would be popular among pop fans, or that the sappy pop production would be tolerated by the metal and rock fans, but evidently it appeals to many. I guess I just don't get it, but then I am not the intended audience for this. For me, this is mediocre pop masquerading as something heavier and more profound. Rating: 2.5ó

Ghost- Skeleta
After checking out Sleep token, I was also intrigued that Ghost was another quasi-metal band that had climbed to #1 on the Billboard album charts. And again, a bit surprised by what I heard. Although a bit more rockin' than Sleep Token, it was much more similar to melodic rock from the 70's-80's, basically like a lesser Journey or Foreigner, but with some heavier metal riffs added. Not bad, but nothing special and most of the melodies seemed to be borrowed from other bands and songs, so, again, not sure what the fuss is about. Rating: 2.5ó

Sparks - Mad!
Legendary eclectic indie pop duo is back with their their 27th album, and just keep going with their own unique brand of quirky musings, strange beats, and off-kilter melodies. But the mind-numbing repetitiveness and monotony of the lyrics and melodies becomes quite tedious very quickly, resulting in a torturously unlistenable mess. If they had kept their quirky sound bites short and sweet (like 1-2 minutes tops), it might have been fun, but dragging these highly repetitive 'songs' out to 3-5 minutes each is just agonizing. Please make it stop.  Rating: 2ó

Avkrvst - Waving at the Sky
Opeth-style prog-metal. Fine musicianship. Just nothing here that interests me. Rating: 2.5ó

Katatonia - Nightmares as Extensions of the Waking State
Ugh. Dull, generic Prog Metal. A bore. Rating: 2ó

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to

1.5ó - Poor, not worth your time

2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall

2.5ó – Average, OK, meh, not bad but not that good either

3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often

3.5ó – Very good album. Some stellar tracks, very enjoyable overall

4ó – Great album, filled with great songs, one that you will want to come back to over and over again

4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 

5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time

So, that's a wrap for the first half of this year. I've listened to more than 80 new albums so far this year and there have been many gems and wonderful music among them. Since we are now half-way through the year, I will also take a quick look back at the ones that I think are the very best thus far, in another post soon. But since I've already reviewed them here, I'll just present it as a list. Anyway, so that's what I've been listening to and enjoying. But what did I miss? What were some of your favorite recent new album releases?  

New Album Roundup - Spring 2025 (Part 1)

 New Album Roundup - Spring 2025 (Part 1)

More great new albums! There's been so many new album releases over the past month or so, I couldn't wait to do another rundown of the notable album releases I've been listening to lately. These are all albums that have been released over the past 6 weeks or so (I've listened to more than 30, and these are the best ones) and, once again, there are some real gems here. I'll follow up with another late Spring installment around the end of June (for Part2).

Rocking Horse Music Club - The Last Pink Glow

This latest album (their 3rd) follows after their stunning and monumentally great prog rock opera Circus of Wire Dolls (2022), and this is a worthy successor and a great album on its own. Although this new project, which is based on the writings of Jack Kerouac and his Novella 'A Haunted Life' in particular, lacks the full depth and breadth of that previous masterpiece (with its sprawling scope, style, and numerous guest artists), it nonetheless maintains the beautiful songwriting, exquisite production, and impeccable arrangements and instrumentation throughout. Rocking Horse Music Club is a music collective/collaboration based out of Rocking Horse Recording Studios in New Hampshire, USA, led by primary composer/keyboardist (and studio owner) Brian Coombes. Consisting of 11 tracks and 61 min runtime, the Club has delivered another sumptuous feast of an album. This album takes a bit darker, more brooding tone than the previous album, but also features a variety of musical styles, incorporating prog elements with pop, folk, jazz, and blues to showcase various aspects of Kerouac's writing, and featuring the sweet vocals of Justin Cohn throughout. There's only one guest artist featured on this release, but it is a rare treat, Tony Banks (Genesis) contributes his keyboard sounds and artistry, and shares songwriting credit, on the lovely track A Haunted Life, which has a definite Banksian quality. In fact, multiple songs on the album have a mid-career  Genesis feel to them (period from Trick of the Tail to Duke), which reflect the strong influence they have on Coombes' music. But a variety of styles highlight the album, from the slow jazz-funk of It's the Small Things (ala Steely Dan), the rootsy folk-rock of Ballad of Joe Martin, the engaging progressive pop of Changing Channels, to the blues-rock (via Pink Floyd vibe) of Big City Small-town Blues. A darker symphonic prog is evident on If We're Silent And We Listen, an upbeat instrumental prog interlude in Restless Wanderer, and more Genesisian style in the anthemic Splitting Atoms, which builds to an Afterglow-like grandeur. The album concludes with the extended title track for a most satisfying finale. Best Tracks: Changing Channels, Splitting Atoms, Ballad of Joe Martin, It's the Small Things, The Haunted Life, If We're Silent and We Listen. Rating: 4ó

Counting Crows - Butter Miracle: The Complete Sweets

Its been a long time coming, but we finally have a new album from Counting Crows, their first since the fantastic Somewhere Under Wonderland in 2014. And well, it's not entirely new, since the second half of the album was previously released as an EP in 2021 (Butter Miracle Suite One), but still, here's the full album, and it is quite wonderful, and so good to hear new songs from Counting Crows again. The 5 brand new tracks are great and highlight Adam's strong storytelling style and the unique rock vibe of the band, starting with the opener With Love, From A-Z', a delightful blues-rock track, followed by Spaceman in Tulsa, a rousing, rockin', catchy single that would have fit right in on Somewhere Under Wonderland. Boxcars is another roots-rock gem and Virginia Through the Rain is a classic Adam story-song ballad, gentle, endearing, and beautiful. The new tracks wrap up with Under the Aurora, the second single, and another great catchy rootsy rocker with great lyrics. The 4 songs that constituted Suite One round out the album, with Tall Grass being the slower, more contemplative track, Elevator Boots the more traditional rootsy single. Angel of 14th St. brings in a more lush sound with trumpet highlighting the break, which transitions into the rousing closing rocker, Bobby and the Rat-Kings. I do really like the Suite One songs, but I think all of the new tracks are even better and lift the album to a higher level. Overall, this a great album, showing all of the qualities that I love about the band, with a fresh sound, but also right in line with previous classics. This may not be among the band's top 2 or 3 three albums, but that is a mighty high bar, and doesn't take away from the greatness of this new release. A wonderful addition to the band's stellar legacy. Let's just hope it doesn't take another 11 years before the next album. Best Tracks: Under the Aurora, Spaceman in Tulsa, With Love From A-Z, Boxcars, Elevator Boots, Bobby and the Rat-Kings. Rating: 4ó

Solstice - Clann

This UK Neo-Prog band was initially formed back in 1980, but has undergone numerous starts and stops and lineup changes over the years (guitarist Andy Glass being the only member to remain through all incarnations). This is the 3rd album from this latest version of the band, following Sia (2020) and Light Up (2022), and features a tasty mix of folk, jazz, and melodic prog in an upbeat, joyful style that is very accessible and engaging. Featuring the alluring effortless vocals of Jess Holland and great vocal harmonies, as well as highlighted use of violin, guitar and keyboards throughout, the album opens with a couple gently swingin' jazz-rock tracks with a great vibe and feel. But the mix of folk, jazz, and prog is best on display in the wonderful 4th track Frippa. The longest track is Twin Peaks, stretching out at nearly 14 minutes and featuring an ebb and flow and great instrumental prowess of the band members. The album concludes with a bonus track that revives a song from early in their career in a new reimagined form. Overall, it is a wonderful album of uplifting, positive melodic tunes that is sure to make you feel good. Best Tracks: Frippa, Twin Peaks, Life. Rating: 4ó

Lars Frederik Froislie - Gamle Mester

The 2nd solo album, following the splendid Fire Foretellinger (2023) from Lars, the keyboard player from Norwegian Prog band Wobbler (and previously Tusmorke) is further proof that new classic-style Symphonic Prog is alive and well in 2025. Froislie plays all the instruments (and vocals as well), with just some help on bass (from Nikolai Haengsle of Elephant9), and of course a big emphasis on keys/synths, with the great diversity of keyboard sounds and styles always hitting just the right feel for the song. Containing 6 tracks varying in length from 3 to over 12 minutes each, these are richly textured, complex, and dynamic songs, as Froislie weaves his melodies and compositions with some recognizable touches from previous masters (Genesis, Yes, Jethro Tull, ELP, Gentle Giant, etc.), along with modern Scandinavian influences, but is never derivative, creating remarkably fresh, warm and adventurous songs. Mostly instrumental, but with vocals (in Norwegian) sparingly added where they can be used to best augment the songs. The theme of the album comes from "Den Gamle Mester" (The Old Master), an ancient oak tree and poem, with inspiration drawn from art, literature, and mythology, but of course it is the masterful musical musings that make the album such a joy to behold. A powerhouse of modern symphonic prog and among the best albums of the year. Best Tracks: De Tre Gratier, Gamle Mester, Demring, Medusas Flate. Rating 4.5ó

Bjorn Riis - Fimbulvinter

The 5th solo album for the guitarist from Norwegian Prog band Airbag, Riis delivers more moody, atmospheric soundscapes in line with what his band does, but with a more poignant, introspective, and personal feel throughout. Knowing just when to keep things light or go heavy with acoustic and electric themes, the songs create wonderful brooding and powerful moods, punctuated by great guitar lines and fills. Named after the long winter that heralds Ragnarok, the album opens with Illhug, a beautiful, haunting acoustic guitar piece, which leads into Gone, the most rockin' track with a driving catchy chorus, while still maintaining its haunted mood. Panic Attack is the longest track (at nearly 11 min.) and takes its time to provide a Floydian masterpiece of melancholic beauty. She is a love song of pure and simple beauty, elegantly handled. The title track is the proggiest, an instrumental that mixes heavy guitar riffs with melodic guitar lines and heavy atmospheric soundscapes for a soaring finish. Overall, a wonderful, powerful album. Best Tracks: Gone, Fimbulvinter, She, Panic Attack. Rating: 4ó
 

Great Wide Nothing - A Shout Into The Void

The 4th album from this keyboard-centric Prog Trio from the U.S. I was a big fan of their last album (Hymns for Hungry Spirits, Vol.II, 2023), and this new album is even better. Delightful prog elements masterfully presented in an energetic hard-driving modern rock context, yet still maintains a strong melodic sensibility, with catchy melodies and hooks throughout. A concept album of sorts with a theme dealing with social commentary on our place in the world of today. Sensational keys/synth-work (Dylan Porter), from the backing aura to dazzling solos, always with just the right sounds and voices. Powerful bass and vocals from primary songwriter Daniel Graham, and dynamic drumming backing from Jeff Matthews. Impressive out of the gate with the hard-rocking openers Utopia and Rules of Engagement. The instrumental One Thousand Eyes displays the full-on Prog credentials of the band with a fantastic dizzying piece. The album keeps building up to the beautiful, powerful, and majestic title track, bringing together the theme of the album. A unique, powerful and excitingly enjoyable album, brilliant from start to finish. Every track is superb and they all work together to create something really special .Update: After listening to this repeatedly over the past few months now (and it just gets better and better), this is without question, the best album of the year - the best Prog album as well as the best rock album. Just incredible. Best Tracks: One Thousand Eyes, Chain of Command, Brain on Fire, Rules of Engagement, A Shout Into the Void. Rating: 5ó (and only album to get a 5ó rating this year)

OK Go - And The Adjacent Possible

Its been 11 years since the last full album release (Hungry Ghosts, 2014) by this wildly creative and inventive eclectic indie pop band, and the world has been a noticeably less fun place in their absence. Known for their extraordinary, ingenious, and meticulously crafted music videos, the boys do not disappoint in either the music or video department with this latest release, as they go above and beyond again and deliver a fantastic new album and some of the best videos of the year (or even last several years). This is what pop music is supposed to be (and that some of these songs are not topping the pop charts demonstrates the sorry state of charting pop music today). Here they are: 12 well-crafted, imminently tuneful, clever, and catchy songs in a variety of pop styles, incorporating power pop, sunshine pop, synthpop, alt-pop, pop ballads, and dreamy vocal harmonies, with just enough quirks and weirdness to always be interesting and fun. And fun is the key here, just all-out, fun, good-timey pop songs, as even when the songs deal with loss or heartbreak, they still are just catchy and fun. Should be the album of the summer, light, fun, hummable and catchy. Be sure to check out the extraordinary and painstakingly crafted music videos (videos of the year) for Love and A Stone Only Rolls Downhill. Best Tracks: A Stone Only Rolls Downhill, Love, Better Than This, Don't Give Up Now, A Good Good Day At Last, Impulse Purchase. Rating: 4.5ó

The Flower Kings - Love

This latest from legendary Swedish symphonic Prog band The Flower Kings (their 17th album overall and 5th since re-forming in 2019) is a strong entry, and possibly the best of their recent string of albums, but takes a gentler, mellower tone overall than much of their previous work, emphasizing melodies and intricate instrumental tapestries. Consisting of 12 tracks and a 71 minute run-time, the band stretches out on several tracks, creating some moving, emotional themes. Led by longtime members Roine Stolt (guitars and vocals) and Hans Froiberg (vocals) and the welcome recent addition of Lalle Larsson on keyboards, the band weaves their way through a variety of pleasing songs, with the highlights definitely being the fabulous instrumental virtuosity and melodic intricacies, showcased best in the extended instrumental breaks in several songs, as well as in the two all-too-short instrumental tracks, World Spinning and Kaiser Razor. The vocal sections feature some fine melodies and harmonies, but the vocals themselves are just OK, and a bit too extensive, in that in some places the vocals seem to weigh down the songs a bit, and the songs come alive more in the instrumental sections. I would prefer the band to showcase more of the instrumental aspects and use the vocals more sparingly where they can better provide a boost to the songs (a lesson they could learn from Lars Froislie). Still, a solid, very good album, but just doesn't quite compare with the best of their earlier albums. Best Tracks: Considerations, World Spinning, Kaiser Razor, The Rubble, Love Is, Walls of Shame. Rating: 3.5ó

Cosmic Cathedral - Deep Water

Another new album and new band from the legendary and ever-prolific prog icon Neal Morse, and yes, its another winner, a high quality album for Neal and his latest new band incarnation. This time Neal teamed up with guitarist Phil Keaggy, drummer Chester Thompson, and bassist Byron House, just to hang out and jam. But as it was with his last impromptu band, The Resonance (Neal Morse and The Resonance - No Hill For a Climber, 2024), before long the jamming gelled into an album (must be nice). With this band, the music takes a bit jazzier, funkier, and looser vibe than other Morse albums, but still maintains most of the hallmarks of Morse's compositions and style. There is plenty here for fans of Neal to love, and the cool jazz elements provided by the new backing band add some different textures, such as on the Keaggy vocal-led track Walking Into Darkness. The epic Deep Water suite (6 parts, 29 min.) has all the grandeur and sweep of Neal's trademark epics. However, for those that feel Neal has been repeating many of the same musical styles and motifs over the past several albums, they probably won't be convinced otherwise with this new release, but another very good album. Best Tracks: Walking Into Darkness, Deep Water Suite. Rating: 3.5ó

Karfagen - Omni

21st album from this keyboard-centric symphonic prog band led by the extremely prolific Ukranian musician Antony Kalugin. Although Karfagen releases at least one album, sometimes more, just about every year, this one is a bit different. First, although it is broken up into individual tracks, it plays out as one long suite of interconnected songs, and it is more focused on vocals, harmonies, and pop-rock melodies (and contains numerous guest vocalists) than the usual more instrumental-heavy releases. There is still plenty of great instrumental prog on display here (also highlighted by numerous guest musicians, with classic symphonic prog touches throughout, but the vocal melodies and arrangements take center stage here. The result is their most accessible and cohesive release to date. The individual tracks encompass a variety of styles, but it all fits together seamlessly for a wonderful theatrical and cinematic experience. Rating: 4ó

Quick Hits

Glass Hammer - Rogue

A welcome return to more melodic symphonic Prog after dabbling with heavier prog metal influences on their Skallagrim trilogy of albums (2020-2022) for this versatile veteran U.S. Prog band (22 albums!). Mostly mellower melodic prog with an emphasis on vocals (featuring both male and female vocalists) and pop-rock melodies. But the highlight of the album is the longest and most adventurous track, the wonderful, spacey, atmospheric instrumental gem, Terminal Lucidity. Rating: 3.5ó

Rick Miller - Perspective

Another strong album of mellow atmospheric prog from this Canadian multi-instrumentalist, whose musical style is something of a blend of Pink Floyd, Alan Parsons Project, and the Moody Blues. Although this album doesn't quite reach the heights of his previous album, One of The Many (2024), it is still a very good, soothing and somewhat dark, but very enjoyable album that continues Rick's exploration of spirituality, fate, and destiny. Rating:3.5ó

 

Magic Pie - Maestro

The 6th album from Norwegian Prog band Magic Pie, known for their intricate compositions, symphonic arrangements and blend of classic and modern influences. This new album has a definite emphasis  (perhaps too much emphasis) on incorporating 70's-80's melodic and hard rock along with their prog elements. The album contains some brilliant sections, particularly on the more proggy album centerpiece, the 18 plus minute Opus Imperfectus Part 1, of which the concluding Part 2 closes the album, but the album also contains some rather cringey sections with their embrace of generic 70's hard rock on some tracks (particularly Name It to Tame It and Everyday Hero). So, the album has some pretty big ups and downs, but overall, still a good album worth checking out. Rating: 3ó

CEN-Projekt - Carnival of Lost Souls

CEN-Projekt is the creation one person, the talented German composer-multi-instrumentalist Chris Engel. This is another in his series of classic-style symphonic prog, with obvious influences from Genesis, Yes, Steve Hackett, Anthony Phillips, etc. (sometimes a bit too obvious), and he does a wonderful job with it, creating wonderful melodies and compelling instrumental work. Although this album doesn't quite match the wonder and majesty of his wonderful 2024 release The Story of Enja, this is quite good on its own. A bit darker in tone due to the subject matter, but a wonderful journey. Rating 3.5ó

Envy of None - Stygian Waves

Subsantial improvement over their self-titled debut album (2022) on this 2nd album from this pop band featuring former Rush guitarist Alex Lifeson and and vocalist Maiah Wynne. Although still showcasing an atmospheric and immersive sound, the darker tone and greater variety in the style and arrangement of tracks lifts this album up from the occasionally dull or monotonous sections of the 1st album, with better grooves and melodies and encompassing soundscapes. Rating: 3.5ó

Missu Kissu - Having Fun in Hell

Debut EP from this colorful indie alt-rock trio from Rochester, NY, featuring 9 short tracks showing a variety of styles incorporating folk, punk, pop, and rock. It's a bit all over the place, from catchy folk-rock to punkish rants and biting lyrics from guitarist Animal Planet to mellow sweet-sounding pop-folk ballads from bassist Robiwan, as well as some video game foolishness and quirky bits. Has its ups and downs, a bit rough around the edges, but overall a strong debut from an interesting indie band. Rating 3ó
 

McStine and Minneman - III

Impressive third collaboration between prog vocalist-multi-instrumentalist Randy McStine and drummer Marco Minneman, easily their best and most diverse, blending elements of pop, prog, art rock, and alternative, as well as mixing traditional melodic songs with bold experimentation. Rating: 3.5ó

 

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to

1.5ó - Poor, not worth your time

2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall

2.5ó – Average, OK, meh, not bad but not that good either

3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often

3.5ó – Very good album. Some stellar tracks, very enjoyable overall

4ó – Great album, filled with great songs, one that you will want to come back to over and over again

4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 

5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time

 Lots of great stuff here, and that's just a taste (several others I couldn't even get to. Check out some of these for some great listening. More great music coming out every week. Will have an another update in 6 weeks or so.

New Album Roundup - Early 2025

New Album Roundup - Early 2025 Edition

Here we are through the first quarter of the year already, and there has been an abundance of notable album releases over these first 3 months and I've been doing my best to keep up with them. I've listened to more than 30 new albums so far this year, including many new albums from long-time musical artists and legends, as well as some new artists. So, once again it's time to take a look at some of the noteworthy albums released so far this year, based solely on what I have listened to and how much I have enjoyed them. Here is my New Album Roundup - Early 2025 Edition

Pattern-Seeking Animals - Friend of All Creatures

Originally began as on offshoot of Spock's Beard (featuring current and former members Ted Leonard, Jimmy Keegan, Dave Meros, John Boegehold) in 2019, this band has forged their own way, creating their own sound and style, to become one of the premier modern melodic progressive rock bands. This is their 5th album (over just 6 years), and continues their reign of producing high quality 'music that's progressive and intricate while keeping things immediate and melodic' (in the band's own words). Another batch of wonderful songs that are a joy throughout, beautiful and well-played, with great vocals and musicianship, and the full range of emotions, dynamics, and instrumentation. Although not quite my favorite of theirs (that would be 2022's Only Passing Through), this is a great album nonetheless, and maintains the high bar established by each of the previous albums. Masterful melodic prog. Best Tracks: Down the Darkest Road, Words of Love Evermore, Days We'll Remember, Another Holy Grail. Rating: 4ó 

Jacob Roberge - The Passing

A new voice in progressive rock, Canadian composer-vocalist-multi-instrumentalist Jacob Roberge has emerged with his 1st album, a grand excursion in the melodic symphonic prog tradition. The first half of the album features shorter songs and a more acoustic approach with prominent piano, acoustic guitar, winds, and strings, with soaring melodies and classical themes, but also some lulls and dull passages. The album picks up as it goes along, with Empty Traces, part 2 a highlight, but the album really soars with the epic-length (32 min.) title track, consisting of multiple sections, styles, and dynamics, encompassing the best of symphonic prog, embracing  the styles of the classic bands (Yes, Genesis) as well as more modern influences (Big Big Train and especially Neal Morse) to produce a wonderful majestic track that satisfies on every level. It moves seamlessly from one section to the next, with beautiful melodies and rousing instrumental passages, and culminating with a grand majestic finale. This track is superb and more than makes up for some inconsistencies in the early tracks, producing a very good and satisfying album experience. It will be interesting to see what this rising artist does next. Best Tracks: The Passing, Empty Traces Part 2. Rating: 3.5ó

Echolyn - Time Silent Radio ii, Time Silent Radio vii

Legendary U.S. Symphonic Prog band Echolyn has emerged after a ten-year absence with not one, but two new albums, their 10th and 11th (released not as a double album, but 2 separate albums), returning with their unique rockin' prog sound, mixing classic melodic rock and power pop with sumptuous symphonic prog for a wonderful set of albums. TSRii consists of 2 epic-length tracks (16 and 29 min.), whereas TSRvii has 7 shorter tracks (that's where the titles come from). The two lengthy tracks ebb and flow and take their time to develop through multiple musical sections and themes, but never lose focus, remaining consistently enjoyable and entertaining throughout their musical journeys. But the other disc, TSRvii, is even better, as the songs are brighter, punchier, with more emphasis on melody and catchy rock tunes, but still with plenty of proggy goodness throughout. All the tracks are great (but my faves are listed below). Echolyn's music may have many varied influences throughout, but yet they have created their own unique style, as they don't sound quite like anyone else. I'm not all that familiar with the band's earlier catalog, but I love this album, especially TSRvii, and I will be returning to it often throughout the year. Best Tracks: ii:Water in Our Hands. vii:Tiny Star, On We Blur, Boulder on Hills, Radio Waves, Cul-de-Sacs and Tunnels. Ratings: ii:4ó , vii: 4.5ó

Coheed and Cambria - Father of Make Believe

Coheed and Cambria is a U.S. rock band that has been around since 2002, but is hard to categorize due to the wide variety of styles they play. All of their albums are concept albums, or more accurately, part of an interrelated series of concept albums that tell a larger story. This is their 11th album overall and 3rd in the Vaxis Series. I can't begin to say just what the story entails (haven't heard the previous albums), but musically, it is all over the place, with a little bit of everything, and I really liked this one. It opens with a beautiful folk ditty (Yesterday Lost), then follows with a driving power pop rocker (Goodbye Sunshine), then a melodic hard rock gem (Searching For Tomorrow). Full-on heavy prog of the title track is next, followed by a sweet ballad which swells to an anthemic power ballad (Meri of Mercy). Then comes the fierce onslaught of metal and punk metal in Blind Side Sonny and Play the Poet. One Last Miracle is a fine hard rocker and Corner My Confidence tones things down with a lovely, folky, acoustic charmer, before a catchy 80's style pop-rock single (Someone Who Can). Then comes the powerful concluding suite, Continuum, which is broken into 4 parts, each with its own style and vibe, wrapping up with So It Goes, a wonderfully bouncy and catchy pop song. And surprisingly, it all works. The vocals from Claudio are wonderful throughout, whether dripping with honey on the pop-oriented songs or screaaming and growling on the heavier tracks, he is great. And the arrangements are also spot-on, covering many different styles, showing the versatility of the band. What is most impressive to me, though, is the melodic sense that runs through all the songs, with engaging, catchy melodies, whether gentle pop or hard rock, and even the heavy metal, that melodic sensibility shines through, creating a very satisfying collection of songs. The only musical comparison I can think of would be something like a much heavier The Dear Hunter, showing that kind of variety, versatility, outrageousness, and melodic sense. However, because of the range of types of songs, it may be that those who prefer the heavier aspects of the band may not appreciate the more pop-oriented tracks, and vice versa for those enjoy the more poppy tunes, so I don't know how this fits in with their other albums, but I am very impressed. Best Tracks: So It Goes, Father of Make Believe,  Goodbye Sunshine, Corner My Confidence, Searching For Tomorrow. Rating: 4ó

Steven Wilson - The Overview

As one of the biggest names in modern Prog, it's always interesting to hear what Steven Wilson is up to, and this album had additional expectations as it was hyped as Steven's 'return to prog' after multiple albums experimenting with different musical forms, with mixed results. On this album, Steven tackles the concept of The Overview, which has to do with a state of awe and transcendence reported by astronauts while viewing Earth from Space. And if Steven was attempting a musical depiction of that experience, I don't think he succeeded. But for me, Steven Wilson has always been hit and miss, as he has produced some brilliant music, but also a lot of just OK stuff over the years. On this album Steven serves up a mixture of sounds and themes that span through his history, from the more atmospheric, spacey early work of Porcupine Tree through to the more experimental pop of recent years. As usual, the production and sound is impeccable, but for me at least, the results are similar to past work in that it is extremely up and down, equal parts good and disappointing. There are only 2 album side-long tracks here, but yet they don't really hold together as cohesive pieces, more as a collection of shorter pieces just placed together, some of which work and some that don't. It seems to be put together from various pieces and ideas he had lying around. The best parts are really good, with some great melodies, proggy elements, and pop-rock arrangements, whereas the weaker parts are somewhat dull or not very interesting. Overall, maybe about half of each full track was enjoyable for me, about 15-20 minutes out of the 41 min length. I know many consider Mr. Wilson to be a musical genius, and I'm glad that Steven is able to do whatever kind of music he wants to do, but once again, these musings strike me as being just pretty good, and a bit underwhelming. Rating: 3ó

Motorpsycho - Motorpsycho

You never quite know what you're going to get from this prolific (28 albums overall, and 16th album in the last 17 years) eclectic Norwegian prog band, with their ever-shifting styles that incorporate heavy doses of psychedelic, indie, and prog rock, along with forays into ambient, atmospheric, acoustic, pop, jazz, punk, metal, krautrock, space-rock, and so on. Although their last couple albums have had a lighter pop-oriented touch, this album gets back to heavier aspects and their psych, prog, and hard rock roots, but also contains bits of everything from their past and still maintains their melodic sensibilities and that Motorpsycho sound, in this expansive self-titled double album (11 tracks, >81 min.). This one has it all, and they pull out all the stops, in various moods and styles, from the dark psychedelia of the opener Lucifer, Bringer of Life, to the throwback pop feel of Stanley (Tonight's the Night) to the heavy guitar riffs (and Jimi Hendrix vibe) of The Comeback and the psych-prog journey of Balthazar. Then there is the epic-length (21 min) Neotzar, with its mix of jazz, prog, and psychedelia in a mesmerizing and a bit creepy blend. But there's still more with the lighter, brighter Core Memory Corrupt, and the driving groove of Three Frightened Monkeys, before the melancholy pop of Dead of Winter closes the album out. Another wonderful, eclectic album from Motorpsycho. Best Tracks: Balthazar, The Comeback, Stanley, Core Memory Corrupt, Dead of Winter, Neotzar. Rating: 4ó   

Karmakanic - Transmutation

What began as a side project for The Flower King's bassist, Jonas Reingold, in 2002, has developed over the years into one of the premier modern symphonic prog bands, and they are back again, after a 9-year absence with this, their 6th album, and Jonas and band have brought along many wonderful prog guest artists to help out, including Steve Hackett (and members of his touring band), Andy Tillison (The Tangent), John Mitchell (Frost, It Bites, Lonely Robot), Randy McStine, Nick D'Virgilio, and Simon Phillips, to produce one of the best albums of the year so far. It opens with a burst of energy in the brief, but powerful rockin' instrumental Bracing For Impact, and then continues to get better and better with each subsequent track, End of the World is a beautiful song (although goes on a bit too long), then Cosmic Love gives a somewhat throwback 80's single sound, like something from Yes' 90125 period, but they are just getting started, as each of the rest are great, culminating with the sensational Prog epic title track (23 min), which is stunningly brilliant from beginning to end, with everything you could want in a prog epic, from tender acoustic sections to glorious majestic themes to incredible soloing and exciting instrumental passages, including a dazzling middle section that manages to channel Genesis as a jazz fusion band, then reprising earlier themes for an emotional and majestic finale. Just brilliant, and one of the best epic-length prog tracks ever, that can stand among the all-time greats. What I really love about this band and album is that they are extremely creative and inventive in their arrangements, production, and instrumentation, able to turn even fairly simple themes and melodies into wonderful, exciting pieces with their intricate, detailed handling. Just love this album, my absolute favorite of the year so far and sure to be in the running in the end for best album of the year. Best Tracks: Transmutation, Gotta Lose This Ball and Chain, All That Glitters is Not Gold, We Got The World in Our Hands. Rating: 4.5ó

IQ - Dominion

Another veteran prog band returning after an extended absence (6 years since last album) with this, their 13th album. It contains all the parts and pieces you expect from these professionals and all the components of a great Neo-Prog album: excellent musicianship and instrumental prowess, great range of dynamics and moods, emotive vocals and majestic themes, and wonderful sound and production. Unfortunately, it is still somewhat disappointing, as the songs themselves are just nothing special, and fail to create engaging melodies or compelling themes. They seem to be going through the motions of what has worked in the past, but the songs just fall somewhat flat. The opening 22-min epic is OK but doesn't really go anywhere, and despite fine individual efforts from all involved, it just seems quite ordinary. Best track is Far From Here, which almost reaches another level, but can't quite sustain it. There's nothing bad here, it is all fine, pleasant, and well-done, good, it just doesn't inspire or excite, and is thus underwhelming. Rating: 3ó 

AlisoKrauss and Union Station - Arcadia

Alison reunites with Union Station for their first album together in 14 years, and the results are quite beautiful, but also just a bit disappointing. The album features tracks alternating between Alison's sweet, pretty ballads and the band's Appalachian folk songs sung by new vocalist Russel Moore, and they are all quite good. The band provides great back-up with impeccable runs and fills from Jerry Douglas, Ron Block, and departing member Dan Tyminski, but considering this is one of the best bluegrass bands around, the band isn't given much chance to really stretch out. There are no instrumentals and no real rip-roaring bluegrass tracks (or much fiddle from Alison), and only just a few songs that could even be considered bluegrass. Those few uptempo tracks are the highlight of the album. Still very good, but was hoping for more actual bluegrass from this reunion. Rating: 3.5ó
 

Quick Hits

Dim Gray - Shards

This Norwegian Prog band follows up their wonderful 2022 album, Firmament, with this, their 3rd album, which continues exploring their blend of atmospheric, emotional soundscapes with lush symphonic backing and soaring melodies. The album culminates with its best (and longest) track, Attakula. Although a very fine album, for me it doesn't quite reach the same heights as Firmament, as the songs are not as dynamic, interesting, or eclectic as on that album, with a bit more sameness throughout. But a very enjoyable listen nonetheless. Rating 3.5ó

 

Dream Theater - Parasomnia

OK, I'm not a big fan of Dream Theater or Prog-Metal in general, so maybe it's not surprising that I was not very impressed with this new album, their first since drummer extraordinaire Mike Portnoy re-joined the band. There is no denying the excellent musicianship on display here and the sound is great, but there is just too much metal and not enough prog influences present here to work well for me. Rating 3ó

 

 

Jethro Tull - Curious Ruminant

Ian Anderson and his current assemblage as Jethro Tull are back with their 3rd album in the last 4 years, and this is the best of those three, as it has more elements reminiscent of the old Tull (more folk and rock elements, return of the acoustic guitar, etc.). It's a good listen, quite enjoyable. The instrumental sections, in particular, are quite good, with stellar flute work and a stronger guitar presence than other recent albums. However, it is still a far cry from classic Tull. Anderson's vocals have greatly deteriorated and are somewhat distracting (should do more instrumentals) and overall, the songs are just not as memorable. Thus, it's good, but not great, and not really something you will probably want to go back to again and again. Rating: 3ó

Ringo Starr - Look Up

The beloved Beatle, at 84 years old, is back with his 21st? solo album. This time he has gone full country, with surprisingly good results. Ringo made a smart choice in bringing in Americana and Roots music guru T-Bone Burnett to produce and oversee the project, as T-Bone has set-up a crack team of musicians and guest artists, as well as  impeccable production and arrangements that provide a stellar backdrop to augment Ringo's somewhat limited vocal abilities. It sounds great, with lovely backing and support, and Ringo's voice works fine on these country songs. Thus, it is probably Ringo's best album in many years, but still, just not something that holds much interest for  me (not being a country fan). Rating: 3ó

Mostly Autumn - Seawater

This veteran U.S. Prog Folk band, releasing their 15th album, an expansive 76 min affair, and it is quite an enjoyable listen, if you are OK with its limitations. I would describe this as dramatic, atmospheric folk-rock with prog elements, and it is filled with simple but effective songs and engaging melodies that are given lush treatment. Great emotional vocal performances, and the contrasting styles, and interaction of the main female and male vocalists are the main highlights of the album. Unfortunately, several of the songs are stretched-out much longer than they should be through repetition rather than musical inventiveness. Even the mostly effective epic-length (19 min) Pink Floyd-inspired title track is much longer than needed. Good, but could have been much better. Rating: 3ó
   
Brian D'Addario - Till the Morning

Brian D'Addario of the Lemon Twigs steps out with his first solo album, but continues pretty much along the same lines as the band as there is not much that distinguishes this from an actual Lemon Twigs album, which is both good and bad. Great if you love the throwback 60's-inspired sunshine pop of the duo, with sparkling arrangements and uniquely odd melodies, complete with assistance from brother Michael who produced and provides harmony vocals, but disappointing if you were looking for something a bit different, and the songs are not quite up to the level of the previous recent LT albums. Sounds great, but again, I am somewhat put-off by the pretty but oddly unpleasant and decidedly uncatchy melodies preferred by the D'Addario brothers. Rating: 3ó

Ghost of the Machine - Empires Must Fall

Second album from this UK Neo-Prog band. Guitar-heavy melodic progressive rock, with a definite leaning towards the sound and style of Rush (particularly the 80's version of Rush, with more keyboards, less proggy structure). Fine playing and musicianship, but a single vocalist with no background or harmony vocals at all. If that vibe and style is appealing, you will probably really like this, but it is not really for me. Not bad, just not that great. Rating 2.5ó

 

Sometime on February - Where Mountains Hide

Debut album from this instrumental prog metal trio that tries to impress with lightning fast runs and fierce virtuosity, but impressive instrumental skills alone don't translate into a satisfying album, and these musicians seem more intent on speed and flash than songwriting or creating music. These instrumental pieces just seem rushed, harsh, and overfilled with complexity and arbitrary notes, but not much musical sense. Rating: 2.5ó

 

Sam Fender - People Watching

Fine collection of catchy, insightful storyteller songs from this British singer-songwriter with an American-style Heartland rock sound, marred somewhat by the overly slick and finely polished pop production that takes away from the grit and authenticity of some noteworthy and heartfelt songwriting. Very enjoyable songs, but the intrusive wall of sound production gets in the way more than it helps. Rating: 3ó

 

 

Untold Stories - Wind & Memories

Solid debut album from this relatively new band from Bulgaria that features what I would call melodic rock with prog elements. Lead by Daniel Eliseev, features a mixture of art rock, hard rock, prog melodic rock. opens with a couple tracks that are mostly melodic rock, but then comes the extended title track, which is full-on Neo Prog, and the highlight of the album. Continues with variations on these rock mixtures for a quite good, but not great listening experience, as some cliches and sameness intrudes, but overall a fine debut. Rating: 3ó

 

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to

1.5ó - Poor, not worth your time

2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall

2.5ó – Average, OK, meh, not bad but not that good either

3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often

3.5ó – Very good album. Some stellar tracks, very enjoyable overall

4ó – Great album, filled with great songs, one that you will want to come back to over and over again

4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 

5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time

OK, that should do it for these 1st three months. Some really good stuff here. There were several others I listened to, but these were the highlights. Bands that I was really impressed with and need to check out the rest of their catalog include Karmakanic, Echolyn and Coheed and Cambria
Interestingly, there seems to be a flurry of epic-length tracks (14 min or longer) this year, after several years of declining numbers (probably due to streaming issues). But they are certainly back this year, as just with these albums I reviewed here, there were 14 epic tracks here, and most of them very good, some real classics.

So, what did you think about any of these albums? What are your favorite albums so far this year?