Monday, February 3, 2025

Reknowned Multi-instrumentalist Garth Hudson (of The Band) (1937-2025) R.I.P.

 

Legendary Canadian Multi-instrumentalist (piano, organ, sax, accordion, etc.) Garth Hudson died recently (Jan. 21, 2025) at a nursing home in Woodstock, NY. He was 87 years old. Garth was best-known as original member and keyboard player (as well as occasional sax and accordion) for The Band. He was the last surviving member of that legendary influential group, first formed in 1957 as The Hawks and was at first the backing band for Ronnie Hawkins through the mid-60's. They gained much recognition when they backed Bob Dylan on his 1966 electric tour, and became known as The Band from then on. Their 1st album as The Band was Music From the Big Pink (1968), followed by The Band (1970), both released to great critical and commercial success. I've previously posted many shows and commentaries demonstrating the importance of The Band in rock history.

Hudson was integral to The Band's sound and style, with his signature Lowrey organ, which he was considered to be the Master of (unlike many other rock organists who preferred the Hammond organ sound, Hudson always used a Lowrey). He was once described by Keyboard magazine (Dec.1983) as "the most brilliant organist in the rock world". Outside of The Band, he was much in-demand as a session musician, and worked on movie soundtracks (Raging Bull, King of Comedy, The Right Stuff, etc.) and with artists such as Emmylou Harris, Van Morrison, Leonard Cohen, Roger Waters, and The Call, as well as on solo albums from his various bandmates. He was inducted into the Rock and Roll Hall of Fame as a member of The Band in 1994. He released his only solo album, The Sea to the North in 2001, joined a re-formed Flying Burrito Brothers in 2002, and formed a band with his wife Maud, Best! in 2005. He continued doing session work throughout the 2000's and released an All-Star Canadian Tribute to The Band (with Neil Young, Bruce Cockburn, Cowboy,Junkies) in 2010 and Garth played on every track. Garth made his final public performance in Kingston, NY in 2023.  Garth's famous sound and style will be missed, but lives on in all the wonderful recordings of his and The Band's music.

Of Garth's legendary bandmates:
Richard Manuel, died 1986
Rick Danko,  died 1999
Levon Helm, died 2012
Robbie Robertson, died 2023

Previous posts featuring concerts and tributes to The Band can be found here


Friday, January 24, 2025

Even More Best Albums of 2024: Checking Out Lists of Others (Part 2)

 

Even More Best Albums of 2024: Checking Out Lists of Others (Part 2)

For this final wrap-up of the Best of 2024, I'm continuing to go through other's best albums of the year lists to find additional albums I missed that are worth checking out. In the previous post (part1) I covered what I liked (and didn't like) from the AOTY aggregated list compiled from over 100 other lists. Today, I'm going to talk about additional albums from various other lists that I particularly enjoyed and was not previously aware of. These are all albums that I probably would not have discovered if not for thethem being highlighted on these other, more out of the way lists.So, thanks to them for finding and featuring these gems. Once again, though, I need to reiterate that although these are some very fine albums, none of those I found on these other lists would replace what I previously picked as my top 25 or so favorites of the year (posted here, if you haven't checked those out yet, and here are more faves). So, here are some very brief descriptions of more of my favorites from other's lists. 

From Uncut, NPR, and other lists
Gillian Welch and David Rawlings - Woodland
The first new album of all original songs in many years from this veteran duo, and the result is wonderful, simply beautiful acoustic folk. 4ó

Nolan Potter - The Perils of Being Trapped Inside a Head
With a varying arsenal of diverse styles, this surprisingly proggy and psychedelic indie rock offering provides a delightful blend of clashing rock styles and wonderful guitar work on this ambitious and adventurous but still quite melodic album. 4ó
 
Ducks Ltd - Harm's Way
Tuneful, breezy, catchy guitar rock reminiscent of the jangle pop heyday of early R.E.M., Mitch Easter, and Don Dixon productions. 3.5ó 
 
Pillow Queens - Name Your Sorrow 
All-female indie rock band from Ireland delivers a varied, satisfying blend of folk, rock and singer-songwriter angst. 3.5ó   
 
Friko - Where We've Been, Where We Go From Here
Debut album from this indie rock/folk-rock duo presents a compelling array of sounds and styles, from subdued ballads to cathartic rockers, and an endearing vulnerability. 3.5ó 
 
Rosali - Bite Down
Compelling, atmospheric indie folk, with nice guitar embellishments. 3ó
 
Slump - The Improvement Movement
Quirky and engaging acoustic rock. Great vocal harmonies reminiscent of Crosby, Stills & Nash or America, but with odd song structures more along the lines of XTC or 10cc, and a variety of styles. May  move from Simon and Garfunkelesque  to Steely Dannish and beyind, but always with unexpected twists and turns, while still maintaining catchy melodies and hooks. 3.5ó

Field Music - Limits of Language
Edgy, but melodic art-rock. Definite Steely Dan vibe but with a proggier, angular edge. Interesting rhythms and arrangements yet maintains engaging melodies and groove. 3.5ó

Peel Dream Magazine - Rose Main Reading Room
This collection of mellow atmospheric vibey tracks is a low-key charmer, with varying styles and feels that work both individually and as a shimmering whole here. I think this is much more successful achieving the kind of thing Cindy Lee-Diamond Jubilee was going for, but it works much better because the individual songs are better and more engaging (and shorter, 15 tracks, under an hour). 3ó

Others
Kim Deal - Nobody Loves You More
Debut solo album from veteran rocker  (Pixies, Breeders) features a wide variety of sounds, styles, and moods, with some ups and downs, but mostly works quite well.  3ó
 
The Hard Quartet - The Hard Quartet 
Engaging lo-fi mixed rock, blend of late-60's Kinks with American roots rock, with folk, quirky modern indie rock, and other elements. 3ó
 
Redd Kross - Redd Kross
More rock than power pop from this veteran band, but solid throughout. 3ó

Phosphorescent - Revelator
Soothing, melodic singer-songwriter folk. 3ó

OK, so I guess the lesson here is that there is a lot of great music out there, being made all the time by talented artists. But you really have to seek out the music that is best and most appropriate for you, no matter what style(s) that is. You can't just rely on the mainstream outlets, but need to search deeper within the various music communities that you most enjoy, but also don't be afarid to venture out to some different styles and genres, cause you may find other stuff that you really enjoy as well. 
Anyway, that wraps up my look at 2024. As I said, I made a concerted effort to listen to more new music in 2024, and after all the end of year additions, I listened to over 200 new albums. Well over half of those were quite good, and the very best were really great. However, I don't think I will go as far this year, as I spent a bit too much time exploring new music and didn't have enough time to go back and listen to all the best stuff either from 2024 or previous years, as much as I would have wanted to, so I will try to strike a bit more balance, with a good mix of new and old albums that I really love. Let me know what some of your faves were? What did I miss out on?

Wednesday, January 22, 2025

Even More Best Albums of 2024: Checking Out Lists of Others (Part 1)


 Even More Best Albums of 2024: Checking Out Lists of Others, Reactions 

 Over the past few weeks, since posting my own rankings of the best albums of 2024, I have been checking out the Best of 2024 lists from various other music sites, channels, and publications, and then listening to those albums that looked interesting that I had not heard or was not aware of. It actually was quite a revelation, because, outside of a few prog-oriented Youtube channels, none of the lists included any of the albums I thought were the very best of the year, even those that were not prog! Now, I know that I listen to a lot of somewhat obscure stuff (relative to mainstream pop etc.), but I was shocked to see that there weren't at least some other music outlets that saw the greatness in this music that I did. And since I had not listened to many of those that they deemed to be the best of the year, I had to check out just what they considered the best music. The AOTY site has compiled the best of lists from dozens (well over 100) of music sources and have them available to view on their site, and have also compiled them all into an aggregate list, taking the rankings from all sites combined to come up with an overall composite list. Using this overall list, I listened to most of the top 50 albums on this list (20 of the top 30 and at least 30 of the top 50), several I had already heard, but most I had not previously heard. I didn't listen to some of those in genres I just wasn't interested in (rap, hip hop, mainstream pop) or those I had heard some songs from but wasn't interested in hearing the whole album (like Beyonce, Billie Eilish, Sabrina Carpenter). Hey, I don't get paid to do this, so, with one exception, I still only listened to those that looked interesting and I wanted to hear. I'm not a glutton for punishment. Overall, I will say that there were many fine (good to very good) albums on their list (as well as a few real stinkers), and for most of them I was glad I listened to them, even if they were not a favorite. But although these were somewhat of a consensus list of the best albums of the year, there were not any that would make my top 25 for the year, although there were a few that would be in my top 50 and many that would make a top 100 or so. So, some pretty good music, but the best of the year? Not really, not for me. 

So, I'm not going to reprint their whole top 50 composite list here, I'm just going to talk briefly about my takes on the ones I liked best, as well as a few that I didn't like at all.

From AOTY Compiled Aggregate List

Best of the Bunch:(#indicates placement in AOTY aggregate list)

(#28) Father John Misty - Mahashmashana
Really enjoyed this, and the only one of these albums that should have made my top 40 list. Loved the variety, arrangements, and production, with a real 70's vibe and influences throughout, from the lush orchestration and All-Things-Must-Pass style production on title track and Screamland, to the elements of glam and funk in some tracks, and glimpses of various 70's icons with songs reminiscent of Lou Reed, Harry Nilsson, Leonard Cohen, and others. 4ó
 
(#8) Waxahatchee - Tiger's Blood
Another strong album (following up the wonderful Saint Cloud) from this folk-rock band. Nothing fancy, just enjoyable, well-crafted songs, great vocals, and basic but effective arrangements. 3.5ó
 
(#18) English Teacher - This Could be Texas 
Impressive debut album. Very appealing sound, interesting arrangements. A compelling mix of indie rock and pop aesthetics presented with a post-rock approach. 3.5ó
 
(#3) The Cure - Songs of a Lost World
The Cure return with their best album in many years. Lush, intricate, atmospheric soundscapes and extended instrumental intros and outros lift the somewhat monotonous nature of the songs (simple chord progression established and never changes throughout the song) to create immersive moody vibe. 3.5ó

(#16) Adrianne Lenker - Bright Future
Lovely, poignant, heartfelt acoustic folk from the Big Thief singer-songwriter. 3.5ó

(#35) St. Vincent - All Born Screaming 
Great variety and versatility on this album of rich, powerful, creative songs from this always interesting artist.   3.5ó

(#11) Jessica Pratt - Here in the Pitch
Quite pleasant, stripped-down, jazz-tinged, melodic vocal pop.   3.5ó

Other pretty good albums

(#21) Last Dinner Party - Prelude to Ecstasy
Well-done drama pop, just not something I can connect with. 3ó
 
(#23) Vampire Weekend - Only God Was Above Us 
Interesting and engaging songs have the makings of a break-through album, but are unfortunately  too-often undermined by the band's self-conscious and ill-fated attempts to be offbeat and edgy with annoying intrusions.  3ó
 
(#4) MJ Lendermann - Manning Fireworks
Surprisingly enjoyable low-energy alt-country/country-rock (slacker rock?)  3ó

(#37) Cassandra Jenkins -  My Light, My Destroyer
Mellow, but ambitious and sophisticated indie pop. 3ó
 
(#19) Magdalena Bay - Imaginal Disk
 Slick, elaborate, high-end, quirky Dream Pop 3ó
 
(#43) Hurray for the Riff Raff - The Past is Still Alive
Pleasant country-pop, eerily similar to early Taylor Swift. 3ó 
 
(#50) Johnny Blue Skies - Passage du Desir
Pleasant good-time modern country with a classic feel. 3ó

Oddball Critic's Choice:
(#7) Cindy Lee - Diamond Jubilee
This musical oddity landed in the top 10 on more than 25 different lists, and was #1 on several. It consists of a massive 32 tracks spanning just over 2 hours in length. The music is hard to characterize, but its sort of lethargic atmospheric/ambient pop. They describe it as hypnagogic pop, whatever that means. I consider it a type of musical wallpaper. There is a mix of instrumental and vocal tracks, and stylistic variety (from glimpses of  50's girl pop to 60's psychedelia, etc), yet I would not really even classify them as songs, as they just seem to be musical vignettes that come on, play for a short while, maybe set a mood, but don't really go anywhere, then just end, and on to the next. Pitchfork (in naming it as the best album of the year) described it as "like a foggy transmission from a rock'n'roll netherworld with its own ghostly canon of beloved hits". Some of the tracks are quite good, but most are just OK or inconsequential, just there. To me, it plays primarily as background music. I really can't see this as an album you actually sit down and listen to straight through, but it could certainly be put on as somewhat pleasant unobtrusive background music while working or doing other things. It took me 4 separate listening sessions to get through the whole thing, because after about a half hour or so, I would just say, that's enough of that, and put something else on. Perhaps interesting as an oddity, but not enough substance here to justify the extreme length (or time commitment). 2.5ó   
 
And then, there are the lows:
Yuck - Don't Waste my Time - Not worth it
All these are 1.5ó or less (at least in my book)
 
(#33) Knocked Loose - You Won't Go Before You're Supposed To (Metal)
(#34) Amyl and the Sniffers - Cartoon Darkness (Punk)
(#40) Mount Eerie - Night Palace (Post-Punk?)
(#13) Mannequin Pussy - I Got Heaven (Punk)
(#42) Chat Pile - Cool World (Metal)
 (#14) Kim Gordon - The Collective  (Industrial Hip Hop)

And Lastly (and Probably Least) 

(#1) Charlie XCX - Brat
This was the definite consensus #1 pick for album of the year (greater consensus than most years), as this album was #1 on 27 lists and in the top ten on 65 lists, and included on over 100 lists. Although I certainly heard about this album, I had not actually heard anything from it (or had any interest in it) until it began popping up on all these best of the year lists. So, yes, then I had to check it out, and I was actually quite astonished by just how awful it is. Sure, I expected some kind of slick dance pop, but this is much worse than that. It is the most overly programmed, processed, synthetic, severely autotuned garbage I have ever heard. It involves no actual musicians, and I would have guessed no actual humans, with the robotic autotuned vocals. Not fun, not entertaining. I couldn't imagine anyone with a music background enjoying this album, let alone actual music critics calling it the best of the year. I suppose I should listen to this again to try to understand what it is that people find appealing about it, but I know that although the first time I was mainly shocked by what I heard, if I listen again it will just make me angry that this is what passes for 'great music' in 2024. If this is in any way the future of pop music, it is really depressing. 1ó

BB’s Rating scale:

1ó – Terrible, torturous to have to listen to
1.5ó - Poor, not worth your time
2 ó – Fair, maybe a couple half-way decent songs, but sub-par overall
2.5ó – Average, OK, meh, not bad but not that good either
3ó – Good, solid album, several good songs, but not spectacular. Certainly worthy, but may not be something you come back to very often
3.5ó – Very good album. Some stellar tracks, very enjoyable overall
4ó – Great album, filled with great songs, one that you will want to come back to over and over again
4.5ó – Excellent album, beyond great, superb in every way, just short of a masterpiece 
5ó – A Masterpiece, among the greatest albums of its type, and has stood the test of time
 
OK, that wraps up my look at the AOTY list, and part 1 of this final look at the best of 2024. But there are several other lists I checked out from various other outlets that had more albums to my liking, so I will be covering some of those in Part 2, coming soon. 

Monday, December 30, 2024

Best (My Favorite) Songs of 2024

 

Best (My Favorite) Songs of 2024

To wrap up this 2024 year-end review, here are some of my favorite songs from the year. Almost all are taken from my favorite albums of the year, cause that's just how I listen to music, but there are a couple not from my favorite albums. I also broke this down into the regular songs (less than 14 min. length) and the Epics (>14 min. length), as those are a special category, mostly limited to Prog. Overall, then, here are 40 of my favorite songs, 30 regular, and 10 epics. 

Best Songs of 2024 (less than 14 min length)
30. One of the Many - Rick Miller
29. Enter the Ring - Steve Hackett
28. Burial Ground - The Decemberists
27. Magic Piano - Crowded House
26. Dance of the Will-o-the-Wisps - CEN-Projekt
25. Dark Morality - Returned to Earth
24. Revelationview - Kaipa
23. Betrayal - Pure Reason Revolution
22. Luck and Strange - David Gilmour
21. My Rhythm and My Rhyme - Burton Cummings
20. Coming of Age - Mile Marker Zero
19. Imposter! - Joe Deninzon and Stratospheerica
18. It Leads To This - The Pineapple Thief
17. Ever Interceding - Neal Morse and The Resonance
16. Come to Light - Meer
15. Golden Years - The Lemon Twigs
14. Collapse the Wave - IZZ
13. Esoterica - Kyros
12. Broken - Kite Parade
11. Heavy Pencil - Rosalie Cunningham
10. Chichikov Bogd - Ritual
9. In the Autumn - Beardfish
8. True Messenger - Jon Anderson and the Band Geeks
7. Pay the Price - Bend Sinister
6. The Dream of Rhonabwy - Albion
5. All Day - Guster
4. Going Home - Mark Knopfler's Guitar Heroes (featuring more than 50 all-star guitarists and guests)
3. Different Kind of Day - Cloud Cult
2. The Fool - Circe Link and Christian Nesmith
1. Summer Set You Free - Barock Project

Best Epics (14 min or longer)
10. Non Sum Non Cura - Haven of Echoes
9. Life in the Wires - Frost
8. Platforms of Illusion - Emerald City Council
7. Out in the Open - Beardfish
6. No Hill for a Climber - Neal Morse and The Resonance
5. Back in Time - Oddleaf
4. Artemis - Versa
3. Once Upon a Dream - Jon Anderson and the Band Geeks
2. The Chariot - Circe Link and Christian Nesmith
1. Beneath the Masts - Big Big Train  

Well that about does it for 2024, which actually was a very good year for music, lots of really cool and creative stuff. Here's hoping for an even better 2025. May you all have a happy and healthy New Year, and always keep listening to music, both old and new.  


Tuesday, December 24, 2024

More Best Albums of 2024; Honorable Mentions, Surprises, Disappointments, etc.

 

More Best Albums of 2024; Honorable Mentions, Surprises, Disappointments, Cover, etc.

Honorable Mentions: More very good albums

Having already covered what I consider the very best albums of 2024 (my favorites) in the previous post (here), I continue on with many more very good albums that just didn't quite make the top 40 list. This was a really good year for new music, so these are all still really good. I've separated them into Prog and Prog-related and Other music categories. Short descriptions of each were provided in the previous quarterly posts, so I am just going to list them without further comment here

Prog-related:
Frost - Life in the Wires
Kyros - Mannequin
Haven of Echoes - Memento Vivere
Von Hetzen Brothers - In Murmuration
The Tangent - To Follow Polaris
Neal Morse - The Restoration: Joseph Part 2
Trojka - Strobemorke
Isbjorg - Falter, Endure
King Gizzard and The Lizard Wizard - Fight b741
Jupiter Fungus - Garden Electric
The Winstons - Third
Dilemma - The Purpose Paradox
Myth of Logic - Light at the End
SJS - Sequence of Mistakes
Kalandra - A Frame of Mind
Monkey3 - Welcome to the Machine
Karfagen - Messages From Afar: Second Nature
The Samaria of Prog - The Time Machine
The Samaria of Prog - Quiet Town
Mesa Verde - All is Well
Sleepmakeswaves - It's Here But I Have No Names For It
Sykofant - Sykofant
 
Non-prog:
Gillian Welch and David Rawlings - Woodland
Lemon Twigs - A Dream Is All We Know
Waxahatchee - Tiger's Blood 
Adrianne Lenker - Bright Future
English Teacher - This Could be Texas
Father John Misty - Mahashmashana
Jessica Pratt - Here in the Pitch
Pillow Queens - Name Your Sorrow
Mark Knopfler - One Deep River
Nick Lowe - Indoor Safari
The Cure - Songs of a Lost World

More Good albums worth checking out

These are pretty good albums, ones that have some really good to great qualities, but may be uneven or  have some issues that detract from the overall whole, but are still well worth checking out.

The Last Dinner Party - Prelude to Ecstasy
Everything Everything - Mountainhead
Dawes - Oh Brother
The Coward Brothers - The Coward Brothers
Vampire Weekend - Only God Was Above Us
Deep Purple - =1
Pearl Jam - Dark Matter 
Avett Brothers - Avett Brothers
Nektar - Mission to Mars
Motorpsycho - Neigh! 
Focus - 12
Blitzentrapper - 100's of 1000's
Norah Jones - Visions
Weather Systems - Ocean Without a Shore 
MJ Lenderman - Manning Fireworks
Inner Prospekt - Unusual Movements
The Aristocrats - Duck
Drifting Sun - Veil
Ellesmere - Stranger Skies
WIZRD - Elements
Caligula's Horse - Charcoal Grace
The Smile - Cut-Outs
The Mommyheads - One-Eyed Band
Karfagen - Land of Chameleons
Maya - Fading Tomorrow
The Windmill - Mindscapes
Hourglass - Voids & Visions
Rendezvous Point - Dream Chaser
Ice - Man in the Moon
Bent Knee - Twenty Pills Without Water
klark.sound - What is Music
Cats in Space - Time Machine
Christopher Owens - I Wanna Run Barefoot Through Your Hair
 
Biggest Surprises
There were several albums from bands I was not familiar with that were great, but they were not really surprises, just great new finds (such as Barock Project, Albion, IZZ, and Bend Sinister). These were the albums that were most surprising, in that they were much better than expected. Thus, most of these came from established artists that I knew pretty well, but that really surprised me with just how good these albums were. Some from legendary but aging artists that have come back in a big way with these latest albums. 
 
Circe Link and Christian Nesmith - Arcana
Jon Anderson & the Band Geeks - True
Burton Cummings - A Few Good Moments 
Crowded House - Gravity Stairs
 
Best Album Cover

Oddleaf - Where Ideal and Denial Collide 
 
 
 
Runner-ups:
Kalandra - A Frame of Mind
Versa - A Voyage A Destination part 2
Big Big Train - The Likes of Us 
Beardfish - Songs For Beating Hearts


 



 

 
Disappointments
These were not necessarily bad albums, but were disappointing in that they were from really good bands and represented weaker albums that followed especially strong albums
 
Dawes - Oh Brother
Motorpsycho - Neigh! 

Acclaimed? Really?
Lastly, there are several bands/artists that have been highly acclaimed and appear on many of these best of the year lists, but which do nothing at all for me. I just don't get them, or don't see the appeal. I can't really call them disappointments because I didn't expect much from them, but have been really surprised that they have been ranked so highly by others. These include:
 
Nick Cave - Wild God 
Opeth - The Last Will and Testament
Geordy Greep - The New Sound
Mur - Mur
Sleepytime Gorilla Museum - Of the Last Human Being
The Smile - Wall of Eyes 
and worst of all:
Charli XCX - Brat


Still to Come - Best Songs of the Year

 


  

Friday, December 20, 2024

Best (My Favorite) Albums of the Year - 2024 - Top 40


 


 Best (My Favorite) Albums of the Year - 2024 - Top 40

Here we are at the end of another year and time to take a look back at all the great music that came out this year. And there was quite a lot of truly great great music. As readers of this blog should know, my preferred styles of music lean heavily toward progressive rock, classic rock, power pop, folk-rock, and some singer-songwriter types, thus those types are what is featured here. What you won't find on my list are many of the pop artists that seem to dominate these best of lists from more mainstream music sites (so no Charli xcx or Beyonce, or even The Cure or Eontaines DC here). This year I listened to many more new albums (over 150!) than in previous years, and I was able to cover my favorites in my quarterly New Album Roundup reports (Winter [W], Spring [Sp1], [Sp2], Summer [SU1], [SU2], and Fall [Fa]), so virtually all these albums have been reviewed to some degree here previously. So, I don't go into detail here, just provide a very brief summary. For more info on these albums you can go to the new album review pages, as I have provided the link to the appropriate page following each entry.  So, without further ado, these are my picks for the top 40 albums of the year (as readers of this blog know, it is heavily skewed toward progressive rock because that is mostly what I listen to). So, there are many more eclectic or lesser-known music represented here. Anyway, here are my choices:

40. The Bardic Depths - What We Like in Stories [W]
Gentle, melodic prog, vocals and reed instruments from Peter Jones, beautiful arrangements, intelligent lyrics with a literary focus
39. Wrongbird - Don't Quote Me on That [SU1]
Great, eclectic blend of various styles, mixing in folk/americana with some jazz, funk, pop, kitschy old-timey vibes, theater, etc. A bit rough around the edges, but very enjoyable
38. Returned to the Earth - Stalagmite Steeple [SP2]
moody, atmospheric style, but more low-key, melodic, and gentler than most other prog bands,
37. Frost - Life in the Wires [Fa]
Sprawling double concept album (14 tracks, 86 minutes) that revives elements from earlier albums and adds new ones in their edgy progressive pop style. Many great and brilliant moments, but a bit too long and drags in spots
36. Meer - Wheels within Wheels [SU1]
Strong and powerful follow-up to their previous album from this Norwegian Symphonic progressive pop collective, bigger, bolder, more emotional, dramatic, and theatrical
35. David Gilmour - Luck and Strange [SU1]
Laid-back and mostly calm album from the legendary guitarist, letting his uniquely characteristic style play out slowly and gradually. A slow, languid album, that takes its time, with moody, atmospheric grooves, bluesy, tasteful fills.
34. Mandoki Soulmates - The Memory of Our Future [SP1]
Vibrant and engaging jazz-rock with catchy melodies and rhythms, masterful instrumental passages and extended solos, and thought-provoking lyrics. Numerous guest artists
33. Ben Folds - Sleigher [Fa]
Delightful Christmas album from Ben featuring mostly original songs spanning a variety of styles, both humorous and heartfelt (including 2 instrumentals), but always engaging and enjoyable.
32. Dirt Poor Robins - Firebird [W]
Genre-defying music from this 'Theatrical/Cinematic/Singer-Songwriting Rock Band', incorporating pop, rock, jazz, prog, musical theater, and nostalgia (music of the 1920's, 30's, 40's, and 50's), in this elaborate concept albums. Very theatrical, cinematic, but also quite accessible.
31. Burton Cummings - A Few Good Moments [SU2]
Surprisingly strong album from this legendary vocalist that shows off not only his still wonderful vocals, but his impressive songwriting as well. Mature, well-crafted songs of varying styles that come from a rich lifetime of experiences. Tasty arrangements and fills come from his crack back-up band.
 

30. Kaipa - Sommargryningsljus [SP1]
Classic symphonic prog with jazz elements, filled with grand themes and melodies, and abundant instrumental flourishes. One of the best from this veteran Swedish prog band
29. Circuline - C.O.R.E. [Fa]
Great mix of styles from sweet pop melodies to darker heavier aspects and instrumental flourishes throughout from this U.S. Prog band. Both male and female vocalists provide a rich tapestry.
28. Pure Reason Revolution - Coming up to Consciousness [SU2]
Atmospheric melodic prog with strong melodies and vocals. Wonderful mellow vocals and beautiful melodies leading to darker, heavier rock elements and crossover prog appeal.  
27. Rick Miller - One of the Many [SP1]
Canadian composer and multi-instrumentalist Rick Miller creates a moody, somewhat dark, but very melodic and beautiful concept album dealing with issues of emotional struggles, memory issues, nostalgia, and loss, with elements reminiscent of Pink Floyd, The Moody Blues, Mike Oldfield, Porcupine Tree, and The Alan Parsons Project.
  
26. Azure - Fym [SP2]
Dynamic, upbeat (often mind-spinningly frenetic) modern prog incorporating many influences, from classic prog, pop, metal, and jazz to fantasy and musical theater, in this sprawling concept album dealing with sci-fi-fantasy adventure elements.
25. Crowded House - Gravity Stairs [SP1]
Crowded House returns with a different sound from their 80s-90s style, with more mature songwriting and more elaborate arrangements. Laid-back, with languid, dreamy pop songs featuring lush production and arranging.  
24. Cen-Projekt - The Story of Enja [SU1]
German composer-multi-instrumentalist Chris Engel delights with this is full-on classic symphonic fantasy element Prog, with songs and stories of elves, dragons, and ancient druids, and musical stylings deeply indebted to Genesis, Yes, Steve Hackett, Anthony Phillips, and other classic symphonic prog bands from the 70's.
23. Airbag - The Century of the Self [SP2]
This Norwegian prog band, known for their distinctive blend of progressive, ambient, and alternative rock, lay down a dark, moody, atmospheric base, punctuated by scorching guitar leads and evocative melodies and vocals. Excellent musicianship and song construction are evident throughout, as they take their time to create an atmosphere and build upon it with wonderful results.

22. The Decemberists - As It Ever Was, So It Will Be Again [SP2]
This folk/indie rock band with proggy tendencies return to some more progressive leanings in this ambitious release featuring many different styles. Overall, a quite wonderful, moving, and satisfying album.
21. Emerald City Council - Motion Carries [W]
Delightful debut album from Emerald City Council, led by multi-instrumentalist (and University Music professor) Brent Brisbow, featuring fun, pop-oriented, accessible, melodic prog rock. Guitar and saxophone-infused tracks cover a variety of classic and modern prog influences.
20. Ritual - The Story of Mr.Bogd, Part 1 [SU1]
This Swedish Prog band features a varied musical approach incorporating classic progressive rock with folk, punk, and various modern elements. Great diversity and originality, from classically-influenced melodic instrumentals to hard-rocking modern prog, and they also feature many eclectic acoustic instruments, such as bouzoukis, mandolins, flutes, harmonica, etc. well-integrated into their sound.
19. Joe Deninzon & Stratospheerius - Imposter! [Fa]
Violinist Joe Deninzon (Kansas) leads this band and serves up some great symphonic prog with a classic rock spirit and vibe. A dynamite band with a hard-rocking edge and spirit throughout, but plenty of great melodies and vocals as well. Delivers great rockin' prog with a Kansas edge

18. Mile Marker Zero - Coming of Age [SU1]
Third full-length album from this modern melodic Progressive rock band from New Haven, CT. Great mix of various Prog elements (from moody and atmospheric to heavier prog metal influences) while also maintaining strong and solid rock melodies and vocals throughout, and their own unique sound.
17. Kite Parade - Disparity [Fa]
The creation of Andy Foster, who writes and sings the songs, plays most of the instruments (guitars, bass, sax, keyboards, etc.), and coordinates all the parts, delivers his own brand of progressive pop, mixing superb prog elements with accessible pop melodies and classic rock vibes. With this concept album dealing with aspects of the disparity of wealth around the world, he has reached new heights, and produced his best yet.
16. Steve Hackett - The Circus and the Nightwhale [W]
The latest from guitarist extraordinaire Steve Hackett is a concept album with a story based on Steve's own life experiences, and is something special, his best album in many years. Mixes together songs of many different styles, ranging from classical guitar stylings to dark and ominous heavy prog metal riffs, as well as lighter more melodic pop and rock, with international stylistic flourishes, strong harmony vocals, and even some Genesis-reminiscent passages.
15. Neal Morse and The Resonance - No Hill for a Climber [Fa]
Progger elite Neal Morse is back with a totally new band, and this new blood has revitalized Neil's music to some degree, as he delivers one of his best albums in some time. Constructed with opening and closing mammoth-length epic tracks with shorter songs in-between, Neal has once again concocted an engaging, satisfying album of world-class prog. 

14. Beardfish - Songs For Beating Hearts [Fa]
Beardfish is back after an extended hiatus with their original lineup intact. And they return with a stellar new album that returns to some of their classic prog roots and adds in some more folky influences and a comfortable 70's feel. The songs go through various moods and changes, delivering emotional and heartfelt passages, from the more acoustic and folky to the more heavy and dramatic, a wonderful album and welcome return of Beardfish.
13. The Pineapple Thief - It Leads To This [W]
Another great album from veteran prog band The Pineapple Thief lead by composer-guitarist-vocalist Bruce Soord. Opens with a soft understated cool, but dark vibe and develops into a slow boil, then really takes off with their blend of atmosphere, melody, and rhythms, building intensity amid heavier riffs. Throughout, the understated vocals and melodies of Soord mixed with the dynamic drumming of Gavin Harrison, and the rhythms and riffs of the rest of the band create rich and satisfying soundscapes.
12. Oddleaf - Where ideal and Denial Collide [Fa]
Impressive debut album from this French progressive rock band featuring a symphonic prog style that mixes elements of classic 70's prog (Camel, Yes, Genesis, Renaissance) with a modern prog aesthetic (Big Big Train, Wobbler). Keyboard-driven songs highlighted with flute, exquisite lead female vocals, and nice multi-part harmonies form the core of the band's sound.
11. Versa - A Voyage A Destination Part 2 [Fa]
Canadian Prog band led by multi-instrumentalist-vocalist Matthew Dulmage. This album improves upon the previous (and quite good) part 1 album in almost every aspect. Mainly instrumental, featuring acoustic instrumentation (piano, flute, violin, horns, etc.) in their arrangements, filled with beautiful, soothing melodies and harmonies that provide a welcome respite from the harsh, aggressive, violent world around us. Most songs start plainly and simply but build with delicately intricate melodies and harmonies. 


 
10. Bend Sinister - Mostly Great Things [SP1]
Canadian Indie rock/progressive rock band from Vancouver, British Columbia, have found their niche with a more vibrant and dynamic rockin' power pop style. Really great album of tight, bright, uptempo, catchy power pop and melodic rock songs. They show many influences, from 70's pop-rock and classic rock to modern prog, but they have their own unique style and sound. They have a fresh sound, but also somewhat familiar in a classic rock sense. Such great fun and a real feel-good album. 
 
9. Rosalie Cunningham - To Shoot Another Day [Fa]
 
Composer-multi-instrumentalist-vocalist Rosalie has crafted an endlessly interesting, creative, and entertaining album. An uncategorizable mixture of many different styles, with a pop sensibility at the forefront, but so many intriguing twists and turns not only between songs but within them as well. With a sound that combines 60's psychedelia with elements of rock, jazz, blues, nostalgia, and eclectic pop, there are delights to be found at every turn.  
8. Jon Anderson & The Band Geeks - True [SU2]

A wonderful, resurgent album from the former lead vocalist (and musical heart) of Yes, as here he returns with one of his very best works (at 80 yrs old!), and back to a style and sound quite reminiscent of classic Yes through the years. This is made possible by his collaboration with this top-notch band of exquisite musicians, The Band of Geeks, who are well-versed in the Yes style and sound, and they contribute immensely to the success of this album, much more than just a back-up band, as they are a true band that creates great musical moments in their songs, arrangements and solos. Despite his years, Jon's voice still shines bright and clear, and this set of songs are great and work beautifully throughout the album. 
  
7. IZZ - Collapse the Wave [SP2]

A fantastic album from this modern prog band from New York playing their own version of symphonic prog. Takes classic symphonic prog influences, mixes it with various other elements (including classical, jazz, pop, and theater) and a modern perspective, and creates something wonderful and new from it. Sure, there are glimpses of the various classic bands (Yes, Genesis, Gentle Giant, ELP, Steely Dan, the Beatles, etc), but those elements quickly morph into something different and varied, and uniquely this band's own.
 
6. Guster - Ooh La La [SP1]
Love this album from veteran Boston indie rock band Guster featuring their bright vocal harmonies and melodies and shimmering pop soundscapes. This is the album I have listened to more than any other this year, it is such a great listen. This is a culmination of all their years of experience, showing their growth and development as songwriters, musicians, and recording artists, and brings together some of the style of their earlier songs, but with added depth and more sophisticated arrangements and production, and it is absolutely brilliant from beginning to end. Somewhat low-key, but a slow grower that gets better with each listen. Beautiful, well-crafted, uplifting songs with warmth and goodwill, expertly played, with great arrangements and impeccable production. Every song is a gem.

5. Albion - Lakesongs of Elbid [W]
Another somewhat new band releasing their first full-length album, and what a fantastic album this is, with a unique and exciting sound that the band calls folk metal, which mixes Old English-style folk music with classical, hard rock, and prog metal for a rousing sonic journey. But it is much more than that, with a wide range of styles and influences, featuring songs ranging from traditional folk with acoustic guitar and vocal harmonies to a rockin' Sea Shanty all the way to full-on progressive metal, but on most songs creating an exhilarating blend of multiple styles in a bold symphonic prog. A stunningly good album. Fresh, invigorating, exciting, and exemplifies what Progressive rock is all about.  

4. Circe Link and Christian Nesmith - Arcana [SU2]
Probably the surprise album of the Year! Circe Link and Christian Nesmith (son of Michael Nesmith) are a couple that have been making music together for over 20 years, but only recently turned to progressive rock. This is their 2nd prog album, and it is fantastic! This is in the classic symphonic Prog tradition and emulates the sounds and styles of classic prog bands, most notably Yes, and also Genesis, Gentle Giant, and others, but is not a copy or imitation. It creates its own vivid original music, with wonderful melodies, vocals, and extended magical instrumental passages. This succeeds where others have struggled (in emulating classic prog) due to the great composition and flawless execution creating inventive and exciting new prog masterworks, certainly reminiscent of the classics, but also bringing its own unique and memorable songs. 
 
3. Cloud Cult - Alchemy Creek [SU1]
 
This great, eclectic, Symphonic Folk band from St.Cloud, MN, has become one of my favorite bands over the past few years, and this is such a moving, inspiring, emotive album. A low-key powerhouse, with more of their personal, relatable, emotional, philosophical, and very inspiring songs describing life's journeys and the human condition. Deceptively simple songs that build through creative arrangements and instrumentation into emotionally powerful and satisfying themes and melodies. Led by singer-songwriter Chris Minowa, and featuring an array of different instruments (strings, brass, percussion, etc.), they create moving songs and atmospheres that I really connect with personally, both musically and lyrically.  

2. Big Big Train - The Likes of Us [W]
Surviving numerous changes and tragedies over the past several years, the band has regrouped, added new members, and make a triumphant return with this latest album, and what a fantastic return it is.
New vocalist Alberto Brevin brings a different presence to the band, as he has his own style and commanding voice that is all his own. He also has added substantially in the songwriting, playing, and arrangements of many of the songs on the album. Although forging on in some new directions, the album maintains the the essence of what makes Big Big Train great, with beautiful melodies, soaring instrumental passages, evocative narratives, and sweeping majestic themes, maintaining effective use of strings and horns, as well occasional bursts of heavier prog instrumental sections. The album delivers another astounding chapter in the musical adventures of BBT, and continues their reign, at least for me, at the top of modern progressive rock. 

1. Barock Project - Time Voyager [SP2]
This has remained at the top spot for me all year, ever since I first heard it back in Spring, and it just has to be my #1. This Italian Prog band mixes classical (mainly baroque style), with rock, jazz, and pop in a progressive rock framework. Sensational album, Superb Symphonic Prog! Great balance between the classical influences and more rockin' aspects, as well as deft handling of all the other myriad influences for a truly wonderful listening adventure. Especially appreciate the way they interwove the more eclectic proggy elements (such as odd beats and time signatures, extended instrumental passages, etc) with more mainstream melodic rock and vocal harmonies. This is exactly what I want in a new progressive rock album and why I love progressive rock. Just a superb album with numerous highlights throughout, and no lapses or weaknesses.  


OK, so those are my overall favorites. What were yours? I will be back with some more year-end faves, including many more honorable mentions. really good albums that just didn't make my top 40, as well as other categories, most surprising, disappointments, and then best songs of the year. Let me know what you think of my choices, and tell me yours.  

Best of the Year update:

Since posting my own album list here I have been going through all the best album rankings from the various music sites and publications (AOTY has compiled many lists (over 100) in one place as well as a composite list incorporating all of the together) and it has been quite a revelation. I knew my tastes and musical interests were somewhat outside the mainstream, but I hadn't realized just how much until going through these lists. I have consistently maintained that this was a very good year for music, but based solely on these lists I would have to conclude that it was pretty poor (if these truly represented the best of the year). None of the albums in my Top 25, and only 1 (David Gilmour) of my top 40 are mentioned at all in any of the lists I saw. No Prog-related albums at all were included in any of these lists. How can this be?  

I have subsequently gone through and listened to many of the 'best' albums from these various lists, and yes, most are at least pretty good to very good, at least I can see their appeal, but none that I have listened to would make my top 25 or probably even my top 40 list, so I am pretty comfortable with the choices I made. I guess the moral here is that there is a lot of great music being made, but you really have to seek out the kind of music you really love. These best of lists can provide some great suggestions for quality music you may not be familiar with that is worth checking out, but you are the ultimate judge, and you can't just go by what is popular, or even what the critics or user reviews recommend. 

I may provide a more thorough update on what I found in these 'other' lists, my impressions on some of these the top selections I hadn't previously heard, and what I got out of this whole exercise.