New Album Roundup - Spring 2025 (Part 2, Late Spring)

 New Album Roundup - Spring 2025 (Part 2) 

Here we are at the midpoint of the year with another update on recent new album releases I have been checking out. Once again, lots more high quality new albums released during the second half of the Spring quarter of 2025. Of particular note is the large number of veteran and legendary artists making strong returns/comebacks with new albums. However, although there are a lot of very good albums in this batch, there weren't any that I thought really stood out as truly great or among the very best of the year like there was in the first part of this Spring roundup. Anyway, here are the best of the new albums I've been listening to lately, most all of these released over the past 8 weeks or so. 

The Doobie Brothers - Walk This Road

Of course, the Doobie Brothers have been around in various forms since the early 1970's, but their more recent albums haven't had much impact or made much of an impression. But this new album changes that, and what is different about this new album is that it marks the return of Michael McDonald, for the first time in over 40 years, and not only that, but it is the only Doobie Brothers album to feature all three of the key singer-songwriter members together, Tom Johnston, Patrick Simmons, and Michael McDonald. And they make the most of it, delivering their best album in decades. Right from the start, with the opening title track, it is clear that we are in for some classic-sounding Doobies magic, with a sound that is smooth, comfortable, and immensely satisfying. These seasoned professionals know how to craft appealing and effective songs with top-notch musicianship and arrangements. But what makes this album really special is that diversity of styles provided by the contributions of all three writer-performers, as each delivers their own distinctive sound that keeps the album fresh and vibrant throughout. We get the lush blue-eyed soul of McDonald (Walk This Road, Learn to Let Go, Speed of Pain), the more acoustic folk-rock of Patrick Simmons (Angels & Mercy, State of Grace, Lahaina), and the good-time melodic rock of Johnston (Call Me, Here to Stay, New Orleans), as well as a nice dose of New Orleans funk (Kind That Lasts) to round out the album. Sure, there isn't anything very new or different here, and it all may sound a bit too pleasant and familiar, but it just feels so good, like a nice pair of comfy shoes. Just enjoy. Best Tracks: Angels & Mercy, State of Grace, Walk This Road, Call Me, Kind That Lasts, Lahaina. Rating: 3.5ó

Little Feat - Strike Up the Band

Another legendary veteran band that has had its ups and downs and numerous lineup changes over the years, but the current incarnation seems reinvigorated and carrying on with their classic mix of Southern rock, jazz, folk, and funk. Although they've lost the great Lowell George, Paul Barrere, and Richie Hayward from their classic 70's days, they are still retaining a solid core of Bill Payne (keyboards), Kenny Gradney (bass), and Sam Clayton (percussion) from that time, as well as longtime member Multi-instrumentalist Fred Tackett, and now with recent additions Scott Sharrard (guitars-vocals) and Tony Leone (drums), the band flies high again. Whether its with their infectious grooves, dynamic New Orleans funk, or more country-folk fare. Sharrard makes great contributions, as he sings lead on most songs and plays dynamite slide guitar throughout, in a nod toward the departed George, and re-establishes the great style and sound of the band. Like the recent Doobie Brothers album, this band sticks to their strengths and there isn't really anything new here, but it is a wonderful classic sound brought back by this amazing band. Anyone who was a fan of the old band, and particularly the revived 80's and 90's version of the band, will very much enjoy this album. Best Tracks: Midnight Flight, When Hearts Fail, Too High to Cut My Hair, Disappearing Ink, New Orleans Cries When it Sings, Strike Up the Band. Rating: 3.5ó

Neil Young - Talkin to the Trees

That's right, Neil just keeps on going, and if you don't like it or what he has to say, Tough!, which seems to be his attitude on this album. His 48th(!) studio album, where he plays with the latest incarnation of his back-up band, this time dubbed the Chrome Hearts, but is basically the same as the previous band, The Promise of the Real, just without Lukas Nelson and with long-time collaborator organist Spooner Oldham added. This is a very loose, raw, lo-fi album, where Neil basically rants about the stuff he doesn't like and croons about what he does, in a quite slapdash fashion, with songs and lyrics that he seems to be making up as he goes. Neil pretty much does what he wants, and that's basically what this album is, just a glimpse of is current outlook on things like family, his kids, politics, big business, etc. Most of the songs sound like they were thrown together and recorded in a live rehearsal jam session, and mainly recycle previous songs and melodies (there are actually 2 different songs that basically have the same melody, taken directly from This Land is Your Land). If you're a fan of the Neil's more raw sound, this may be for you. But the lyrics seem especially lazy and simplistic on most songs. The mellower, acoustic, more folky songs fare the best (although the melody and feel of the acoustic ballad First Fire of Winter is basically a reworking of Helpless). But as with most Neil Young albums, there also are a couple real gems here, and these are the last 2 songs on the album, both mellow and recorded with more style and care (and not rants), the beautiful acoustic Bottle of Love and the appreciative Thankful.  These seem to be out of place on this album, as they are more in line with Harvest Moon or Prairie Wind, but do provide some uplifting moments at the end of the album. Certainly a lesser NY album, but still worth checking out for the couple gems and to sample where Neil is now. Best Tracks: Bottle of Love, Thankful, First Fire of Winter. Rating 2.5ó

King Gizzard and the Lizard Wizard - Phantom Island

You never know what will be next from this dynamic chameleon band who seem to just look at different genres and say, 'Yeah, we can do that'. This albums finds them building on some song structures similar to last year's Flight b741, with some breezy, upbeat psych rock with mixtures of blues, jazz, and folk-rock, but the twist with this album is that they have added orchestration, so plenty of strings, winds, and horns here to give a fuller, lusher sound, as this is basically their orchestral album. But the songs still have a light, spacey charm, with some infectious grooves and melodies, lifted to additional textures and sounds with the added orchestration. At times sounds a bit like a hipper, brighter, catchier, drug-free Grateful Dead, with orchestration. Overall, a fun album with engaging songs and styles and rich textures. Best Tracks: Deadstick, Eternal Return, Panpsych, Spacesick, Sea of Doubt, Grow Wings and Fly. Rating: 3.5ó
 
Nad Sylvan - Monumentata

Nad Sylvan is best known these days as the vocalist with the Steve Hackett band and his Genesis Revisited shows, and his vocal similarities with Peter Gabriel and Phil Collins, but he has been around for quite some time as part of other bands (Unifaun, Agents of Mercy) as well as a solo career (5 albums). With this album, Nad takes another step forward with this strong album that provides a great mix of Prog and mainstream rock. The songs have a solid rock feel, but are filled with clever arrangements and proggy instrumental breaks that keep them always interesting and vibrant. Nad's diverse and chameleon-like vocal style change to fit the style and mood of each song. Features contributions from many big name guest artists, including Tony Levin, Randy McStine, Jonas Reingold, Joe Deninzon, Lalle Larsson, Marco Minneman, etc. that really fill out the sound and quality of the production. Best Tracks: Monte Carlo Priceless, Secret Lover, Make Somebody Proud, Monumentata. Rating: 3.5ó   

Lux Terminus - Cinder

Dynamic, vibrant, piano-driven eclectic instrumental Prog Trio from the U.S. (Cleveland) delivers a rousing album of heavy melodic prog with jazzy overtones. Beautiful keyboard passages punctuated by bold aggressive attacks and driving rhythms. Although at times their desire to be heavy and super percussive intrudes upon the flow and feel of the songs, weighing them down a bit (such as on Neon Rain and Mosaic Mind), but overall, strong melodies and powerful dynamics make a compelling listen. Vocals on one song only (Catalyst) provided by Ross Jennings and other guests. The Jupiter Suite, with whispery vocalizations (from guest Esper) is reminiscent of the sounds from the great Pat Metheny Group in the 80's and 90's. Best Tracks: Jupiter Suite, Catalyst, Natsukashii, P.L.O.N.K.. Rating: 3.5ó

Stereolab - Instant Holograms on Metal Film

Stereolab, the unique Anglo-French avant-pop band led by guitarist-keyboardist Tim Ganes and vocalist-multi-instrumentalist Laetitia Sandler returns for their 11th album, but first new studio album in 15 years. Their sound combines old and new elements, taking their song style from early 60's French and European pop, with soft-spoken female vocals over jazzy pop (even some bossa nova, etc.), and mixing in modern elements from Krautrock and electronica for a uniquely retro-futurist sound.  Best Tracks: Electrified Teentbop!, Transmuted Matter, Aerial Trouble, Flashes From Everywhere. Rating: 3.5ó
   
 

The Head and the Heart - Aperture

A welcome return to a more folky homespun style and sound for this indie folk-rock band and their 6th album, after a couple albums that delved a bit too much into slicker, poppier material. Thus, they re-capture their authenticness and believability, with a more stripped back and lo-fi style, which helps anchor these more personal and introspective, but still tuneful, catchy, and inspiring songs. Fine vocals and harmonies and pleasingly simple arrangements bring out the beauty in this very enjoyable collection of new songs. Best Tracks: Blue Embers, Finally Free, West Coast, Beg Steal Borrow, After The Setting Sun. Rating: 3.5ó
 

Van Morrison - Remembering Now

Another aging legend returns with his best album in decades. After being mired in political rants and personal crises for the past several years, Van finally emerges with renewed spirit and harkens back to better times as he regains the style and feel of albums such as Hymns to the Silence (1991) and Sense of Wonder (1984) as he looks back at his life and musical journey with touching and introspective lyrics. Nods to previous songs are plentiful here, and the style is loose, warm, and nostalgic, with laid-back Hammond organ, sax, and strings, and backup vocal singers creating a full, rich, and relaxing atmosphere. Most of the songs are slow, languid, but quite beautiful and warm, as Van rediscovers his days of wonder. May be a bit too mellow for some, but just sit back and let Van's music wash over you. Best Tracks: If It Wasn't for Ray, Cutting Corners, Back to Writing Love Songs, Haven't Lost My Sense of Wonder, Down to Joy, Stretching Out. Rating: 3.5ó 

Quick Hits and Short Takes

Mary Chapin Carpenter - Personal History

Americana singer-songwriter Mary Chapin Carpenter returns (for her 17th album) with this deeply personal album of heartfelt, introspective songs, stripped down arrangements, and touching thought-provoking lyrics. Thoughtful, minimal arrangements highlight the beauty of the melodies and lyrical content, as Mary honestly reflects on her life with great emotional depth. Somber and spare, but quite beautiful, moving, and engaging. Rating: 3.5ó

 

Ben Kweller - Cover the Mirrors

This is American singer-songwriter Ben Kweller's 6th solo album, and it's lo-fi charm is a very pleasant respite from all the heavily layered, processed, and programmed music out there. Here it's just Ben and his personal observations and self-reflection in basic stripped down arrangements, with pleasing melodies and lyrics. Sometimes reminiscent of early Neil Young or early Wilco, the album flows between acoustic guitar-only ramblings to easy-going folk-rock up to an occasional punkish outburst. Nothing earth-shattering here, but very enjoyable songs and a charismatic style that serves as a great palette cleanser from harsher, slicker offerings. Rating: 3ó

 

Suzanne Vega - Flying With Angels
American singer-songwriter Suzanne returns with her 10th  album, and first album of new music since 2014, presenting a strong album of songs focused on various aspects of struggle and survival in these modern times. And as the great storyteller that she is, what she is saying is more important than the tunes, but her folk-pop musical style works well throughout the album. Rating: 3ó

Jean Pierre Louveton (JPL) - Post Scriptum

Another wonderful album of jazz-inflected, guitar-driven, atmospheric Prog from one of the masters of French Prog. Rating: 3.5ó

 

Jakko M. Jakszk - Son of Glen

Surprisingly mellow and personal album from this vocalist-guitarist best-known from King Crimson. Some lovely tunes and autobiographical lyrics that create a nice atmosphere, but also occasionally veer a bit too much toward 70's soft rock. Quite pleasant, but doesn't pack much of a punch, or create a lasting impression. Rating: 3ó 

 

Cosmograf - The Orphan Epoch

Good, solid album from this Neo-Prog band from the U.K., their 10th. Quite enjoyable listen, while your listening to it, with good songs, good musicianship, nice instrumental passages, nice vocals. However, I find that as soon as the album is over, I can't remember anything about it, not one song, not one melody or theme. It just is not very memorable for me. So, that's my analysis, after listening to it three times. Good, enjoyable, just not very memorable. Rating: 3ó

Some others of note that I was not impressed with

Sleep Token - Even in Arcadia
OK, I was quite perplexed by this album. I had never heard of this band until last month, when this album by what seemed to be a metal band that incorporated other genres, hit #1 on the Billboard charts. Although not a metal fan, I thought I should check it out. After the first few tracks, I had to check to make sure I had the right album, because what unfolded was not metal, or even a rock album, but basically a slick modern pop album, and even a sappy boy band pop album, albeit with occasional (but quite sparse) bursts of cosplay metal riffs and heaviness added on top, though not very well-incorporated into the songs. It seemed to be more comparable to Imagine Dragons or One Republic than any metal band. Which is OK, if you like that sort of thing, but not at all what I was expecting, or what I would think metal fans would appreciate. Maybe that's why it has done well on the charts, because it is basically a pop album, but it is still confusing because it doesn't seem the metal intrusions would be popular among pop fans, or that the sappy pop production would be tolerated by the metal and rock fans, but evidently it appeals to many. I guess I just don't get it, but then I am not the intended audience for this. For me, this is mediocre pop masquerading as something heavier and more profound. Rating: 2.5ó

Ghost- Skeleta
After checking out Sleep token, I was also intrigued that Ghost was another quasi-metal band that had climbed to #1 on the Billboard album charts. And again, a bit surprised by what I heard. Although a bit more rockin' than Sleep Token, it was much more similar to melodic rock from the 70's-80's, basically like a lesser Journey or Foreigner, but with some heavier metal riffs added. Not bad, but nothing special and most of the melodies seemed to be borrowed from other bands and songs, so, again, not sure what the fuss is about. Rating: 2.5ó

Sparks - Mad!
Legendary eclectic indie pop duo is back with their their 27th album, and just keep going with their own unique brand of quirky musings, strange beats, and off-kilter melodies. But the mind-numbing repetitiveness and monotony of the lyrics and melodies becomes quite tedious very quickly, resulting in a torturously unlistenable mess. If they had kept their quirky sound bites short and sweet (like 1-2 minutes tops), it might have been fun, but dragging these highly repetitive 'songs' out to 3-5 minutes each is just agonizing. Please make it stop.  Rating: 2ó

Avkrvst - Waving at the Sky
Opeth-style prog-metal. Fine musicianship. Just nothing here that interests me. Rating: 2.5ó

Katatonia - Nightmares as Extensions of the Waking State
Ugh. Dull, generic Prog Metal. A bore. Rating: 2ó

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to

1.5ó - Poor, not worth your time

2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall

2.5ó – Average, OK, meh, not bad but not that good either

3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often

3.5ó – Very good album. Some stellar tracks, very enjoyable overall

4ó – Great album, filled with great songs, one that you will want to come back to over and over again

4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 

5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time

So, that's a wrap for the first half of this year. I've listened to more than 80 new albums so far this year and there have been many gems and wonderful music among them. Since we are now half-way through the year, I will also take a quick look back at the ones that I think are the very best thus far, in another post soon. But since I've already reviewed them here, I'll just present it as a list. Anyway, so that's what I've been listening to and enjoying. But what did I miss? What were some of your favorite recent new album releases?  

Loss of Two legendary American Rock Musicians: Sly Stone (1943-2025); Brian Wilson (1942-2025). R.I.P.

 

 Sly Stone, died June 9, 2025, age 82. Brian Wilson, died June 11, 2025, age 82.

As time marches on. Last week we lost two legendary American rock musicians, icons of the 1960's and 70's music scene, Sly Stone (songwriter, musician, producer, frontman of Sly and the Family Stone) and Brian Wilson (songwriter, singer, producer, co-founder of the Beach Boys). Both were 82 years old and died within 2 days of each other. We honor their legacy and incredible contributions to popular music.

Sly Stone, was born Sylvester Stewart in Denton TX, in 1943, and died June 9, 2025. Sly was a pioneer in the development of psychedelic soul and funk with his fusion of soul, rock, gospel, and psychedelia. In 1966, Stone formed his band Sly and the Family Stone, a racially integrated, mixed gender act, and created and created acclaimed albums Stand! (1969), There's a Riot Goin' On (1971), and Fresh (1973), and the hits Dance to the Music, Everyday People, Thank You (Falettin Me Be Mice Elf Agin), Family Affair, If You Want Me to Stay, and more. However, by the mid-late 70's Stone's drug use and erratic behavior led to the end of the band. Stone continued with solo projects and played with other bands over the years, but never regained the acclaim of his earlier band and continued to have mounting personal problems. He had a bit of a resurgence in the 2000's, with numerous tributes and guest appearances. His contribution to soul and funk music is legendary and influenced so many others over the years. 

Brian Wilson was born in Inglewood, CA, in 1942, and died June 11, 2025. Wilson was considered a musical genius for his innovative approaches to pop composition and mastery of recording techniques, featuring complex melodies, harmonies, and orchestration, vocal layering, high production values, and introspective themes. Brian founded the Beach Boys in 1961 with his younger brothers Carl and Dennis, cousin Mike Love, and friend Al Jardine. Brian led the group as primary songwriter, producer, bassist-keyboardist, and vocalist. Although the early recordings of the band were catchy pop tunes about surfing, cars, and girls (such as Surfin Safari, Surfin USA, Surfer Girl, Little Deuce Coupe, Fun Fun Fun, I Get Around, and California Girls), Brian began developing more sophisticated melodies and song structure, and more personal themes, creating song suites and multi-part sonic wonders. In 1966, Brian wrote, arranged, and recorded (using the legendary Wrecking Crew session musicians and mostly without involvement from the rest of the band, who added their vocals later) a whole new direction for the band, with the release of Pet Sounds, the band's most acclaimed, beloved, and influential album (and often considered one of the greatest pop-rock albums of all-time), featuring such gems as Caroline No, Wouldn't It Be Nice and God Only Knows.

Brian continued with even more ambitious projects, beginning with the monumental single Good Vibrations, which was the most elaborate recording ever, taking several months and 90 hours of recording at four different studios to make, but the result was one of the most perfect pop singles ever. Next was to be Smile, a continuous suite of songs linked both thematically and musically, creating 'a teenage symphony to God'. He spent a year working on it, tinkering, experimenting with different takes and mixes, but unable to finish it, as he began to suffer from delusions and paranoia, and eventually shutting down the project. Brian battled mental health and drug issues most of his life. The Beach Boys continued releasing albums, but by 1968 Brian's songwriting decreased significantly and brother Carl stepped up to lead the band, with Brian making much more limited contributions, eventually becoming more of a recluse in the 1970's. Brian rejoined the Beach Boys at various points in the late 70's and 80's, and also released his first solo album in 1988, but became estranged from the band in the 90's amid numerous lawsuits. He continued doing solo work and collaborations with others, releasing several albums. Eventually Brian returned to the aborted Smile project, and finally released his version of Smile in 2004, which was his most successful solo album. By the 2010's Brian did join in some Beach Boys Reunions and an album. Brian continued to tour and played his last concert in 2022, and it was later reported that he had dementia and entered into a conservatorship in 2024. It has been reported that Brian left behind an abundance of unreleased recordings, dating back to the 1970's. A master composer, arranger, and producer, Brian influenced generations of songwriters, singers, and musicians, and his music will live on forever.

New Album Roundup - Spring 2025 (Part 1)

 New Album Roundup - Spring 2025 (Part 1)

More great new albums! There's been so many new album releases over the past month or so, I couldn't wait to do another rundown of the notable album releases I've been listening to lately. These are all albums that have been released over the past 6 weeks or so (I've listened to more than 30, and these are the best ones) and, once again, there are some real gems here. I'll follow up with another late Spring installment around the end of June (for Part2).

Rocking Horse Music Club - The Last Pink Glow

This latest album (their 3rd) follows after their stunning and monumentally great prog rock opera Circus of Wire Dolls (2022), and this is a worthy successor and a great album on its own. Although this new project, which is based on the writings of Jack Kerouac and his Novella 'A Haunted Life' in particular, lacks the full depth and breadth of that previous masterpiece (with its sprawling scope, style, and numerous guest artists), it nonetheless maintains the beautiful songwriting, exquisite production, and impeccable arrangements and instrumentation throughout. Rocking Horse Music Club is a music collective/collaboration based out of Rocking Horse Recording Studios in New Hampshire, USA, led by primary composer/keyboardist (and studio owner) Brian Coombes. Consisting of 11 tracks and 61 min runtime, the Club has delivered another sumptuous feast of an album. This album takes a bit darker, more brooding tone than the previous album, but also features a variety of musical styles, incorporating prog elements with pop, folk, jazz, and blues to showcase various aspects of Kerouac's writing, and featuring the sweet vocals of Justin Cohn throughout. There's only one guest artist featured on this release, but it is a rare treat, Tony Banks (Genesis) contributes his keyboard sounds and artistry, and shares songwriting credit, on the lovely track A Haunted Life, which has a definite Banksian quality. In fact, multiple songs on the album have a mid-career  Genesis feel to them (period from Trick of the Tail to Duke), which reflect the strong influence they have on Coombes' music. But a variety of styles highlight the album, from the slow jazz-funk of It's the Small Things (ala Steely Dan), the rootsy folk-rock of Ballad of Joe Martin, the engaging progressive pop of Changing Channels, to the blues-rock (via Pink Floyd vibe) of Big City Small-town Blues. A darker symphonic prog is evident on If We're Silent And We Listen, an upbeat instrumental prog interlude in Restless Wanderer, and more Genesisian style in the anthemic Splitting Atoms, which builds to an Afterglow-like grandeur. The album concludes with the extended title track for a most satisfying finale. Best Tracks: Changing Channels, Splitting Atoms, Ballad of Joe Martin, It's the Small Things, The Haunted Life, If We're Silent and We Listen. Rating: 4ó

Counting Crows - Butter Miracle: The Complete Sweets

Its been a long time coming, but we finally have a new album from Counting Crows, their first since the fantastic Somewhere Under Wonderland in 2014. And well, it's not entirely new, since the second half of the album was previously released as an EP in 2021 (Butter Miracle Suite One), but still, here's the full album, and it is quite wonderful, and so good to hear new songs from Counting Crows again. The 5 brand new tracks are great and highlight Adam's strong storytelling style and the unique rock vibe of the band, starting with the opener With Love, From A-Z', a delightful blues-rock track, followed by Spaceman in Tulsa, a rousing, rockin', catchy single that would have fit right in on Somewhere Under Wonderland. Boxcars is another roots-rock gem and Virginia Through the Rain is a classic Adam story-song ballad, gentle, endearing, and beautiful. The new tracks wrap up with Under the Aurora, the second single, and another great catchy rootsy rocker with great lyrics. The 4 songs that constituted Suite One round out the album, with Tall Grass being the slower, more contemplative track, Elevator Boots the more traditional rootsy single. Angel of 14th St. brings in a more lush sound with trumpet highlighting the break, which transitions into the rousing closing rocker, Bobby and the Rat-Kings. I do really like the Suite One songs, but I think all of the new tracks are even better and lift the album to a higher level. Overall, this a great album, showing all of the qualities that I love about the band, with a fresh sound, but also right in line with previous classics. This may not be among the band's top 2 or 3 three albums, but that is a mighty high bar, and doesn't take away from the greatness of this new release. A wonderful addition to the band's stellar legacy. Let's just hope it doesn't take another 11 years before the next album. Best Tracks: Under the Aurora, Spaceman in Tulsa, With Love From A-Z, Boxcars, Elevator Boots, Bobby and the Rat-Kings. Rating: 4ó

Solstice - Clann

This UK Neo-Prog band was initially formed back in 1980, but has undergone numerous starts and stops and lineup changes over the years (guitarist Andy Glass being the only member to remain through all incarnations). This is the 3rd album from this latest version of the band, following Sia (2020) and Light Up (2022), and features a tasty mix of folk, jazz, and melodic prog in an upbeat, joyful style that is very accessible and engaging. Featuring the alluring effortless vocals of Jess Holland and great vocal harmonies, as well as highlighted use of violin, guitar and keyboards throughout, the album opens with a couple gently swingin' jazz-rock tracks with a great vibe and feel. But the mix of folk, jazz, and prog is best on display in the wonderful 4th track Frippa. The longest track is Twin Peaks, stretching out at nearly 14 minutes and featuring an ebb and flow and great instrumental prowess of the band members. The album concludes with a bonus track that revives a song from early in their career in a new reimagined form. Overall, it is a wonderful album of uplifting, positive melodic tunes that is sure to make you feel good. Best Tracks: Frippa, Twin Peaks, Life. Rating: 4ó

Lars Frederik Froislie - Gamle Mester

The 2nd solo album, following the splendid Fire Foretellinger (2023) from Lars, the keyboard player from Norwegian Prog band Wobbler (and previously Tusmorke) is further proof that new classic-style Symphonic Prog is alive and well in 2025. Froislie plays all the instruments (and vocals as well), with just some help on bass (from Nikolai Haengsle of Elephant9), and of course a big emphasis on keys/synths, with the great diversity of keyboard sounds and styles always hitting just the right feel for the song. Containing 6 tracks varying in length from 3 to over 12 minutes each, these are richly textured, complex, and dynamic songs, as Froislie weaves his melodies and compositions with some recognizable touches from previous masters (Genesis, Yes, Jethro Tull, ELP, Gentle Giant, etc.), along with modern Scandinavian influences, but is never derivative, creating remarkably fresh, warm and adventurous songs. Mostly instrumental, but with vocals (in Norwegian) sparingly added where they can be used to best augment the songs. The theme of the album comes from "Den Gamle Mester" (The Old Master), an ancient oak tree and poem, with inspiration drawn from art, literature, and mythology, but of course it is the masterful musical musings that make the album such a joy to behold. A powerhouse of modern symphonic prog and among the best albums of the year. Best Tracks: De Tre Gratier, Gamle Mester, Demring, Medusas Flate. Rating 4.5ó

Bjorn Riis - Fimbulvinter

The 5th solo album for the guitarist from Norwegian Prog band Airbag, Riis delivers more moody, atmospheric soundscapes in line with what his band does, but with a more poignant, introspective, and personal feel throughout. Knowing just when to keep things light or go heavy with acoustic and electric themes, the songs create wonderful brooding and powerful moods, punctuated by great guitar lines and fills. Named after the long winter that heralds Ragnarok, the album opens with Illhug, a beautiful, haunting acoustic guitar piece, which leads into Gone, the most rockin' track with a driving catchy chorus, while still maintaining its haunted mood. Panic Attack is the longest track (at nearly 11 min.) and takes its time to provide a Floydian masterpiece of melancholic beauty. She is a love song of pure and simple beauty, elegantly handled. The title track is the proggiest, an instrumental that mixes heavy guitar riffs with melodic guitar lines and heavy atmospheric soundscapes for a soaring finish. Overall, a wonderful, powerful album. Best Tracks: Gone, Fimbulvinter, She, Panic Attack. Rating: 4ó
 

Great Wide Nothing - A Shout Into The Void

The 4th album from this keyboard-centric Prog Trio from the U.S. I was a big fan of their last album (Hymns for Hungry Spirits, Vol.II, 2023), and this new album is even better. Delightful prog elements masterfully presented in an energetic hard-driving modern rock context, yet still maintains a strong melodic sensibility, with catchy melodies and hooks throughout. A concept album of sorts with a theme dealing with social commentary on our place in the world of today. Sensational keys/synth-work (Dylan Porter), from the backing aura to dazzling solos, always with just the right sounds and voices. Powerful bass and vocals from primary songwriter Daniel Graham, and dynamic drumming backing from Jeff Matthews. Impressive out of the gate with the hard-rocking openers Utopia and Rules of Engagement. The instrumental One Thousand Eyes displays the full-on Prog credentials of the band with a fantastic dizzying piece. The album concludes with the beautiful, powerful, and majestic title track, bringing together the theme of the album. A unique, powerful and excitingly enjoyable album that stands among the year's best. Best Tracks: One Thousand Eyes, Chain of Command, Brain on Fire, Rules of Engagement, A Shout Into the Void. Rating: 4.5ó

OK Go - And The Adjacent Possible

Its been 11 years since the last full album release (Hungry Ghosts, 2014) by this wildly creative and inventive eclectic indie pop band, and the world has been a noticeably less fun place in their absence. Known for their extraordinary, ingenious, and meticulously crafted music videos, the boys do not disappoint in either the music or video department with this latest release, as they go above and beyond again and deliver a fantastic new album and some of the best videos of the year (or even last several years). This is what pop music is supposed to be (and that some of these songs are not topping the pop charts demonstrates the sorry state of charting pop music today). Here they are: 12 well-crafted, imminently tuneful, clever, and catchy songs in a variety of pop styles, incorporating power pop, sunshine pop, synthpop, alt-pop, pop ballads, and dreamy vocal harmonies, with just enough quirks and weirdness to always be interesting and fun. And fun is the key here, just all-out, fun, good-timey pop songs, as even when the songs deal with loss or heartbreak, they still are just catchy and fun. Should be the album of the summer, light, fun, hummable and catchy. Be sure to check out the extraordinary and painstakingly crafted music videos (videos of the year) for Love and A Stone Only Rolls Downhill. Best Tracks: A Stone Only Rolls Downhill, Love, Better Than This, Don't Give Up Now, A Good Good Day At Last, Impulse Purchase. Rating: 4ó

The Flower Kings - Love

This latest from legendary Swedish symphonic Prog band The Flower Kings (their 17th album overall and 5th since re-forming in 2019) is a strong entry, and possibly the best of their recent string of albums, but takes a gentler, mellower tone overall than much of their previous work, emphasizing melodies and intricate instrumental tapestries. Consisting of 12 tracks and a 71 minute run-time, the band stretches out on several tracks, creating some moving, emotional themes. Led by longtime members Roine Stolt (guitars and vocals) and Hans Froiberg (vocals) and the welcome recent addition of Lalle Larsson on keyboards, the band weaves their way through a variety of pleasing songs, with the highlights definitely being the fabulous instrumental virtuosity and melodic intricacies, showcased best in the extended instrumental breaks in several songs, as well as in the two all-too-short instrumental tracks, World Spinning and Kaiser Razor. The vocal sections feature some fine melodies and harmonies, but the vocals themselves are just OK, and a bit too extensive, in that in some places the vocals seem to weigh down the songs a bit, and the songs come alive more in the instrumental sections. I would prefer the band to showcase more of the instrumental aspects and use the vocals more sparingly where they can better provide a boost to the songs (a lesson they could learn from Lars Froislie). Still, a solid, very good album, but just doesn't quite compare with the best of their earlier albums. Best Tracks: Considerations, World Spinning, Kaiser Razor, The Rubble, Love Is, Walls of Shame. Rating: 3.5ó

Cosmic Cathedral - Deep Water

Another new album and new band from the legendary and ever-prolific prog icon Neal Morse, and yes, its another winner, a high quality album for Neal and his latest new band incarnation. This time Neal teamed up with guitarist Phil Keaggy, drummer Chester Thompson, and bassist Byron House, just to hang out and jam. But as it was with his last impromptu band, The Resonance (Neal Morse and The Resonance - No Hill For a Climber, 2024), before long the jamming gelled into an album (must be nice). With this band, the music takes a bit jazzier, funkier, and looser vibe than other Morse albums, but still maintains most of the hallmarks of Morse's compositions and style. There is plenty here for fans of Neal to love, and the cool jazz elements provided by the new backing band add some different textures, such as on the Keaggy vocal-led track Walking Into Darkness. The epic Deep Water suite (6 parts, 29 min.) has all the grandeur and sweep of Neal's trademark epics. However, for those that feel Neal has been repeating many of the same musical styles and motifs over the past several albums, they probably won't be convinced otherwise with this new release, but another very good album. Best Tracks: Walking Into Darkness, Deep Water Suite. Rating: 3.5ó

Karfagen - Omni

21st album from this keyboard-centric symphonic prog band led by the extremely prolific Ukranian musician Antony Kalugin. Although Karfagen releases at least one album, sometimes more, just about every year, this one is a bit different. First, although it is broken up into individual tracks, it plays out as one long suite of interconnected songs, and it is more focused on vocals, harmonies, and pop-rock melodies (and contains numerous guest vocalists) than the usual more instrumental-heavy releases. There is still plenty of great instrumental prog on display here (also highlighted by numerous guest musicians, with classic symphonic prog touches throughout, but the vocal melodies and arrangements take center stage here. The result is their most accessible and cohesive release to date. The individual tracks encompass a variety of styles, but it all fits together seamlessly for a wonderful theatrical and cinematic experience. Rating: 4ó

Quick Hits

Glass Hammer - Rogue

A welcome return to more melodic symphonic Prog after dabbling with heavier prog metal influences on their Skallagrim trilogy of albums (2020-2022) for this versatile veteran U.S. Prog band (22 albums!). Mostly mellower melodic prog with an emphasis on vocals (featuring both male and female vocalists) and pop-rock melodies. But the highlight of the album is the longest and most adventurous track, the wonderful, spacey, atmospheric instrumental gem, Terminal Lucidity. Rating: 3.5ó

Rick Miller - Perspective

Another strong album of mellow atmospheric prog from this Canadian multi-instrumentalist, whose musical style is something of a blend of Pink Floyd, Alan Parsons Project, and the Moody Blues. Although this album doesn't quite reach the heights of his previous album, One of The Many (2024), it is still a very good, soothing and somewhat dark, but very enjoyable album that continues Rick's exploration of spirituality, fate, and destiny. Rating:3.5ó

 

Magic Pie - Maestro

The 6th album from Norwegian Prog band Magic Pie, known for their intricate compositions, symphonic arrangements and blend of classic and modern influences. This new album has a definite emphasis  (perhaps too much emphasis) on incorporating 70's-80's melodic and hard rock along with their prog elements. The album contains some brilliant sections, particularly on the more proggy album centerpiece, the 18 plus minute Opus Imperfectus Part 1, of which the concluding Part 2 closes the album, but the album also contains some rather cringey sections with their embrace of generic 70's hard rock on some tracks (particularly Name It to Tame It and Everyday Hero). So, the album has some pretty big ups and downs, but overall, still a good album worth checking out. Rating: 3ó

CEN-Projekt - Carnival of Lost Souls

CEN-Projekt is the creation one person, the talented German composer-multi-instrumentalist Chris Engel. This is another in his series of classic-style symphonic prog, with obvious influences from Genesis, Yes, Steve Hackett, Anthony Phillips, etc. (sometimes a bit too obvious), and he does a wonderful job with it, creating wonderful melodies and compelling instrumental work. Although this album doesn't quite match the wonder and majesty of his wonderful 2024 release The Story of Enja, this is quite good on its own. A bit darker in tone due to the subject matter, but a wonderful journey. Rating 3.5ó

Envy of None - Stygian Waves

Subsantial improvement over their self-titled debut album (2022) on this 2nd album from this pop band featuring former Rush guitarist Alex Lifeson and and vocalist Maiah Wynne. Although still showcasing an atmospheric and immersive sound, the darker tone and greater variety in the style and arrangement of tracks lifts this album up from the occasionally dull or monotonous sections of the 1st album, with better grooves and melodies and encompassing soundscapes. Rating: 3.5ó

Missu Kissu - Having Fun in Hell

Debut EP from this colorful indie alt-rock trio from Rochester, NY, featuring 9 short tracks showing a variety of styles incorporating folk, punk, pop, and rock. It's a bit all over the place, from catchy folk-rock to punkish rants and biting lyrics from guitarist Animal Planet to mellow sweet-sounding pop-folk ballads from bassist Robiwan, as well as some video game foolishness and quirky bits. Has its ups and downs, a bit rough around the edges, but overall a strong debut from an interesting indie band. Rating 3ó
 

McStine and Minneman - III

Impressive third collaboration between prog vocalist-multi-instrumentalist Randy McStine and drummer Marco Minneman, easily their best and most diverse, blending elements of pop, prog, art rock, and alternative, as well as mixing traditional melodic songs with bold experimentation. Rating: 3.5ó

 

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to

1.5ó - Poor, not worth your time

2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall

2.5ó – Average, OK, meh, not bad but not that good either

3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often

3.5ó – Very good album. Some stellar tracks, very enjoyable overall

4ó – Great album, filled with great songs, one that you will want to come back to over and over again

4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 

5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time

 Lots of great stuff here, and that's just a taste (several others I couldn't even get to. Check out some of these for some great listening. More great music coming out every week. Will have an another update in 6 weeks or so.