Sara Bareilles - 2009-03-02&03 - Chicago, IL

Sara Bareilles
Live From the Gravity Tour
2009-03-02&03
Schuba's, Chicago, IL
Free Web-Only Live Album, previously available through Sara's web site
http://www.sarabmusic.com/  (but no longer available there)
mp3 @ 256 kbps

Again, sorry for the extended delay between posts, but here we are again, with something a little different, in that (1) this isn't something very old, and (2) it comes from a very talented female singer-songwriter, who regrettably haven't been featured much here previously. Now, I'm not presenting this from any kind of notion that I need to feature more women, or any other such nonsense. No, this is being presented because it is just damn good music. Now, I have to admit that I only discovered just how good Ms. Bareilles is quite recently, and I have just been floored by her songs and style ever since. Like most people I first heard her on her big hit 'Love Song' a few years ago, and although I was impressed by that song (strong piano and forceful defiant vocals), I assumed that she was just another pop singer, and didn't really follow-up to hear more from her. It was only after my daughter started getting interested in her, and I saw her on 'The Sing-off' that I started to pay attention. Her first major label album, Little Voice (2007), is just incredible, I highly recommend it, it contains excellent songwriting, superb vocals, and an extraordinarily cool style and feel. She is much more than a 'pop' singer, with a great jazzy, bluesy, gutsy, sultry style, and great songs (best tracks, the 1-2 knockout punch of 'Come Round Soon' and 'Morningside'). Her style has been described as "slightly edgy, stompy piano-based pop rock that incorporates jazz and soul" and I guess that is as pretty good, although somewhat generic, description. To me, I would say that she is the best new female singer-songwriter to come along since Norah Jones, and that's saying alot. Her 2nd album, Kaleidoscope Heart (2010) is a bit more pop-oriented, but still very good. So, if you haven't heard her beyond what is played on the radio, definitely check her out. Presented here is a live promo album that was previously given away free to fans through Sara's web site. It's pretty short, so I added a few tracks from the Live from Abbey Road set.  

Tracklist:
1. Intro
2. Bottle It Up
3. Come 'Round Soon - Vegas
4. Free Ride
5. Intro
6. Love Song
7. I'm On Fire (featuring Tony Lucca)
8. Gravity
Bonus tracks:
Live From Abbey Road (2008)
9. Love Song
10. Gravity
11. Morningside
12. Oh Darling!

Sara Bareilles_2009-03-02_Chicago.rar
New link (Updated 10/9/21)

Extended absence, back soon

Hellooo out there! (sound of eerie echo returns). OK, things have been deathly quiet here since I last posted, just about a month ago. Sorry for the extended absence, hadn't intended on being away so long. Although actually, I have been back for a couple weeks now, just very very busy with my work, and haven't had a chance to get back to the blog. And honestly, it has also been difficult summoning the motivation to start posting again, what with all the problems and obstacles recently. But I still have a great interest in the blog, so I will get back on track with some new posts soon (as well as getting back to restoring some of the old posts that have been dormant for far too long). So, hang in there (keep checking back), and I'll get this show back on the road very soon. Thanks for your patience.

The Silos - 1990 Tour Live Compilation - 'Flipping The Bird'

The Silos

(Another great former Gainesville area band)
'Flipping The Bird'
1990 Tour Live Compilation (3-CD set)
Soundboard recording, very good quality, made and compiled by Joe Chinnici
mp3 @ vbr (180-320 kbps
  
Update of previous post

Just wanted to let those (few) people who have shown interest in the Gainesville artists know about a very cool link that has a vintage Silos show in great quality. As you should know, The Silos were the bend Walter Salas-Humara formed after leaving The Vulgar Boatmen. They created alot of buzz in the late eighties to early nineties, released several indie tapes and albums, and one major label album (The Silos, on RCA, 1990 - aka "The One with the Bird on the Cover") that was (like with the Boatmen) critically acclaimed, but sold poorly. They continued on for many years in various forms (usually Walter with varying different band members), but never made it big, and this early 1990's period is generally considered their best (although they're still around and still good today). Well, Brian Doherty, who was the drummer with the band during that time, and also went on to play with/for bands like They Might Be Giants, XTC, and Ben Folds, has a blog and has recently been writing about his experiences in the music biz, including his time with The Silos, and he has some very interesting comments, observations, and stories that he tells. But most importantly, he also shares a download of a 3-cd compilation of live tracks from their 1990 tour, a high quality soundboard recording made by their sound guy, Joe Chinnici. Brian states that he thinks this is the best recording by the band, capturing their full potential as a great Rock 'n roll band better than any of their released albums. He also recounts what a great and special band the Silos were back then. Be sure to check this out, and marvel at how this excellent band never quite made it. So, I have included a link to Brian's blog that lists all the Silos-related posts, including the live compilation download (entitled Flippin the Bird). However, since in a recent check Brian's download link was dead, I have also included my own updated download link for the live compilation, so that this will remain available here, regardless of the status of Brian's websitei. But thanks to Brian (and Joe) for making this available, and by all means check out Brian's site to get the full scoop on his adventures with the band, as well as his other writings and posts). If you do visit his blog and want to leave a comment, be sure to tell him that you heard about him from the BB Chronicles.

Brian Doherty's website (and info on The Silos):
http://briandohertydrummer.blogspot.com/search/label/the%20silos

The Silos - Flippin The Bird - Live 1990.rar
New link - updated  09/18/21 

You also should know that The Silos (in a somewhat different form) are also still active, and they have a web site (http://www.thesilos.net/) where virtually all of their records and tapes are still available (and they even have a new album, too), so check that site out also. 

The Vulgar Boatmen - 1982 - Women and Boatmen First (very first recording)

The Vulgar Boatmen
1982 - Women And Boatmen First
First self-released cassette tape
Gainesville, FL
Digital transfer from tape copy, good quality
mp3 @ 320 kbps

OK, so to finish up this look at thr Gainesville Music scene, here's another look at The Vulgar Boatmen, this time, their very first recording, their early long-lost self-released indie cassette tape from 1982, Women and Boatmen First. This is the earliest version of the group, primarily featuring Walter Salas-Humara and John Eder. Although this very early version of the group was decidedly different from the later Robert Ray-Dale Lawrence collaboration, there still was a noticeable glimpse of what the group would eventually become. Robert Ray had just joined the group at this point, and here is what he later had to say about the early Boatmen sound: "The very early Vulgar Boatmen were dominated by John Eder, a singing non-musician who worked much more conceptually and ironically than either Walter or I do. The songs were very "new wavy": frantic tempos and novelty lyrics. The original band had saxophone, which was later replaced by the viola. I think the music has changed, but since I am part of that change, I find it hard to say exactly how. I would say it has become less busy and cluttered, more repetitive and matter-of-fact, less influenced by Elvis Costello (musically) and the Ramones (lyrically) and more by Otis Redding and John Lee Hooker (though we sound nothing like either of them)." (Robert Ray, 1992). Here is another assessment from someone associated with the group: "To me, the first record is more of an off-beat art project that sounds more along the lines of the first Feelies record or Talking Heads than it does the Boatmen... and for the most part, the Boatmen in 1982 has very little to do with, or in common with,  the Vulgar Boatmen in their hey-day, circa about 1992." (Robert Wescott, Mary Janes manager, 2002).
The Boatmen followed up this cassette with another indie cassette-only release in 1984, titled All Bands On Deck, which featured a sound that began to more closely resemble style more closely associated with the later Boatmen releases (Unfortunately, I do not have this tape, nor have ever heard it). After the 1984 tape, Walter departed, and the band was left in the capable hands of Ray, which then began the beginning of the 'classic' period of the Ray-Lawrence collaboration.
So, although not yet the classic sound and style that later became the Boatmen, here is their beginnings. This recording comes from a digital transfer of a cassette copy of the original cassette release, so it may not be pristine sound, but this is a quite rare recording, not available anywhere I know of. So, check out where The Boatmen started out, then check out their more impressive classic releases (1989-You and Your Sister, 1992-Please Panic, and 1995-Opposite Sex).

Tracklist
1.Suzanne Sommers In El Salvador
2.Puntos de Partida (Latin Love)
3.Drink More Coffee (Waste More Time)
4.Hook In My Lip
5.Everyone Is Critical
6.Homeostasis
7.The King's Last Words (Before He Died)
8.I Don't Care
9.Susan
10.This Is War
11.How Round 'n' Round (live)

The Vulgar Boatmen (original lineup):
Jerry Bartolomeo
Steve Cimerberg
Carey Crane
John Eder
Rick Ellis
Helen Kirklin
Robert Ray
Walter Salas-Humara
Ann Waters
Scote Weinkle

Vulgar Boatmen_1982_Women&Children First.rar
New Link (Updated 07/23/24)

Note: picture included here is NOT from the 1982-era band, but is the earliest picture I have of the Band (from Indiana branch?).

The Vulgar Boatmen - 1989 - You and Your Sister

The Vulgar Boatmen
1989 - You and Your Sister
vinyl rip, very good quality
mp3 @ 320 kbps

OK, first, sorry for the delay in posting. I was away for awhile and didn't get a chance to post. But what I have for you today is well worth the wait. Here we have, not only the culmination of the Gainesville Music connection, but one of the all-time great, classic roots-rock albums, that you've probably never heard of. For now, finally, we come to The Vulgar Boatmen, a legendary group, that somehow never became famous, but certainly should have. OK, first, their story is not one of the typical rock band. Initially, the group was started by Walter Salas-Humara and John Eder in 1982 at the University of Florida, and they made quite a splash locally at the time with an edgy mix of new wave, roots-rock, and humor, and issued a couple of independent cassette-only releases over the next couple years. One of the members added during this time was a young English professor (actually Film Studies) at the the University by the name of Robert Ray. By 1984 or so, Salas-Humara and some of the original members had graduated and were moving on (Salas-Humara went on to form The Silos, another very good, underrated band that are worth checking out), leaving The boatmen primarily in the hands of Robert Ray. Now, prior to this, Robert Ray had met Dale Lawrence, then a student at Indiana University (and who had been in the proto-punk band, The Gizmos), and they had formed a songwriting and performing partnership. After Ray moved to Florida, they continued to collaborate with each other by sending cassette tapes back and forth, working out songs together. Robert would then play the songs with his band, The Vulgar Boatmen in and around Gainesville, and Dale would play them with his band at the time, Right to Left, in Indianapolis. Now, this is when the sound and unique style of The Vulgar Boatmen really came together, in the mid-eighties. The band was becoming a local legend in Gainesville, even though they only performed very ocasionally, usually on campus or at special events just a few shows a year. Meanwhile, in Indianapolis, Dale also renamed his band The Vulgar Boatmen, so now there were two different bands, playing the same songs, both as The Vulgar Boatmen (Florida and Indiana branches). Although their local fame grew, Ray still had his faculty position, and could not tour (and had no interest in touring), so the Indiana version of the band became the touring version of the band, playing throughout the Midwest, and eventually more wide-reaching places. By 1989, The band released their first record (vinyl-only), You and Your Sister, on an independent label. The recording band was predominantly the Florida band, with Dale Lawrence added. Thus, The Gainesville Boatmen became known more as the recording band, and the Indiana band was the touring band. Unless you were in the Gainesville area at the time, you probably never had the opportunity to hear the Gainesville band (but they were great live!). So, if you've heard of the band at all, or saw them ,it was probably the Indiana version. You and Your Sister received much notoriety and acclaim from just about everyone who heard it (which was still very limited), but with Ray not touring, and the unusual nature of the band, they didn't really go anywhere. But Ray and Dale continued to work together, writing songs, and cultivating the style of the band. By 1992, they released their first CD, Please Panic, which many thought was even better than You and Your Sister. But again, they received minimal national recognition. They continued on in this way for a few more years, just playing a few highly anticipated shows a year in Gainesville, but their legend growing. In 1995, they signed with Warner Brothers to release an album worldwide, but things went wrong, and their next album, Opposite Sex, was only released in Europe and the UK. Although the album received acclaim in the UK, and was planned for a US release, management upheavals at the label resulted in no US release, and them getting dropped from the label completely. This was about it for the band at this point, with members moving on to other things (They already had numerous different lineups over the years). So, things were somewhat dormant then, their albums were out of print (Opposite Sex has still never been released in the US), and that was that. However, even with their music unavailable, those who were fans, continued to build the reputation of the band (and Robert and Dale continued as much as they could). Then in 2003, they released a compilation album of highlights from their previous albums, called Wide Awake, featuring remixed and remastered tracks. Dale again set out touring with his version of the band. But still, no breakthrough. In recent years, their music has become more available, with You and Your Sister finally becoming available on CD, and their album tracks available on Amazon and Itunes (as mp3s). But the important thing is, regardless of their history and story, that the music is great, classic stuff. And it is remarkably timeless. It could have been made in any decade over the past 50 years, yet still sounds contemporary. Their sound has many influences, yet has its own distinctive style. You can definitely hear the influences of other early eighties bands like REM, The Feelies, the dB's, but also classic sounds of the Velvet Underground, Buddy Holly, and the Everly Brothers. They have a great natural style and sound, laidback, but with tension, with very sparse and simple, but effective, arrangements (and great melodies and hooks), and has also sometimes been referred to as roots-pop. Their style and music also fits right in with the current trend of roots-oriented music by bands like Mumford & Sons, Fleet Foxes,and others, as well as groups like Uncle Tupelo and, of course, Wilco. These guys were alt-country before that category existed. Of course, to me, they have the epitome of what I think of as 'The Gainesville Sound' (sorry Indiana, who claim them also, but to me this is pure Gainesville), and you can also even hear some Tom Petty in there somewhere.
So, today I am presenting what I consider to be their best album (although many others prefer Please Panic), You and Your Sister. Now, just for this one time, I am violating my rule of not presenting any commercially available music, because this music is not very widely available, and, as I see it, more people need to hear and be aware of this music before they will consider buying it. So, for a limited time, I am making this album available here, to check out. I think you will not only like it, but then will check out, and possibly buy their other available music. So, I hope this is alright with the band, but I really see it as an opportunity for more to experience and be aware of this great band. To me, this is just one of those classic, seminal albums that everyone should have and enjoy. So, I urge you all, if you've ever liked or appreciated the music I've posted here, or agreed with anything I've had to say about music, then you must get this and really listen to it closely. I am confident that if you like any of the music here, or any of the influences listed, then you will like this band. And perhaps will seek out their other music. If you really listen to it, I know that the music will stick with you long after the album is done, and you will find yourself humming and singing the refrains throughout the day. OK, as you can tell, this is a special album for me. Now, enough talk, please check out one of the greatest bands you've never heard of, The Vulgar Boatmen.

Tracklist.
01.  Mary Jane
02.  You And Your Sister
03.  Margaret Says
04.  Katie
05.  Drive Somewhere
06.  Change The World All Around
07.  Fallen Down
08.  Hold Me Tight
09.  Cry Real Tears
10.  Drink More Coffee
11.  The Street Where You Live

The Vulgar Boatmen (1989)
Jim Bays
Carey Crane
Michael Derry
Dale Lawrence
Robert Ray

Note: When re-issued on CD, an additional track 'Decision By The Airport' was added (after 'Drive Somewhere'). But, since this is the original 1989 vinyl release version, that track is not included here.

Unfortunately, download of this album no longer available (depositfiles received copyright infringement complaint). Please seek out Vulgar Boatmen releases where available elsewhere. Here is link to Vulgar Boatmen music available through Amazon.com: Amazon.com link - Vulgar Boatmen
By all means, Please purchase the music of this great, neglected band.

Some live shows available:
I mentioned this in the comments, but wanted to post it here also.
Although I do not know of any live recordings of the Gainesville branch of the band, there are several live shows from the Indiana branch of the group (from 1990-2007) that are available through the Indiana band website Musical Family Tree here: http://www.musicalfamilytree.com/band/the_vulgar_boatmen

Here they also have a recent blog entry indicating that the band is still performing (June 2012), with a brief history, etc: http://www.musicalfamilytree.net/profiles/blogs/indiana-music-archive-the-vulgar-boatmen
so check that out too. Thanks.

Aleka's Attic (River Phoenix's band) - 1989-1993 - miscellaneous tracks

Aleka's Attic
(River Phoenix's Band)
Miscellaneous tracks (1989 tape, unreleased 1993 album)
Gainesville, FL
mp3 @ 128 kbps

While we are discussing the Gainesville music scene in the late '80's, I have to mention Aleka's Attic, the band formed by and featuring Hollywood film actor River Phoenix. In 1987, The Phoenix family, with multiple children with budding acting careers (River, Rain, Joaquin, and Summer) and had already appeared in numerous films and TV shows, moved to the Gainesville Area (first, in town, then later to a large ranch in the surrounding area), to get away from the corrupting influence of Hollywood. And River was by far the most succesful, having appeared in major films such as Stand By Me, Mosquito Coast, Running On Empty, and Indiana Jones and the Last Crusade, and receiving much acclaim and notoriety, even an academy award nomination, and all by the age of 17. Anyway, as River became immersed in the emerging Gainesville Music scene, it inspired and stimulated his musical creativity and ambitions. River formed his band, Aleka's Attic, which also featured his sister Rain and a couple of his new Gainesville friends. The Band was started in late 1987, and almost immediately became the buzz of the area. Through his industry connections, he received a development deal from Island records to record an album within 2 years. Unfortunately, due to his growing movie career and schedule, they were unable to complete the album within that time, and ultimately Island opted out of the deal. But when River was in Gainesville, he devoted most of his time to the band, and they recieved much notoriety in a short time, often playing at the Hardback Cafe, and receiving some important opening act gigs with national touring bands like The Psychedelic Furs, Sonic Youth, and others. The band became very popular around the area, and even received national attention, and in turn bringing national attention to the Gainesville Music Scene. He was friends with big names like Michael Stipes (REM) and Flea (Red Hot Chili Peppers), and was immensely liked, as an actor, musician, and positive role model for teens. The band put out a short (4-song) independent tape that they sold at gigs around 1989-1991, but no records were ever commercially released. Only one track, 'Across The Way' was ever released commercially during this time, as part of a benefit album, 'Tame Yourself' for PETA, one of many causes and charities River actively supported. By 1993, River was more determined than ever to put together an album, which he was funding himself, and apparently recorded many new tracks for it. Among his friends it was often said that, as good as he was as an actor, music was always his true passion. But all band activity came to an abrupt end in October 1993, when River tragically died of a drug overdose in California, at age 23. Although it has been reported that in subsequent years Rain spent alot of time going through the recordings to prepare an album, still no Aleka's Attic album has ever been released (rumored to be due to a dispute among other band members), although a few isolated tracks have appeared on other compilations. River Phoenix himself has remained immensely popular among fans, with numerous tribute web sites, books, and songs written about him. It would seem that eventually his music will be officially released, too. Not surprisingly, however, most of the recorded Aleka's Attics songs (including the nearly complete 1993 album, tentatively titled 'Never Odd or Even' or 'Zero') have been available in various forms as bootlegs over the internet for several years.

So, then, the big question is, was Aleka's Attic really any good, or were they just popular because of River's fame? Well, now, you can decide for yourself. Here are all the available Aleka's Attic songs, from their early 1989 tape, to the unrelaeased 1993 album. To be honest, I was never a big fan, but I think there was definite potential in those early tape songs (I hear a cool kind-of XTC vibe and feel in songs like 'Goldmine' and 'Too Many Colors'), whereas some of the 'neveroddoreven' (a palindrome, River seemed to like palindromes and wordplay) stuff is pretty spaced-out or mildly annoying. But I know that some really like the band. Even back in their heyday, there was a definitive split in local opinions about them, from those that were really into the band, and those that thought they only got attention because of River's fame. Overall, I think they are quite interesting, and who knows what they might have been able to do if River hadn't died so young. Certainly worth checking out.  Anyway, here they, another unique entry in the Gainesville music scene, Aleka's Attic.

Note: I have purposely only posted low bitrate versions of these tracks (they are the most common forms available on the web) in order to give people a chance to hear these, but yet not actively compete with higher quality official versions, if they should ever be released (which I think they will someday). BTW, it has been reported that Michael Stipe bought the rights to all of River's demos and recorded material from the original Island recording deal, so perhaps that might also be released someday.

Tracklist
1989 band tape
1. Goldmine
2. Too Many Colors
3. Across The Way
4. Blue period
Miscellaneous unreleased
5. In The Corner Dunce
6. Popular Thinks (Live)
7. Where I've Gone

Unreleased album 1993 - tentative title: 'Never Odd Or Even' aka 'Zero'
1. Alone We Elope
2. Below Beloved
3. Bliss Is...
4. Dog God
5. Get Anything
6. Note To A Friend
7. Safety Pins & Army Boots
8. Scales & Fishnails
9. Senile Felines
10. You're So Ostentatious

Aleka's Attic original lineup:
River Phoenix: vocals, guitar
Rain Phoenix: vocals
Josh McKay: bass
Josh Greenbaum: drums
Other contributing musicians (later tracks):
Tim Hankins
Sasa Raphael
Michael Perfitt

http://depositfiles.com/files/wwc9w7kkm

WHAT anne LIKES... - 1990 - self-released cassette

WHAT anne LIKES...
1990
Original Self-released Cassette Tape
Soundboard recording, good quality, digitized from original cassette
mp3 @ 320 kbps

Continuing with my look at Gainesville, FL, we now shift to the late '80's (the time period I was there) and a relatively thriving music scene, where bands played at places like The Hardback Cafe, MFP, and Simon's among other constantly changing venues. I guess most of the bands would be generically termed 'alternative', but there was a wide variety of styles. For me though, the band that most set the tone for the Gainesville music scene at that time was a band that only rarely even played live, but when they did, it was an occasion worth celebrating. That band was 'Vulgar Boatmen', but more about them later. Today, I feature something a bit different. Unlike Tom Petty, or Don Felder and Bernie Leadon, who went on to musical fame and fortune after leaving Gainesville, today I am featuring a completely obscure Gainesville band that popped up in the late '80's, played for awhile, self-released a single cassette-only album, then, as far as I know, dissappeared. They were called 'WHAT anne LIKES...', and they were a really fun, spirited, and quirky band, that I really enjoyed at the time. They merged many styles, sounds, and influences, but basically, were just a lot of fun. Lead by the songwriting/performing team of Bill Stephenson and Ned Davis, they featured a bright, driving guitar, with songs highlighted by Bill's trumpet and/or horn arrangements. And I found that, over the years, I kept coming back to play that one cassette of theirs, because it was just really cool. Anyway, that cassette was independently released by the band in 1990. I left Gainesville soon after that, so don't really know what happened to the band, which was composed primarily of UF students or possibly graduate students, but never heard anything more about them. In doing a web search for them, I did find an old website (but very little else), consisting of a single page, that indicated they were planning a new album, but that they were going through changes, with Ned and Paul leaving the band. Don't know what year this was from, but apparently quite awhile ago. I do know that drummer Jonathan Isley joined up with Vulgar Boatmen shortly after they released their cassette. Anyway, their cassette release, which, as far as I know, has been completely unavailable anywhere since shortly after 1990, is very good, and worth checking out for a number of reasons. Although their original songs are very good and quite memorable, for many, it may be the covers included here that attract the most attention. For fans of Elvis Costello, there are actually 2 stunning covers included here, first, an outrageous mash-up of Costello's 'Pump it Up' and George Clinton's 'Atomic Dog' called 'Funk it Up, Dog!', then a gorgeous re-invention of one of Costello's most obscure songs, 'Poison Moon'. This song was only available as an unfinished, underdeveloped demo recording from Costello's early home tapes, But WaL has enhanced and polished it up to stunning effect, and a finished song that I'm sure even Elvis himself would fully appreciate. Anyway, here is WHAT anne LIKES, from 1990, and another part of Gainesville's interesting history. I realize that this is really obscure stuff, but for the adventurous downloader, this is some really interesting stuff. Admittedly, the sound and recording are not very polished, but it has great drive, spirit, inventiveness, musicality, and humor. Give it a listen. 

Tracklist:
1. Tin can
2. Please Don't Start
3. Manly Man
4. Dr. John's Suitcase
5. Funk it Up, Dog!
6. Poison Moon
7. Not To Remember
8. Fat Man
9. Faculties
10. Tributary

WHAT anne LIKES... :
Bill Stephenson: vocals, guitars, trumpets
Ned Davis: guitars, vocals, fretless bass, hand drum
Paul Miller: five-string bass
Jonathan Isley: drums, percussion, background vocals


(BTW, if anyone associated with WaL is still out there, let me know, I'd love to hear from you. My purpose in posting this is to let more people hear the music they created, but if anyone connected with the band objects to posting this opposes this, I will remove it. thanks.)

Lin updated (03/30/21)
WHAT anne LIKES_1990_cass.rar