Showing posts with label John Entwhistle. Show all posts
Showing posts with label John Entwhistle. Show all posts

Sunday, May 22, 2016

The Best (w/Keith Emerson) - 1990-09-26 - Yokahama, Japan

The Best
(Keith Emerson, John Entwhistle, Joe Walsh, Jeff "Skunk" Baxter, and Simon Phillips)
September 26, 1990
Yokohama Arena,
Yokohama, Japan
Soundboard (from TV broadcast), Very Good Quality
Now available in Lossless! (FLAC) version!

Continuing with the Keith Emerson, ELP saga: While ELP was still on tour in 1977, they released their follow-up to Works, Vol. 1, Works, Vol. 2, a single album this time, and made-up primarily of miscellaneous and leftover tracks from previous recording sessions, and all short songs. Because of this, the album was not nearly as popular as its predecessor, but nonetheless still contained some very impressive tracks. In particular, Emerson's piano work, from his version of Scott Joplin Rag-time to the wonderful Meade Lux Lewis's 'Honky-Tonk Train Whistle Blues', as well as Keith's self-penned version of a honky-tonk piano song. Anyway, the band continued on their epic Works tour, through much of 1978 as well, then back to the studio for what was their final album of their original tenure. Unfortunately, the magic was gone by this time, and Love Beach (1978) is generally considered the nadir of their career; with the album tanking and their popularity plummeting, they pulled the plug on the group, each going their own way. Keith did a couple solo albums and music for movies throughout the eighties. He re-grouped with Greg Lake in another power trio with drummer Cozy Powell, dubbed Emerson, Lake and Powell in 1986, for what was the most successful, albeit short-lived (1 album), of the ELP imitation groups. This was followed closely by 3 (Three) in 1988, which featured Emerson and Palmer with multi-instrumentalist Robert Berry, but their only album was not well-received. Then in 1990, Keith joined a new group with a supertstar lineup, for the short-lived supergoup, The Best. Featuring Joe Walsh, Jeff "Skunk" Baxter, John Entwhistle, and Simon Phillips, along with Emerson, the band was avery eclectic mix of superstars from diverse bands. Although they only played a few shows in Japan before splitting up, this band was a really intriguing oddity, a strange mix of styles and talent that produced some very memorable versions of each of their respective hit songs. As far as I know, this was the only time Keith ever played in a band where his keyboards were not the primary and dominant component, and playing here with 2 great guitarists and songs that are not really 'keyboard' songs, the results are very interesting. Now, I have already posted and featured this show from a Japanese broadcast before, but now I have upgraded the show to lossless, for all those wishing to have it in better quality. For more on the show, see the previous post here , but let me summarize with this excerpt ..."Although on some songs, like 'Life in the Fast Lane' and 'My Wife', it is a bit disconcerting to hear Emerson's constantly moving keyboards in the background, some of his additions are positively breathtaking, such as his skillful piano licks in 'Bodhisattva' and 'Reeling in the Years', or putting everything from the 'Jaws Theme' to classical pieces like 'Night on Bald Mountain' into 'Boris the Spider'. And it is very interesting and exciting to hear Skunk and Walsh combine guitar forces (and different styles) on several songs, like 'My Wife', 'Life in the Fast Lane', 'Too Late the Hero', 'Reeling in the Years', and especially 'Bodhisattva'..." , as well as their guitar additions to the Emerson 'keyboard' songs. So, if you haven't checked this out previously, be sure to do so now, as it is one of Emerson's most interesting and unique contributions, and of course, the band itself is awesome, if just a bit odd in their mixing of musical styles.

Tracklist
01. Seven Bridges Road / Life In the Fast Lane
02. My Wife
03. Bodhisattva
04. Fanfare For the Common Man
05. Rikki Don't Lose My Number
06. Simon drum solo
07. Rocky Mountain Way
08. Too Late the Hero
09. America / Look At Us Now
10. Boris the Spider
11. Reelin' In the Years
12. Takin' It To the Streets

John Entwistle - bass
Jeff "Skunk" Baxter - guitar
Joe Walsh - guitar
Keith Emerson - keyboards
Simon Phillips - drums
with:
Rick Livingstone - vocals
Hamish Richardson - backing vocals
Angus Richardson - backing vocals
Fergus Richardson - backing vocals

FLAC: The Best_1990-09-26_Japan_FLAC.rar

For mp3 version, see previous post here see previous post here 

Tuesday, January 25, 2011

The Best (K.Emerson, J. Walsh, J. Entwhistle, J.Baxter, S.Phillips) - 1990-09-26 - Yokahama, Japan

The Best
(Keith Emerson, John Entwhistle, Joe Walsh, Jeff "Skunk" Baxter, and Simon Phillips)
September 26, 1990
Yokohama Arena,
Yokohama, Japan

Soundboard (from TV broadcast), Very Good Quality
mp3 @ 320 kbps

OK, here is a really intriguing oddity. Now, I know that most of the so-called 'supergoup' incarnations don't last very long, or don't live up to expectations, but here is one that came and went and I never even heard anything about them. This show was a shock to me when I came across it recently, as I had no idea such a union ever occurred. This was of interest because it was such an unusual mixture of talent and styles, Keith Emerson and Joe Walsh in the same band, with Skunk Baxter and John Entwhistle? A musical clash fusing early Steely Dan with ELP, The Who, and the Eagles? Wow, all bands I really like, so this looked very intriguing, but a seemingly odd combination of talent. A look at the setlist indicates that they basically played a selection of greatest hits from the bands of each of the members. I read that these were songs selected as the favorites by the rest of the band. And actually, the results are surprisingly good, and well-worth a download and listen.  Fortunately, these are not just mindless covers trying to duplicate the originals, rather the band really seems to take their roles seriously, and contribute some very different and unique versions of the songs, incorporating all the members musical expertise, and stretching out on extended jams. As far as I know, Emerson has never been in a band where his keyboards were not the primary and dominant component. Thus, it is very interesting to hear him in this band with 2 great guitarists, and his contributions on the other's songs (that aren't keyboard-oriented songs). Although on some songs, like 'Life in the Fast Lane' and 'My Wife', it is a bit disconcerting to hear Emerson's constantly moving keyboards in the background, some of his additions are positively breathtaking, such as his skillful piano licks in 'Bodhisattva' and 'Reeling in the Years', or putting everything from the 'Jaws Theme' to classical pieces like 'Night on Bald Mountain' into 'Boris the Spider'. And it is very interesting and exciting to hear Skunk and Walsh combine guitar forces (and different styles) on several songs, like 'My Wife', 'Life in the Fast Lane', 'Too Late the Hero', Reeling in the Years', and especially 'Bodhisattva' (which is probably Steely Dan's best song ever, and this version is truly unique and amazing). We also get other unique offerings throughout, such as epic versions of Emerson's 'Fanfare for the Common Man' and 'America' (complete with extended Entwhistle bass and Walsh guitar solos). It is a bit odd, though, that with all the musical talent here, they didn't bring in anyone who could sing, as they went with an unknown vocalist (Rick Livingstone), who actually does a pretty good job handling the different vocal styles of the various original songs. All in all, this is a very unique and entertaining show for anyone who is a fan of these varied musicians and bands. This was obviously a very short-lived collaboration. I don't know if there was ever any intent for them to do original songs as a band or not, but I'm sure that would have been quite unique, also. In actuality, I don't know if this band ever played anything more than these few shows in Japan. It would appear that this show, recorded for broadcast on Japanese TV is the only musical document that exists for this strange and unique 'supergroup'. But, I am so glad that I did get to hear these unique song versions by 'The Best'. And I hope you like them, too. I got this from TonyR over at the G101 forum, so thanks for making this unique show available Tony! If anyone knows anything more about this band, please let me know. Did they ever do any shows in the U.S. or Europe? or did they just implode after these Japan shows? Regardless, check 'em out, the once-and-only assemblage of monster talent, The Best. 

Tracklist
01. Seven Bridges Road / Life In the Fast Lane
02. My Wife
03. Bodhisattva
04. Fanfare For the Common Man
05. Rikki Don't Lose My Number
06. Simon drum solo
07. Rocky Mountain Way
08. Too Late the Hero
09. America / Look At Us Now
10. Boris the Spider
11. Reelin' In the Years
12. Takin' It To the Streets

John Entwistle - bass
Jeff "Skunk" Baxter - guitar
Joe Walsh - guitar
Keith Emerson - keyboardss
Simon Phillips - drums
with:
Rick Livingstone - vocals
Hamish Richardson - backing vocals
Angus Richardson - backing vocals
Fergus Richardson - backing vocals

New Link! (Updated 02/06/24)
The_Best_-_1990-09-26_-_Yokohama.rar

Lossless version also available here